The Chain Gang

Borne in the car along a crowded way,
Sun-soaked, I saw the world like shadows glide,
Or phantom boats, upon a running tide,
Driven through flying fog at break of day.
The chain gang? Yes, I heard a woman say,
Here in this very street. I glanced aside
And saw the fetters that she flashed in pride,
And turned again to watch the worlds array.
Clearly I saw men scurrying on the hour,
Young girls who weary all day on dainty feet,
Dandies whose socks betoken infinite pains,
The life that springs and withers like a flower:
I heard the gangs go clanking down the street,
Intolerably patient of their chains.

John Le Gay Brereton

John Le Gay Brereton was an Australian poet, critic, and professor of English who was born on September 2, 1871, and died on February 2, 1933. He is best known for his association with the Bulletin school of Australian poetry and for promoting Australian literature. Brereton's contributions to poetry and literary criticism made him a significant figure in early 20th-century Australian literature. His academic career also included a long tenure at the University of Sydney.

John Le Gay Brereton

Lali

John Le Gay Brereton, Simple Poetry

The Clay

John Le Gay Brereton, Simple Poetry

Erskine

John Le Gay Brereton, Simple Poetry

Kretschmann

John Le Gay Brereton, Simple Poetry

English

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In A Tram

One of the twain was long and dusty grey,
And like a spark that in the ashes lies,
Satiric laughter glinted in his eyes
And made his nose auroral with its ray:
The other like a huge black bird of prey,
His hat enorm, his pipe of awful size,
His coat hung empty-sleeved in careless wise,
Loomed a fat angel from the pit astray.
A voice was booming ever: laugh and jeer
Mingled with noble praise of battling right,
And verse and girls were mixed with radiant beer
And all the city tram was given sight
Of the invisible dark and bidden hear
Unsplashing silence of the pouring light.

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Embankment At Night, Before The War

Outcasts.

The night rain, dripping unseen,
Comes endlessly kissing my face and my hands.

The river, slipping between
Lamps, is rayed with golden bands
Half way down its heaving sides;
Revealed where it hides.

Under the bridge
Great electric cars
Sing through, and each with a floor-light racing along at its side.
Far off, oh, midge after midge
Drifts over the gulf that bars
The night with silence, crossing the lamp-touched tide.

At Charing Cross, here, beneath the bridge
Sleep in a row the outcasts,
Packed in a line with their heads against the wall.
Their feet, in a broken ridge
Stretch out on the way, and a lout casts
A look as he stands on the edge of this naked stall.

Beasts that sleep will cover
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Transports

Behind us lay the homely shore
With youthful memories aureoled;
A sky of dazzling blue before,
We sailed a sea of molten gold.

To our old haven we return;
By smoky hills as grey as mud
We see the sullen sunset burn
Malignant on a lake of blood.

Yes, we return: but memory roams
A foul, bleak age of pain that yields
The smoke and flame of ruined homes,
The muck of cannon-pitted fields.

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The Domain

The bulging cloud mounts lazily
In shade where sunlight glances through,
And sweeping lightly from the tree
Melts indolently in the blue.

The scanty grass-blades yonder shake,
A tremulous flurry takes the smoke,
And ancient memories start awake
At pungent scent of fig and oak.

For here of old an urchin strayed
And gloomed in lonely pride the while,
An outlaw in a forest glade
Or pirate on a tropic isle.

Here where a staid policeman strolls
Ned Kelly in his armour stood,
And underneath the roadway rolls
The river of the Haunted Wood.

And yonder, couched in phantom fern,
Not far from Nelsons rolling ship,
I spied the antlerd head of Herne
And saw the startled rabbit skip.

And Will Wing shook in desperate strife...

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The Child Impaled

Beside the path, on either hand,
To keep the garden beds,
The rusted iron pickets stand
Thin shafts and pointed heads.

And straight my spirit swooping goes
Across the waves of time
Till Im a little boy who knows
A fence is made to climb;

And bed and lawn and gloomy space
By thicket overgrown
Are wonderlands where I may trace
The beckoning Unknown.

But O the cruelty that strikes
My elder heart with dread
The writhing form upon the spikes,
The trickled pool of red!

So, every day I pass and see
The fence the urchin scales,
The little boy stands up in me
To curse the iron rails.

John Le Gay Brereton

Sitting On The Bridge

Sitting on the bridge
Past the barracks, town and ridge,
At once the spirit seized us
To sing a song that pleased us -
As "The Fifth" were much in rumour;
It was "Whilst I'm in the humour,
Take me, Paddy, will you now?"
And a lancer soon drew nigh,
And his Royal Irish eye
Said, "Willing, faith, am I,
O, to take you anyhow, dears,
To take you anyhow."

But, lo! - dad walking by,
Cried, "What, you lightheels! Fie!
Is this the way you roam
And mock the sunset gleam?"
And he marched us straightway home,
Though we said, "We are only, daddy,
Singing, 'Will you take me, Paddy?'"
- Well, we never saw from then
If we sang there anywhen,
The soldier dear again,
Except at night in dream-time,
Except at night in dream.

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