Thalia And Melpomene.

The night would sadden us with wind and rain
Let's to sweet Comedy and scorn the night!
Let's read together: how, by silver light,
The fairies went, a most enchanting train.
Amid those clowns and lovers; how the twain,
Celia and Rosalind, as shepherds dight.
Frolicked through Arden; or of that rare sprite,
That Ariel, who could trick the mortal brain
To strange beliefs. What! wilt have nothing glad?
Wilt read, while winds are moaning out regret.
The fate of Desdemona, Juliet?
Lovest the rain to come and make thee sad?
Ah, well!, I know!, How sweet the tragic part!
I am grown old, but once, was what thou art I

Margaret Steele Anderson

Margaret Steele Anderson was an American poet and author, born on October 8, 1867. She is known for her lyrical and expressive poetry, which often explores themes of nature, emotion, and personal reflection. Anderson's works include several published collections of poetry and prose that garnered critical acclaim during her lifetime. Though not as widely recognized today, her contributions to American literature remain significant. She passed away on October 7, 1921.

Margaret Steele Anderson

The Lesser Beauty.

Margaret Steele Anderson, Simple Poetry

The Putto.

Margaret Steele Anderson, Simple Poetry

A Greek Lyrist Sings Of Apollo.

Margaret Steele Anderson, Simple Poetry

The Prayer Of The Weak.

Margaret Steele Anderson, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

Thalia

A Middle-Aged Lyrical Poet Is Supposed To Be Taking Final Leave Of The Muse Of Comedy. She Has Brought Him His Hat And Gloves, And Is Abstractedly Picking A Thread Of Gold Hair From His Coat Sleeve As He Begins To Speak:

I say it under the rose--
oh, thanks!--yes, under the laurel,
We part lovers, not foes;
we are not going to quarrel.

We have too long been friends
on foot and in gilded coaches,
Now that the whole thing ends,
to spoil our kiss with reproaches.

I leave you; my soul is wrung;
I pause, look back from the portal--
Ah, I no more am young,
and you, child, you are immortal!

Mine is the glacier's way,
yours is the blossom's weather--
When were December and May
known to be happy together?

Before my kisses grow tame,

Thomas Bailey Aldrich

Margaret

I.
O sweet pale Margaret,
O rare pale Margaret,
What lit your eyes with tearful power,
Like moonlight on a falling shower?
Who lent you, love, your mortal dower
Of pensive thought and aspect pale,
Your melancholy sweet and frail
As perfume of the cuckoo-flower?
From the westward-winding flood,
From the evening-lighted wood,
From all things outward you have won
A tearful grace, as tho you stood
Between the rainbow and the sun.
The very smile before you speak,
That dimples your transparent cheek,
Encircles all the heart, and feedeth
The senses with a still delight
Of dainty sorrow without sound,
Like the tender amber round,
Which the moon about her spreadeth,
Moving thro a fleecy night.

II.
You love, remaining peacefull...

Alfred Lord Tennyson

Home.

A spirit is out to-night!
His steeds are the winds; oh, list,
How he madly sweeps o'er the clouds,
And scatters the driving mist.

We will let the curtains fall
Between us and the storm;
Wheel the sofa up to the hearth,
Where the fire is glowing warm.

Little student, leave your book,
And come and sit by my side;
If you dote on Tennyson so,
I'll be jealous of him, my bride.

There, now I can call you my own!
Let me push back the curls from your brow,
And look in your dark eyes and see
What my bird is thinking of now.

Is she thinking of some high perch
Of freedom, and lofty flight?
You smile; oh, little wild bird,
You are hopelessly bound to-night!

You are bound with a golden ring,
And your captor, like some g...

Marietta Holley

Odes From Horace. - [1]To Telephus. Book The Third, Ode The Nineteenth.

The number of the vanish'd years
    That mark each famous Grecian reign,
This night, my Telephus, appears
    Thy solemn pleasure to explain;

Or else assiduously to dwell,
    In conscious eloquence elate,
On those who conquer'd, those who fell
    At sacred Troy's devoted gate.

But at what price the cask, so rare,
    Of luscious chian may be ours,
Who shall the tepid baths prepare,
    And who shall strew the blooming flowers;

Beneath what roof we next salute,
    And when shall smile these gloomy skies,
Thy wondrous eloquence is mute,
    Nor here may graver topics rise. -

Fill a bright bumper, - to the Moon!
    She's new! - auspicious be her birth!
One to the Midnight! - 't is our noon
    Of jocund thought, and fes...

Anna Seward

The Fairy Rade.

        I.

Ai me! why stood I on the bent
When Summer wept o'er dying June!
I saw the Fairy Folk ride faint
    Aneath the moon.


        II.

The haw-trees hedged the russet lea
Where cuckoo-buds waxed rich with gold;
The wealthy corn rose yellowly
    Endlong the wold.


        III.

Betwixt the haw-trees and the mead
"The Fairy Rade" came glimmering on;
A creamy cavalcade did speed
    O'er the green lawn.


        IV.

The night was ringing with their reins;
Loud laughed they till the cricket hushed;
The whistles on their coursers' manes
    Shrill music gushed.


        V.

The whistles tagged their horses' manes
All crystal clear; on these a wind
Fore...

Madison Julius Cawein

Ode To Melancholy.

Come, let us set our careful breasts,
Like Philomel, against the thorn,
To aggravate the inward grief,
That makes her accents so forlorn;
The world has many cruel points,
Whereby our bosoms have been torn,
And there are dainty themes of grief,
In sadness to outlast the morn, -
True honor's dearth, affection's death,
Neglectful pride, and cankering scorn,
With all the piteous tales that tears
Have water'd since the world was born.

The world! - it is a wilderness,
Where tears are hung on every tree;
For thus my gloomy phantasy
Makes all things weep with me!
Come let us sit and watch the sky,
And fancy clouds, where no clouds be;
Grief is enough to blot the eye,
And make heaven black with misery.
Why should birds sing such merry notes,

Thomas Hood