The Cow In Apple-Time

Something inspires the only cow of late
To make no more of a wall than an open gate,
And think no more of wall-builders than fools.
Her face is flecked with pomace and she drools
A cider syrup. Having tasted fruit,
She scorns a pasture withering to the root.
She runs from tree to tree where lie and sweeten.
The windfalls spiked with stubble and worm-eaten.
She leaves them bitten when she has to fly.
She bellows on a knoll against the sky.
Her udder shrivels and the milk goes dry.

Robert Lee Frost

Robert Lee Frost was an American poet renowned for his depictions of rural New England life, his realistic verse portraying ordinary people in everyday situations. Frost's work frequently employed themes from the natural world and championed common speech. He received four Pulitzer Prizes for Poetry and was a much-honored poet of his era. Some of his most famous works include 'The Road Not Taken,' 'Stopping by Woods on a Snowy Evening,' and 'Mending Wall.'

Robert Lee Frost

The Vanishing Red

Robert Lee Frost, Simple Poetry

Hannibal

Robert Lee Frost, Simple Poetry

To Earthward

Robert Lee Frost, Simple Poetry

Canis Major

Robert Lee Frost, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

The Cow.

("Devant la blanche ferme.")

[XV., May, 1837.]


Before the farm where, o'er the porch, festoon
Wild creepers red, and gaffer sits at noon,
Whilst strutting fowl display their varied crests,
And the old watchdog slumberously rests,
They half-attentive to the clarion of their king,
Resplendent in the sunshine op'ning wing -
There stood a cow, with neck-bell jingling light,
Superb, enormous, dappled red and white -
Soft, gentle, patient as a hind unto its young,
Letting the children swarm until they hung
Around her, under - rustics with their teeth
Whiter than marble their ripe lips beneath,
And bushy hair fresh and more brown
Than mossy walls at old gates of a town,
Calling to one another with loud cries
For younger imps to be in at ...

Victor-Marie Hugo

The Milkmaid

Under a daisied bank
There stands a rich red ruminating cow,
And hard against her flank
A cotton-hooded milkmaid bends her brow.

The flowery river-ooze
Upheaves and falls; the milk purrs in the pail;
Few pilgrims but would choose
The peace of such a life in such a vale.

The maid breathes words - to vent,
It seems, her sense of Nature's scenery,
Of whose life, sentiment,
And essence, very part itself is she.

She bends a glance of pain,
And, at a moment, lets escape a tear;
Is it that passing train,
Whose alien whirr offends her country ear? -

Nay! Phyllis does not dwell
On visual and familiar things like these;
What moves her is the spell
Of inner themes and inner poetries:

Could but by Sunday morn
Her gay ...

Thomas Hardy

Evening On The Farm

From out the hills, where twilight stands,
Above the shadowy pasture lands,
With strained and strident cry
Beneath pale skies that sunset bands,
The bull-bats fly.

A cloud hands over, strange of shape,
And, colored like the half-ripe grape,
Seems some uneven stain
On heaven's azure, thin as crape
And blue as rain.

By ways, that sunset's sardonyx
O'erflares, and gates the farmboy clicks,
Through which the cattle came,
The mullein stalks seem giant wicks
Of downy flame.

From woods no glimmer enters in,
Above the streams that wandering win
From out the violet hills,
Those haunters of the dusk begin,
The whippoorwills.

Adown the dark the firefly marks
Its flight in golden-emerald sparks;
And, loosened from this...

Madison Julius Cawein

Going For The Cows.

        I.

The juice-big apples' sullen gold,
Like lazy Sultans laughed and lolled
'Mid heavy mats of leaves that lay
Green-flatten'd 'gainst the glaring day;
And here a pear of rusty brown,
And peaches on whose brows the down
Waxed furry as the ears of Pan,
And, like Diana's cheeks, whose tan
Burnt tender secresies of fire,
Or wan as Psyche's with desire
Of lips that love to kiss or taste
Voluptuous ripeness there sweet placed.
And down the orchard vistas he, -
Barefooted, trousers out at knee,
Face shadowing from the sloping sun
A hat of straw, brim-sagging broad, -
Came, lowly whistling some vague tune,
Upon the sunbeam-sprinkled road.
Lank in his hand a twig with which
In boyish thoughtlessness he crushed
Rare pennyroyal myri...

Madison Julius Cawein

Evening On The Farm

From out the hills where twilight stands,
Above the shadowy pasture lands,
With strained and strident cry,
Beneath pale skies that sunset bands,
The bull-bats fly.

A cloud hangs over, strange of shape,
And, colored like the half-ripe grape,
Seems some uneven stain
On heaven's azure; thin as crape,
And blue as rain.

By ways, that sunset's sardonyx
O'erflares, and gates the farm-boy clicks,
Through which the cattle came,
The mullein-stalks seem giant wicks
Of downy flame.

From woods no glimmer enters in,
Above the streams that, wandering, win
To where the wood pool bids,
Those haunters of the dusk begin,
The katydids.

Adown the dark the firefly marks
Its flight in gold and emerald sparks;
And, loosened from h...

Madison Julius Cawein

A Girl's Garden

A neighbor of mine in the village
Likes to tell how one spring
When she was a girl on the farm, she did
A childlike thing.

One day she asked her father
To give her a garden plot
To plant and tend and reap herself,
And he said, "Why not?"

In casting about for a corner
He thought of an idle bit
Of walled-off ground where a shop had stood,
And he said, "Just it."

And he said, "That ought to make you
An ideal one-girl farm,
And give you a chance to put some strength
On your slim-jim arm."

It was not enough of a garden
Her father said, to plow;
So she had to work it all by hand,
But she don't mind now.

She wheeled the dung in a wheelbarrow
Along a stretch of road;
But she always ran away and left
Her ...

Robert Lee Frost