The Clock

The Clock! a sinister, impassive god
Whose threatening finger says to us: 'Remember!
Soon in your anguished heart, as in a target,
Quivering shafts of Grief will plant themselves;

Vaporous Joy glides over the horizon
The way a sylphid flits into the wings;
Each instant eats a piece of the delight
A man is granted for his earthly season.

Three thousand and six hundred times an hour
The Second sighs, Remember! Suddenly
That droning insect Now says: I am Past
And I have sucked your life into my nostril!

Esto memor! Remember! Souviens-toi!
(My metal throat speaks out in a every language)
Don't let the minutes, prodigal, be wasted
They are the ore you must refine for gold!

Remember, Time is greedy at the game
And wins on every roll! perfectly legal.
The day runs down; the night comes on; remember!
The water-clock bleeds into the abyss.

Soon sounds the hour when Chance the heavenly,
When Virtue the august, eternal virgin,
When even (oh! your last retreat) Repentance,
Will tell you: Die old coward! it's too late!'

Charles Baudelaire

Charles Baudelaire was a renowned French poet, essayist, and art critic born on April 9, 1821, in Paris, France. Best known for his collection of poems Les Fleurs du mal (The Flowers of Evil), Baudelaire profoundly influenced the Symbolist and Modernist movements. He led a controversial life, marked by financial difficulties, substance abuse, and relationships with various women. Despite a relatively short life, dying at the age of 46 on August 31, 1867, his work has had a lasting impact on both French and international literature. Baudelaire's writing is characterized by its exploration of beauty, decadence, and the human condition.

Charles Baudelaire

A Carcass

Charles Baudelaire, Simple Poetry

Lesbos

Charles Baudelaire, Simple Poetry

St Peter's Denial

Charles Baudelaire, Simple Poetry

The Seven Old Men

Charles Baudelaire, Simple Poetry

English

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The Double Chamber

A chamber that is like a reverie; a chamber truly spiritual, where the stagnant atmosphere is lightly touched with rose and blue.
There the soul bathes itself in indolence made odorous with regret and desire. There is some sense of the twilight, of things tinged with blue and rose: a dream of delight during an eclipse. The shape of the furniture is elongated, low, languishing; one would think it endowed with the somnambulistic vitality of plants and minerals.
The tapestries speak an inarticulate language, like the flowers, the skies, the dropping suns.
There are no artistic abominations upon the walls.
Compared with the pure dream, with an impression unanalysed, definite art, positive art, is a blasphemy.
Here all has the sufficing lucidity and the delicious obscurity of music.
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The Little Old Women

for Victor Hugo

I.

In sinuous coils of the old capitals
Where even horror weaves a magic spell,
Gripped by my fatal humours, I observe
Singular beings with appalling charms.

These dislocated wrecks were women once,
Were Eponine or Lais! hunchbacked freaks,
Though broken let us love them! they are souls.
Under cold rags, their shredded petticoats,

They creep, lashed by the merciless north wind,
Quake from the riot of an omnibus,
Clasp by their sides like relics of a saint
Embroidered bags of flowery design;

They toddle, every bit like marionettes,
Or drag themselves like wounded animals,
Or dance against their will, poor little bells
That a remorseless demon rings! Worn out

They are, yet they have eyes piercing like...

Charles Baudelaire

The Irreparable

How can we kill the long, the old Remorse
That lives, writhes, twists itself
And mines us as the worm devours the dead,
The cankerworm the oak?
How can we choke the old, the long Remorse?

And what brew, or what philtre, or what wine
Could drown this enemy,
As deadly as the avid courtesan,
And patient as the ant?
In what brew? in what philtre? in what wine?

Oh, say it if you know, sweet sorceress!
To this my anguished soul,
Like one who's dying, crushed by wounded men,
Stamped, trampled by a horse's hoof.
Oh, say it if you know, sweet sorceress,

To this man whom the wolf already sniffs
And whom the crow surveys,
This broken soldier! Must he then despair
Of having cross and tomb,
This dying man the wolf already sniffs!

Charles Baudelaire

The Irreparable

Can we suppress the old Remorse
Who bends our heart beneath his stroke,
Who feeds, as worms feed on the corse,
Or as the acorn on the oak?
Can we suppress the old Remorse?

Ah, in what philtre, wine, or spell,
May we drown this our ancient foe,
Destructive glutton, gorging well,
Patient as the ants, and slow?
What wine, what philtre, or what spell?

Tell it, enchantress, if you can,
Tell me, with anguish overcast,
Wounded, as a dying man,
Beneath the swift hoofs hurrying past.
Tell it, enchantress, if you can,

To him the wolf already tears
Who sees the carrion pinions wave,
This broken warrior who despairs
To have a cross above his grave--
This wretch the wolf already tears.

Can one illume a leaden sky,
Or tear ap...

Charles Baudelaire

The Beacons

Ubens, oblivious garden of indolence,
Pillow of cool flesh where no man dreams of love,
Where life flows forth in troubled opulence,
As airs in heaven and seas in ocean move.

Leonard Da Vinci, sombre and fathomless glass,
Where lovely angels with calm lips that smile,
Heavy with mystery, in the shadow pass,
Among the ice and pines that guard some isle.

Rembrandt, sad hospital that a murmuring fills,
Where one tall crucifix hangs on the walls,
Where every tear-drowned prayer some woe distils,
And one cold, wintry ray obliquely falls.

Strong Michelangelo, a vague far place
Where mingle Christs with pagan Hercules;
Thin phantoms of the great through twilight pace,
And tear their shroud with clenched hands void of ease.

The fighter's anger,...

Charles Baudelaire

Spleen

More memories than if I'd lived a thousand years!

A giant chest of drawers, stuffed to the full
With balance sheets, love letters, lawsuits, verse
Romances, locks of hair rolled in receipts,
Hides fewer secrets than my sullen skull.
It is a pyramid, a giant vault
Holding more corpses than a common grave.
I am a graveyard hated by the moon
Where like remorse the long worms crawl, and turn
Attention to the dearest of my dead.
I am a dusty boudoir where are heaped
Yesterday's fashions, and where withered roses,
Pale pastels, and faded old Bouchers,
Alone, breathe perfume from an opened flask.

Nothing is longer than the limping days
When under heavy snowflakes of the years,
Ennui, the fruit of dulling lassitude,
Takes on the size of immortality.

Charles Baudelaire