The Monk Maelanfaid

Maelanfaid saw a tiny bird
A-grieving on the ground,
And O, the sad lament he heard,
That sorrow's self might sound:
He could not read a note or word
The song of grief inwound.

Maelanfaid went within his cell
To keep a fast and pray,
To listen to a voice would tell
The mystery away:
What was the red long pain befell
The bird of grief all day?

"Maelanfaid," airy voices call,
"MacOcha Molv is dead,
Who killed no creature great or small,
Who helped all life instead:
Now griefs of bird and blossom fall
Around his funeral bed."

Michael Earls

Michael Earls, born on November 2, 1875, and died on November 7, 1937, was an American poet, playwright, and Jesuit priest. He was a prolific writer, contributing to numerous American periodicals and magazines. His works often explored themes of faith, nature, and human experience. He was known for his engaging style and profound insights into spirituality and everyday life. Earls had a significant influence on Catholic literature in America during the early 20th century.

Michael Earls

Off To The War

Michael Earls, Simple Poetry

The Green Brigade

Michael Earls, Simple Poetry

On a Train

Michael Earls, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

The Abbot Of Innisfallen

The Abbot of Innisfallen
awoke ere dawn of day;
Under the dewy green leaves
went he forth to pray.
The lake around his island
lay smooth and dark and deep,
And wrapt in a misty stillness
the mountains were all asleep.
Low kneel'd the Abbot Cormac
when the dawn was dim and gray;
The prayers of his holy office
he faithfully 'gan say.
Low kneel'd the Abbot Cormac
while the dawn was waxing red;
And for his sins' forgiveness
a solemn prayer he said:
Low kneel'd that holy Abbot
while the dawn was waxing clear;
And he pray'd with loving-kindness
for his convent-brethren dear.
Low kneel'd that blessed Abbot
while the dawn was waxing bright;
He pray'd a great prayer for Ireland,
he pray'd with all his might.
Low kneel'd that good...

William Allingham

Fragments Of Ancient Poetry, Fragment V

Autumn is dark on the mountains;
grey mist rests on the hills. The
whirlwind is heard on the heath. Dark
rolls the river through the narrow plain.
A tree stands alone on the hill, and
marks the grave of Connal. The leaves
whirl round with the wind, and strew
the grave of the dead. At times are
seen here the ghosts of the deceased,
when the musing hunter alone stalks
slowly over the heath.

Who can reach the source of thy
race, O Connal? and who recount thy
Fathers? Thy family grew like an oak
on the mountain, which meeteth the
wind with its lofty head. But now it
is torn from the earth. Who shall supply
the place of Connal?

Here was the din of arms; and
here the groans of the dying. Mournful
are the wars of Fingal! O Connal!

James Macpherson

The Ballad Of Father Gilliagan

The old priest Peter Gilligan
Was weary night and day;
For half his flock were in their beds,
Or under green sods lay.
Once, while he nodded on a chair,
At the moth-hour of eve,
Another poor man sent for him,
And he began to grieve.
"I have no rest, nor joy, nor peace,
For people die and die";
And after cried he, "God forgive!
My body spake, not I!"
He knelt, and leaning on the chair
He prayed and fell asleep;
And the moth-hour went from the fields,
And stars began to peep.
They slowly into millions grew,
And leaves shook in the wind;
And God covered the world with shade,
And whispered to mankind.
Upon the time of sparrow-chirp
When the moths came once more.
The old priest Peter Gilligan
Stood upright on the floor.
"Mavr...

William Butler Yeats

The Quails

(In the south of Italy the peasants put out the eyes of a captured quail so that its cries may attract the flocks of spring migrants into their nets.)


All through the night
I have heard the stuttering call of a blind quail,
A caged decoy, under a cairn of stones,
Crying for light as the quails cry for love.

Other wanderers,
Northward from Africa winging on numb pinions, dazed
With beating winds and the sobbing of the sea,
Hear, in a breath of sweet land-herbage, the call
Of the blind one, their sister....
Hearing, their fluttered hearts
Take courage, and they wheel in their dark flight,
Knowing that their toil is over, dreaming to see
The white stubbles of Abruzzi smitten with dawn,
And spilt grain lying in the furrows, the squandered gold
That is...

Francis Brett Young

The Cemetery Nightingale

In the hills' embraces holden,
    In a valley filled with glooms,
Lies a cemetery olden,
    Strewn with countless mould'ring tombs.

Ancient graves o'erhung with mosses,
    Crumbling stones, effaced and green,--
Venturesome is he who crosses,
    Night or day, the lonely scene.

Blasted trees and willow streamers,
    'Midst the terror round them spread,
Seem like awe-bound, silent dreamers
    In this garden of the dead.

One bird, anguish stricken, lingers
    In the shadow of the vale,
First and best of feathered singers,--
    'Tis the churchyard nightingale.

As from bough to bough he flutters,
    Sweetest songs of woe and wail
Through his gift divine he utters
    For the dreamers in the vale.

Listen how ...

Morris Rosenfeld

A New Madrigal To An Old Melody

(It is supposed that Shadow-of-a-Leaf uses the word "clear" in a more ancient sense of "beautiful.")


As along a dark pine-bough, in slender white mystery
    The moon lay to listen, above the thick fern,
In a deep dreaming wood that is older than history
    I heard a lad sing, and I stilled me to learn;
So rarely he lilted his long-forgot litany,--
    Fall, April; fall, April, in dew on our dearth!
Bring balm, and bring poppy, bring deep sleepy dittany
    For Marian, our clear May, so long laid in earth.

Then I drew back the branches. I saw him that chanted it.
    I saw his fool's bauble. I knew his old grief.
I knew that old greenwood and the shadow that haunted it,--
    My fool, my lost jester, my Shadow-of-a-Leaf!
And "why," I said, "w...

Alfred Noyes