The First Sonnet Of Bathrolaire

Over the moonless land of Bathrolaire
Rises at night, when revelry begins,
A white unreal orb, a sun that spins,
A sun that watches with a sullen stare
That dance spasmodic they are dancing there,
Whilst drone and cry and drone of violins
Hint at the sweetness of forgotten sins,
Or call the devotees of shame to prayer.
And all the spaces of the midnight town
Ring with appeal and sorrowful abuse.
There some most lonely are: some try to crown
Mad lovers with sad boughs of formal yews,
And Titan women wandering up and down
Lead on the pale fanatics of the muse.

James Elroy Flecker

James Elroy Flecker was an English poet and playwright born in London. He is best remembered for his poem "The Golden Journey to Samarkand" and his plays. Flecker was associated with the neo-romantic movement, and his works often explored themes of travel and classical antiquity. He died of tuberculosis at a young age, cutting short a promising literary career.

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The Second Sonnet Of Bathrolaire

Now the sweet Dawn on brighter fields afar
Has walked among the daisies, and has breathed
The glory of the mountain winds, and sheathed
The stubborn sword of Night's last-shining star.
In Bathrolaire when Day's old doors unbar
The motley mask, fantastically wreathed,
Pass through a strong portcullis brazen teethed,
And enter glowing mines of cinnabar.
Stupendous prisons shut them out from day,
Gratings and caves and rayless catacombs,
And the unrelenting rack and tourniquet
Grind death in cells where jetting gaslight gloams,
And iron ladders stretching far away
Dive to the depths of those eternal domes.

James Elroy Flecker

Two Sonnets

I

"Why are your songs all wild and bitter sad
As funeral dirges with the orphans' cries?
Each night since first the world was made hath had
A sequent day to laugh it down the skies.
Chant us a glee to make our hearts rejoice,
Or seal in silence this unmanly moan."
My friend, I have no power to rule my voice
A spirit lifts me where I lie alone,
And thrills me into song by its own laws;
That which I feel, but seldom know, indeed
Tempering the melody it could not cause.
The bleeding heart cannot forever bleed
Inwardly solely; on the wan lips, too,
Dark blood will bubble ghastly into view.


II

Striving to sing glad songs, I but attain
Wild discords sadder than Grief's saddest tune;
As if an owl with his harsh screech should strain<...

James Thomson

Sonnets. I.

O Nightingale, that on yon bloomy Spray
Warbl'st at eeve, when all the Woods are still,
Thou with fresh hope the Lovers heart dost fill,
While the jolly hours lead on propitious May,
Thy liquid notes that close the eye of Day,
First heard before the shallow Cuccoo's bill
Portend success in love; O if Jove's will
Have linkt that amorous power to thy soft lay,
Now timely sing, ere the rude Bird of Hate
Foretell my hopeles doom in som Grove ny:
As thou from yeer to yeer hast sung too late
For my relief; yet hadst no reason why,
Whether the Muse, or Love call thee his mate,
Both them I serve, and of their train am I.

John Milton

Pavlovna In London

I listened to the hunger-hearted clown,
Sadder than he: I heard a woman sing, -
A tall dark woman in a scarlet gown -
And saw those golden toys the jugglers fling.
I found a tawdry room and there sat I,
There angled for each murmur soft and strange,
The pavement-cries from darkness and below:
I watched the drinkers laugh, the lovers sigh,
And thought how little all the world would change
If clowns were audience, and we the Show.

What starry music are they playing now?
What dancing in this dreary theatre?
Who is she with the moon upon her brow,
And who the fire-foot god that follows her? -
Follows among those unbelieved-in trees
Back-shadowing in their parody of light
Across the little cardboard balustrade;
And we, like that poor Faun who pipes and f...

James Elroy Flecker

Sonnet VI: To G. A. W.

Nymph of the downward smile and sidelong glance!
In what diviner moments of the day
Art thou most lovely? when gone far astray
Into the labyrinths of sweet utterance,
Or when serenely wandering in a trance
Of sober thought? Or when starting away,
With careless robe to meet the morning ray,
Thou sparest the flowers in thy mazy dance?
Haply 'tis when thy ruby lips part sweetly,
And so remain, because thou listenest:
But thou to please wert nurtured so completely
That I can never tell what mood is best;
I shall as soon pronounce which Grace more neatly
Trips it before Apollo than the rest.

John Keats

A June Night.

Ten o'clock: the broken moon
    Hangs not yet a half hour high,
    Yellow as a shield of brass,
In the dewy air of June,
    Poised between the vaulted sky
    And the ocean's liquid glass.


Earth lies in the shadow still;
    Low black bushes, trees, and lawn
    Night's ambrosial dews absorb;
Through the foliage creeps a thrill,
    Whispering of yon spectral dawn
    And the hidden climbing orb.


Higher, higher, gathering light,
    Veiling with a golden gauze
    All the trembling atmosphere,
See, the rayless disk grows white!
    Hark, the glittering billows pause!

    Faint, far sounds possess the ear.


Elves on such a night as this
    Spin their rings upon the grass;
    On the beach the wate...

Emma Lazarus