The Dead Lover

Time is so long when a man is dead!
Some one sews; and the room is made
Very clean; and the light is shed
Soft through the window-shade.

Yesterday I thought: "I know
Just how the bells will sound, and how
The friends will talk, and the sermon go,
And the hearse-horse bow and bow!"

This is to-day; and I have no thing
To think of - nothing whatever to do
But to hear the throb of the pulse of a wing
That wants to fly back to you.

James Whitcomb Riley

James Whitcomb Riley was an American writer, poet, and best-selling author. He was known as the "Hoosier Poet" and the "Children's Poet" for his dialect works and children's poetry respectively. Over his career, Riley authored approximately 1,000 poems, including "Little Orphant Annie" and "The Raggedy Man". His influence extended into the 20th century, and his works continued to be celebrated for their nostalgic and rural themes.

James Whitcomb Riley

An Autumnal Extravaganza

James Whitcomb Riley, Simple Poetry

This Man Jones.

James Whitcomb Riley, Simple Poetry

Kneeling With Herrick

James Whitcomb Riley, Simple Poetry

In The Afternoon

James Whitcomb Riley, Simple Poetry

English

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Dead Selves

How many of my selves are dead?
    The ghosts of many haunt me: Lo,
The baby in the tiny bed
With rockers on, is blanketed
    And sleeping in the long ago;
And so I ask, with shaking head,
How many of my selves are dead?

A little face with drowsy eyes
    And lisping lips comes mistily
From out the faded past, and tries
The prayers a mother breathed with sighs
    Of anxious care in teaching me;
But face and form and prayers have fled -
How many of my selves are dead?

The little naked feet that slipped
    In truant paths, and led the way
Through dead'ning pasture-lands, and tripped
O'er tangled poison-vines, and dipped
    In streams forbidden - where are they?
In vain I listen for their tread -
How many of my selves are dead...

James Whitcomb Riley

Dead Leaves

    DAWN

As though a gipsy maiden with dim look,
    Sat crooning by the roadside of the year,
    So, Autumn, in thy strangeness, thou art here
To read dark fortunes for us from the book
Of fate; thou flingest in the crinkled brook
    The trembling maple's gold, and frosty-clear
    Thy mocking laughter thrills the atmosphere,
And drifting on its current calls the rook
To other lands.    As one who wades, alone,
    Deep in the dusk, and hears the minor talk
Of distant melody, and finds the tone,
    In some wierd way compelling him to stalk
The paths of childhood over, - so I moan,
    And like a troubled sleeper, groping, walk.

    DUSK

The frightened herds of clouds across the sky
    Trample the sunshine down, and chase the day

James Whitcomb Riley

The Dead

How shall the living be comforted for the dead
When they are gone, and nothing's left behind
But a vague music of the words they said
And a fast-fading image in the mind?

Let no forgetting sully that dim grace;
Our heart's infirmity is too easily won
To set a new love in the old love's place
And seek fresh vanity under the sun.

Time brings to us at last, as night the stars,
The starry silence of eternity:
For there is no discharge in our long wars,
Nor balm for wounds, nor love's security.

Be patient to the end, and you shall sleep
Pillowed on heartsease and forget to weep.

William Kerr

His Room

"I'm home again, my dear old Room,
I'm home again, and happy, too,
As, peering through the brightening gloom,
I find myself alone with you:
    Though brief my stay, nor far away,
    I missed you - missed you night and day -
    As wildly yearned for you as now. -
    Old Room, how are you, anyhow?

"My easy chair, with open arms,
Awaits me just within the door;
The littered carpet's woven charms
Have never seemed so bright before, -
    The old rosettes and mignonettes
    And ivy-leaves and violets,
    Look up as pure and fresh of hue
    As though baptized in morning dew.

"Old Room, to me your homely walls
Fold round me like the arms of love,
And over all my being falls
A blessing pure as from above -
    Even as a nestling ...

James Whitcomb Riley

In The Dark.

O in the depths of midnight
    What fancies haunt the brain!
When even the sigh of the sleeper
    Sounds like a sob of pain.

A sense of awe and of wonder
    I may never well define, -
For the thoughts that come in the shadows
    Never come in the shine.

The old clock down in the parlor
    Like a sleepless mourner grieves,
And the seconds drip in the silence
    As the rain drips from the eaves.

And I think of the hands that signal
    The hours there in the gloom,
And wonder what angel watchers
    Wait in the darkened room.

And I think of the smiling faces
    That used to watch and wait,
Till the click of the clock was answered
    By the click of the opening gate. -

They are not there now in the evening...

James Whitcomb Riley

When The Hearse Comes Back

A thing 'at's 'bout as tryin' as a healthy man kin meet
Is some poor feller's funeral a-joggin' 'long the street:
The slow hearse and the hosses - slow enough, to say at least,
Fer to even tax the patience of gentleman deceased!
The low scrunch of the gravel - and the slow grind of the wheels,
The slow, slow go of ev'ry woe 'at ev'rybody feels!
So I ruther like the contrast when I hear the whip-lash crack
A quickstep fer the hosses,
        When the
        Hearse
            Comes
            Back!

Meet it goin' to'rds the cimet'ry, you'll want to drap yer eyes -
But ef the plumes don't fetch you, it'll ketch you otherwise -
You'll haf to see the caskit, though you'd ort to look away
And 'conomize and save yer sighs fer any other day!
Yer sympathizin' w...

James Whitcomb Riley