The Grave Of Bishop Ken.

    On yonder heap of earth forlorn,
Where Ken his place of burial chose,
Peacefully shine, O Sabbath morn!
And, eve, with gentlest hush, repose.

    To him is reared no marble tomb,
Within the dim cathedral fane;
But some faint flowers, of summer bloom,
And silent falls the wintry rain.

    No village monumental stone
Records a verse, a date, a name -
What boots it? when thy task is done,
Christian, how vain the sound of fame!

    Oh! far more grateful to thy God,
The voices of poor children rise,
Who hasten o'er the dewy sod,
"To pay their morning sacrifice."[207]

    And can we listen to their hymn,
Heard, haply, when the evening knell
Sounds, where the village brow is dim,
As if to bid the world farewell!

    Without a thought that from the dust
The morn shall wake the sleeping clay,
And bid the faithful and the just
Upspring to heaven's eternal day!

William Lisle Bowles

William Lisle Bowles was an English cleric, poet, and critic who was born on 24th September 1762 and died on 7th April 1850. He is best known for his sonnets, which were highly praised by the Romantic poets. Bowles's work significantly influenced Samuel Taylor Coleridge and William Wordsworth. Besides his poetry, he wrote extensively on literary criticism and editing. Bowles spent much of his clerical career in Wiltshire and Gloucestershire.

William Lisle Bowles

The Ark: A Poem For Music.

William Lisle Bowles, Simple Poetry

Retrospection

William Lisle Bowles, Simple Poetry

Sheepfold. (From The Villager's Verse-Book.)

William Lisle Bowles, Simple Poetry

Death Of Nelson - West. (Exhibition, 1807.)

William Lisle Bowles, Simple Poetry

English

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Written After The Consecration Of The New Church At Kingswood.

When first the fane, that, white, on Kingswood-Pen,
Arrests, far off, the pausing stranger's ken,
Echoed the hymn of praise, and on that day,
Which seemed to shine with more auspicious ray,
When thousands listened to the prelate[214] there,
Who called on God, with consecrating prayer; -
I saw a village-maid, almost a child,        7
Even as a light-haired cherub, undefiled
From earth's rank fume, with innocent look, her eye
Meekly uplifted to the throne on high,
Join in the full choir's solemn harmony.
Oh, then, how many boding thoughts arose,
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Address To The Scholars Of The Village School

I come, ye little noisy Crew,
Not long your pastime to prevent;
I heard the blessing which to you
Our common Friend and Father sent.
I kissed his cheek before he died;
And when his breath was fled,
I raised, while kneeling by his side,
His hand:, it dropped like lead.
Your hands, dear Little-ones, do all
That can be done, will never fall
Like his till they are dead.
By night or day blow foul or fair,
Ne'er will the best of all your train
Play with the locks of his white hair,
Or stand between his knees again.
Here did he sit confined for hours;
But he could see the woods and plains,
Could hear the wind and mark the showers
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Now stretched beneath his grass-green mound
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Sun-Dial, In The Churchyard Of Bremhill

So passes silent o'er the dead thy shade,
Brief Time; and hour by hour, and day by day,
The pleasing pictures of the present fade,
And like a summer vapour steal away!

And have not they, who here forgotten lie
(Say, hoary chronicler of ages past!)
Once marked thy shadow with delighted eye,
Nor thought it fled, how certain, and how fast!

Since thou hast stood, and thus thy vigil kept,
Noting each hour, o'er mouldering stones beneath;
The pastor and his flock alike have slept,
And dust to dust proclaimed the stride of death.

Another race succeeds, and counts the hour,
Careless alike; the hour still seems to smile,
As hope, and youth, and life, were in our power;
So smiling and so perishing the while.

I heard the village bells, with gladso...

William Lisle Bowles

The Old Church On The Hill.

Moss-grown, and venerable it stands,
    From the way-side dust and noise aloof,
And the great elms stretch their sheltering hands
    To bless its grey old roof.

About it summer's greenery waves;
    The birds build fearless overhead;
Its shadow falls among the graves;
    Around it sleep the dead.

The summer sunshine softly takes
    The chancel window's pictured gloom;
The moonlight enters too, and makes
    The shadow of a tomb.

Along these aisles the bride hath passed,
    And brightened, with her innocent grace.
The pensive twilight years have cast
    About the holy place.

They brought her here--a tiny maid,
    Unweeting any gain or loss,
And on her baby forehead laid
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Elegiac Musings - In The Grounds Of Coleorton Hall, The Seat Of The Late Sir G. H. Beaumont, Bart.

With copious eulogy in prose or rhyme
Graven on the tomb we struggle against Time,
Alas, how feebly! but our feelings rise
And still we struggle when a good man dies:
Such offering Beaumont dreaded and forbade,
A spirit meek in self-abasement clad.
Yet 'here' at least, though few have numbered days
That shunned so modestly the light of praise
His graceful manners, and the temperate ray
Of that arch fancy which would round him play,
Brightening a converse never known to swerve
From courtesy and delicate reserve;
That sense, the bland philosophy of life,
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The Cambridge Churchyard

Our ancient church! its lowly tower,
Beneath the loftier spire,
Is shadowed when the sunset hour
Clothes the tall shaft in fire;
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Long ere the glittering vane,
High wheeling in the western sky,
Has faded o'er the plain.

Like Sentinel and Nun, they keep
Their vigil on the green;
One seems to guard, and one to weep,
The dead that lie between;
And both roll out, so full and near,
Their music's mingling waves,
They shake the grass, whose pennoned spear
Leans on the narrow graves.

The stranger parts the flaunting weeds,
Whose seeds the winds have strown
So thick, beneath the line he reads,
They shade the sculptured stone;
The child unveils his clustered brow,
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