Surface Rights

Drifting, drifting down the River,
Tawny current and foam-flecked tide,
Sorrowful songs of lonely boatmen,
Mournful forests on either side.

Thine are the outcrops' glittering blocks,
The quartz where the rich pyrites gleam,
The golden treasure of unhewn rocks
And the loose gold in the stream.

But, - the dim vast forests along the shore,
That whisper wonderful things o' nights, -
These are things that I value more,
My beautiful "surface rights."

Drifting, drifting down the River, -
Stars a-tremble about the sky -
Ah, my lover, my heart is breaking,
Breaking, breaking, I know not why.

Why is Love such a sorrowful thing?
This I never could understand;
Pain and passion are linked together,
Ever I find them hand in hand.

Loose thy hair in its soft profusion,
Let thy lashes caress thy cheek, -
These are the things that express thy spirit,
What is the need to explain or speak?

Drifting, drifting along the River,
Under the light of a wan low moon,
Steady, the paddles; Boatmen, steady, -
Why should we reach the sea so soon?

See where the low spit cuts the water,
What is that misty wavering light?
Only the pale datura flowers
Blossoming through the silent night.

What is the fragrance in thy tresses?
'T is the scent of the champa's breath;
The meaning of champa bloom is passion -
And of datura - death!

Sweet are thy ways and thy strange caresses,
That sear as flame, and exult as wine.
But I care only for that wild moment
When my soul arises and reaches thine.

Wistful voices of wild birds calling -
Far, faint lightning towards the West, -
Twinkling lights of a Tyah homestead, -
Ruddy glow on a girl's bare breast -

Drifting boats on a mournful River,
Shifting thoughts in a dreaming mind, -
We two, seeking the Sea, together, -
When we reach it, - what shall we find?

Adela Florence Cory Nicolson

Adela Florence Nicolson, better known by her pen name Laurence Hope, was an English poet who gained popularity in the early 20th century for her verse inspired by Indian themes and settings. She was born on April 9, 1865, in Stoke Bishop, England. Nicolson's work is often associated with themes of love, longing, and the exoticism of the East. She tragically ended her own life on October 4, 1904. Despite her short life, her poetry left a lasting impact and continues to be read and appreciated.

Adela Florence Cory Nicolson

The Teak Forest

Adela Florence Cory Nicolson, Simple Poetry

When Love is Over - Song of Khan Zada

Adela Florence Cory Nicolson, Simple Poetry

Kashmiri Song by Juma

Adela Florence Cory Nicolson, Simple Poetry

Memory

Adela Florence Cory Nicolson, Simple Poetry

English

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I Arise and go Down to the River

I arise and go down to the River, and currents that come from the sea,
Still fresh with the salt of the ocean, are lovely and precious to me,
The waters are silver and silent, except where the kingfisher dips,
Or the ripples wash off from my shoulder the reddening stain of thy lips.

Two things make my joy at this moment: thy gold-coloured beauty by night,
And the delicate charm of the River, all pale in the day-breaking light,
So cool are the waters' caresses. Ah, which is the lovelier, - this?
Or the fire that it kindles at midnight, beneath the soft glow of thy kiss?

Ah, Love has a mighty dominion, he forges with passionate breath
The links which stretch out to the Future, with forces of life and of death,
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Second Song: The Girl from Baltistan

    Throb, throb, throb,
Far away in the blue transparent Night,
On the outer horizon of a dreaming consciousness,
She hears the sound of her lover's nearing boat
    Afar, afloat
On the river's loneliness, where the Stars are the only light;
    Hear the sound of the straining wood
    Like a broken sob
    Of a heart's distress,
    Loving misunderstood.

She lies, with her loose hair spent in soft disorder,
On a silken sheet with a purple woven border,
Every cell of her brain is latent fire,
Every fibre tense with restrained desire.
    And the straining oars sound clearer, clearer,
    The boat is approaching nearer, nearer;
    "How to wait through the moments' space
    Till I see the light of my lover's face?"

    Throb, throb, thro...

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Reverie of Ormuz the Persian

Softly the feathery Palm-trees fade in the violet Distance,
Faintly the lingering light touches the edge of the sea,
Sadly the Music of Waves, drifts, faint as an Anthem's insistence,
Heard in the aisles of a dream, over the sandhills, to me.

Now that the Lights are reversed, and the Singing changed into sighing,
Now that the wings of our fierce, fugitive passion are furled,
Take I unto myself, all alone in the light that is dying,
Much of the sorrow that lies hid at the Heart of the World.

Sad am I, sad for your loss: for failing the charm of your presence,
Even the sunshine has paled, leaving the Zenith less blue.
Even the ocean lessens the light of its green opalescence,
Since, to my sorrow I loved, loved and grew weary of, you.

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The Teak Forest

Whether I loved you who shall say?
Whether I drifted down your way
In the endless River of Chance and Change,
And you woke the strange
Unknown longings that have no names,
But burn us all in their hidden flames,
    Who shall say?

Life is a strange and a wayward thing:
We heard the bells of the Temples ring,
The married children, in passing, sing.
The month of marriage, the month of spring,
Was full of the breath of sunburnt flowers
That bloom in a fiercer light than ours,
And, under a sky more fiercely blue,
    I came to you!

You told me tales of your vivid life
Where death was cruel and danger rife -
Of deep dark forests, of poisoned trees,
Of pains and passions that scorch and freeze,
Of southern noontides and eastern nights,

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The Rice-boat

I slept upon the Rice-boat
That, reef protected, lay
At anchor, where the palm-trees
Infringe upon the bay.
The windless air was heavy
With cinnamon and rose,
The midnight calm seemed waiting,
Too fateful for repose.

One joined me on the Rice-boat
With wild and waving hair,
Whose vivid words and laughter
Awoke the silent air.
Oh, beauty, bare and shining,
Fresh washen in the bay,
One well may love by moonlight
What one would not love by day!

Above among the cordage
The night wind hardly stirred,
The lapping of the ripples
Was all the sound we heard.
Love reigned upon the Rice-boat,
And Peace controlled the sea,
The spirit's consolation,
The senses' ecstasy.

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The Garden by the Bridge

The Desert sands are heated, parched and dreary,
    The tigers rend alive their quivering prey
In the near Jungle; here the kites rise, weary,
    Too gorged with living food to fly away.

All night the hungry jackals howl together
    Over the carrion in the river bed,
Or seize some small soft thing of fur or feather
    Whose dying shrieks on the night air are shed.

I hear from yonder Temple in the distance
    Whose roof with obscene carven Gods is piled,
Reiterated with a sad insistence
    Sobs of, perhaps, some immolated child.

Strange rites here, where the archway's shade is deeper,
    Are consummated in the river bed;
Parias steal the rotten railway sleeper
    To burn the bodies of their cholera dead.

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