The Gathering Of Dead Wood

The gathering of dead wood - driven,
pinched in faces between
the strain of Van Gogh's setting -
had all the more realism
hastening down that leaden street.

Churning sockets, burdened with the duress of suffering,
the street in vigorous winter
raced like a bootblack
up from the river. Hedged by
black stems called trees, rows
of withered houses and dim bread shops
propositioned rough headlights
along a promenade of ice stalks
and careening streetlamps.

Fast in the cold,
faces were juggernauts
skating treacherously
over the pond of that closed city.

Paul Cameron Brown

Paul Cameron Brown is a Canadian poet known for his extensive work in both poetry and art criticism. Born in western Canada, Brown has had a prolific career in writing, often intertwining themes of human experience and nature. His works have been showcased in various literary magazines and anthologies. With a style that is both reflective and evocative, he has gained recognition not only in Canada but also internationally.

Paul Cameron Brown

Wanderlust

Paul Cameron Brown, Simple Poetry

Picaroon

Paul Cameron Brown, Simple Poetry

Cape Of Good Hope

Paul Cameron Brown, Simple Poetry

Smears

Paul Cameron Brown, Simple Poetry

English

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Cold Passion

        Some dead undid undid their bushy jaws,
        and bags of blood let out their flies.. .
                    ? Dylan Thomas

    The land is barren
    wears straw wisps
    as an unkempt man
    might razor stubble.

    The land is dry, a faded yellow
    in its barrenness.
    A sky broods from afar,
    a stalactite sun accounts merely a jot
    above that thin road into despair.

    Grass lies everywhere dead,
    faded tongues above an
    earth afflicted with scleroderma,
    deadliest of skin disturbances,
    forerunner of deeper pestilence.

    An erasing wind whips the fields
    further into bereavement;
    turns tiny bits of chaff to pursue themselves
    in a mad St. Vitus dance
    of cold...

Paul Cameron Brown

The Waters Of The Bay Lie Beneath

    An abandoned house -
    dark salved to eclectic;
    crinkly, black pigment of old pine boards
    disparate to the elements.

    The waters of the bay lie beneath.
    A long slope trailing back of brush,
    garbles stones hoarse
    in the throat of a dust-flecked field
    are made more barren
    by the skunk cabbage weeds,
    the ugly, flotsam cloaks
    of horse hair to the neck -
    a hair shirt, coddling abrupt the barren pain
    tilled from empty soil.

    The summer's heat.
    Nameless insect waifs
    wavering, adjusting tumult
    to straighten the tight air
    about the outward door frame.
    Pinched in windows, glass in
    refugee lots billowing about
    urine paper;
    nails a ruddy pick

Paul Cameron Brown

The Clearing That Is The Trees

    "They know they are going to the filth of numbers and laws,
    to the games anyone can play, and the work without fruit."
    Lorca

    I want to go walking in troubled marshes
    where cold gray coves leave off the mind
    and the scent of rushes twist the wind
    as fall covers dungeons of angry sparrows.

    I want to go quickly to troubled marshes,
    hear the squeak of brackish waters
    over crocks of sponge bubbles crabbing
    their surface.

    I desire stands of dead brush
    to wave in grave solemnity,
    whimpering little houses
    off forest glades to flicker
    out lamps with
    large dogs poised on verandahs
    like stone gargoyles.

    I want to handle anguish as if
    it were an interesti...

Paul Cameron Brown

Presence Of Mind

    Spring heralds the summer with lilacs perched from that door.

    In snows, a swarm of bushes lie black and apparently rootless as the town's iron-gate bridge collapses under the centre part of the main road.

    Little enclaves of activity pass as stores, mere centrefolds across busy highway arteries this time of year.

    I am a grey fleck in my dark wool coat near the perimeter of a winding fence.

    The casual observer gives me half a chance to be seen in the deathless white, opaque coloured moonstone so still against the field's shores.

    A plaster river, her sides inserted with isle-dotted chunks, hands across a winter solstice tribal dance.

    Ostensibly, I poke the land from stylized limbo, a chalky substance disturbed with every movement's cough.

Paul Cameron Brown

Street Scene

    No open barge
    crowded with nameless waifs
    or junks in a teeming harbour
    - just odours spilling from
    a back alley,
    stair wells littered with cheap saki
    bottles, one propped
    to rifle the door.

Paul Cameron Brown

At The Red Throat

    In youth, Death was
    a puny boy possessing but
    wormy hands & fleshless fingers
    as in Witch Hazel
    or Scrooge's Future Ghost
    - that insipid Evil One
    Hansel so easily outwitted
    in a gingerbread house.

    Time brought increased notoriety.
    Saucy times with a soupçon of respect
    for the artful dodger.
    Givens change, an armful of
    orange lilies, limp & loathsome,
    on a tombstone door
    before trumpets of rain.

    Graven images. Lifeless stone.
    Death became stone.
    Stone empty. The maggot emptiness
    burrowing into chiselled easel and
    the stone-cutter's savage magic.
    Just a bitty stone
    to herald a passing.

    Night-jars.
    Old straw-...

Paul Cameron Brown