The Laboratory

ANCIEN RÉGIME.


I.

Now that I, tying thy glass mask tightly,
May gaze thro these faint smokes curling whitely,
As thou pliest thy trade in this devils-smithy,
Which is the poison to poison her, prithee?

II.

He is with her, and they know that I know
Where they are, what they do: they believe my tears flow
While they laugh, laugh at me, at me fled to the drear
Empty church, to pray God in, for them! I am here.

III.

Grind away, moisten and mash up thy paste,
Pound at thy powder, I am not in haste!
Better sit thus, and observe thy strange things,
Than go where men wait me and dance at the Kings.

IV.

That in the mortar, you call it a gum?
Ah, the brave tree whence such gold oozings come!
And yonder soft phial, the exquisite blue,
Sure to taste sweetly, is that poison too?

V.

Had I but all of them, thee and thy treasures,
What a wild crowd of invisible pleasures!
To carry pure death in an earring, a casket,
A signet, a fan-mount, a filigree basket!

VI.

Soon, at the Kings, a mere lozenge to give,
And Pauline should have just thirty minutes to live!
But to light a pastile, and Elise, with her head
And her breast and her arms and her hands, should drop dead!

VII.

Quick, is it finished? The colours too grim!
Why not soft like the phials, enticing and dim?
Let it brighten her drink, let her turn it and stir,
And try it and taste, ere she fix and prefer!

VIII.

What a drop! Shes not little, no minion like me!
Thats why she ensnared him: this never will free
The soul from those masculine eyes, Say, no!
To that pulses magnificent come-and-go.

IX.

For only last night, as they whispered, I brought
My own eyes to bear on her so, that I thought
Could I keep them one half minute fixed, she would fall
Shrivelled; she fell not; yet this does it all!

X.

Not that I bid you spare her the pain;
Let death be felt and the proof remain:
Brand, burn up, bite into its grace,
He is sure to remember her dying face!

XI.

Is it done? Take my mask off! Nay, be not morose;
It kills her, and this prevents seeing it close;
The delicate droplet, my whole fortunes fee,
If it hurts her, beside, can it ever hurt me?

XII.

Now, take all my jewels, gorge gold to your fill,
You may kiss me, old man, on my mouth if you will!
But brush this dust off me, lest horror it brings
Ere I know it, next moment I dance at the Kings!

Robert Browning

Robert Browning was an English poet and playwright whose mastery of dramatic verse, especially dramatic monologues, made him one of the foremost Victorian poets. His work was initially harshly criticized, but he gained recognition later in life. He is best known for works such as "The Ring and the Book" and "Men and Women" which exhibit his deep understanding of human character and psychological insight.

Robert Browning

Flute-Music, With An Accompaniment

Robert Browning, Simple Poetry

Ponte Dell Angelo, Venice

Robert Browning, Simple Poetry

Numpholeptos

Robert Browning, Simple Poetry

Garden-Fancies - I. The Flowers Name

Robert Browning, Simple Poetry

English

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Too Late

I.
Here was I with my arm and heart
And brain, all yours for a word, a want
Put into a look, just a look, your part,
While mine, to repay it . . . vainest vaunt,
Were the woman, thats dead, alive to hear,
Had her lover, thats lost, loves proof to show!
But I cannot show it; you cannot speak
From the churchyard neither, miles removed,
Though I feel by a pulse within my cheek,
Which stabs and stops, that the woman I loved
Needs help in her grave and finds none near,
Wants warmth from the heart which sends it so!

II.
Did I speak once angrily, all the drear days
You lived, you woman I loved so well,
Who married the other? Blame or praise,
Where was the use then? Time would tell,
And the end declare what man for you,
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St. Martins Summer

No protesting, dearest!
Hardly kisses even!
Dont we both know how it ends?
How the greenest leaf turns serest,
Bluest outbreak, blankest heaven,
Lovers, friends?

You would build a mansion,
I would weave a bower
Want the heart for enterprise.
Walls admit of no expansion:
Trellis-work may haply flower
Twice the size.

What makes glad Lifes Winter?
New buds, old blooms after.
Sad the sighing How suspect
Reams would ere mid-Autumn splinter,
Rooftree scarce support a rafter,
Walls lie wrecked?

You are young, my princess!
I am hardly older:
Yet, I steal a glance behind!
Dare I tell you what convinces
Timid me that you, if bolder,
Bold, are blind?

Where we plan our dwelling
Glooms a graveyard sur...

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A Pretty Woman

I.
That fawn-skin-dappled hair of hers,
And the blue eye
Dear and dewy,
And that infantine fresh air of hers!

II.
To think men cannot take you, Sweet,
And enfold you,
Ay, and hold you,
And so keep you what they make you, Sweet!

III.
You like us for a glance, you know
For a words sake
Or a swords sake,
Alls the same, whateer the chance, you know.

IV.
And in turn we make you ours, we say
You and youth too,
Eyes and mouth too,
All the face composed of flowers, we say.

V.
Alls our own, to make the most of, Sweet
Sing and say for,
Watch and pray for,
Keep a secret or go boast of, Sweet!

VI.
But for loving, why, you would not, Sweet,
Though we prayed you,
Paid you, brayed ...

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The Statue And The Bust

Theres a palace in Florence, the world knows well,
And a statue watches it from the square,
And this story of both do our townsmen tell.

Ages ago, a lady there,
At the farthest window facing the East,
Asked, Who rides by with the royal air?

The bridesmaids prattle around her ceased;
She leaned forth, one on either hand;
They saw how the blush of the bride increased

They felt by its beats her heart expand
As one at each ear and both in a breath
Whispered, The Great-Duke Ferdinand.

That self-same instant, underneath,
The Duke rode past in his idle way,
Empty and fine like a swordless sheath.

Gay he rode, with a friend as gay,
Till he threw his head back, Who is she?
A bride the Riccardi brings home today.

H...

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In A Gondola

He sings.
I send my heart up to thee, all my heart
In this my singing.
For the stars help me, and the sea bears part;
The very night is clinging
Closer to Venice streets to leave one space
Above me, whence thy face
May light my joyous heart to thee its dwelling-place.

She speaks.
Say after me, and try to say
My very words, as if each word
Came from you of your own accord,
In your own voice, in your own way:
This womans heart and soul and brain
Are mine as much as this gold chain
She bids me wear; which (say again)
I choose to make by cherishing
A precious thing, or choose to fling
Over the boat-side, ring by ring.
And yet once more say . . . no word more!
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A Lovers Quarrel

I.

Oh, what a dawn of day!
How the March sun feels like May!
All is blue again
After last nights rain,
And the South dries the hawthorn-spray.
Only, my Loves away!
Id as lief that the blue were grey,

II.

Runnels, which rillets swell,
Must be dancing down the dell,
With a foaming head
On the beryl bed
Paven smooth as a hermits cell;
Each with a tale to tell,
Could my Love but attend as well.

III.

Dearest, three months ago!
When we lived blocked-up with snow,
When the wind would edge
In and in his wedge,
In, as far as the point could go,
Not to our ingle, though,
Where we loved each the other so!

IV.

Laughs with so little cause!
We devised games out of straws.
We...

Robert Browning