The Old Lowe House, Staten Island

Another prospect pleased the builder's eye,
And Fashion tenanted (where Fashion wanes)
Here in the sorrowful suburban lanes
When first these gables rose against the sky.
Relic of a romantic taste gone by,
This stately monument alone remains,
Vacant, with lichened walls and window-panes
Blank as the windows of a skull. But I,
On evenings when autumnal winds have stirred
In the porch-vines, to this gray oracle
Have laid a wondering ear and oft-times heard,
As from the hollow of a stranded shell,
Old voices echoing (or my fancy erred)
Things indistinct, but not insensible.

Alan Seeger

Alan Seeger was an American poet born on June 22, 1888, in New York City. He is best known for his poem 'I Have a Rendezvous with Death,' which gained popularity during World War I. Seeger was a Harvard University alumnus and moved to Paris to pursue his literary ambitions. When World War I broke out, he enlisted in the French Foreign Legion and was killed in action on July 4, 1916, during the Battle of the Somme. Seeger's poetry, marked by its romantic and idealistic tone, continues to be celebrated for its emotional depth and poignant reflections on mortality.

Alan Seeger

Introduction and Conclusion of a Long Poem

Alan Seeger, Simple Poetry

On the Cliffs, Newport

Alan Seeger, Simple Poetry

At the Tomb of Napoleon Before the Elections in America - November, 1912

Alan Seeger, Simple Poetry

La Nue

Alan Seeger, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

Oneata

A hilltop sought by every soothing breeze
That loves the melody of murmuring boughs,
Cool shades, green acreage, and antique house
Fronting the ocean and the dawn; than these
Old monks built never for the spirit's ease
Cloisters more calm - not Cluny nor Clairvaux;
Sweet are the noises from the bay below,
And cuckoos calling in the tulip-trees.
Here, a yet empty suitor in thy train,
Beloved Poesy, great joy was mine
To while a listless spell of summer days,
Happier than hoarder in each evening's gain,
When evenings found me richer by one line,
One verse well turned, or serviceable phrase.

Alan Seeger

On the Cliffs, Newport

Tonight a shimmer of gold lies mantled o'er
Smooth lovely Ocean. Through the lustrous gloom
A savor steals from linden trees in bloom
And gardens ranged at many a palace door.
Proud walls rise here, and, where the moonbeams pour
Their pale enchantment down the dim coast-line,
Terrace and lawn, trim hedge and flowering vine,
Crown with fair culture all the sounding shore.
How sweet, to such a place, on such a night,
From halls with beauty and festival a-glare,
To come distract and, stretched on the cool turf,
Yield to some fond, improbable delight,
While the moon, reddening, sinks, and all the air
Sighs with the muffled tumult of the surf!

Alan Seeger

The Old House.

Quaint and forgotten, by an unused road,
An old house stands: around its doors the dense
    Blue iron-weeds grow high;
The chipmunks make a highway of its fence;
And on its sunken flagstones slug and toad
    Silent as lichens lie.

The timid snake upon its hearth's cool sand
Sleeps undisturbed; the squirrel haunts its roof;
    And in the clapboard sides
Of closets, dim with many a spider woof,
Like the uncertain tapping of a hand,
    The beetle-borer hides.

Above its lintel, under mossy eaves,
The mud-wasps build their cells; and in the floor
    Of its neglected porch
The black bees nest. Through each deserted door,
Vague as a phantom's footsteps, steal the leaves,
    And dropped cones of the larch.

But come with me when sunset...

Madison Julius Cawein

The House with Nobody in It

Whenever I walk to Suffern along the Erie track
I go by a poor old farmhouse with its shingles broken and black.
I suppose I've passed it a hundred times, but I always stop for a minute
And look at the house, the tragic house, the house with nobody in it.

I never have seen a haunted house, but I hear there are such things;
That they hold the talk of spirits, their mirth and sorrowings.
I know this house isn't haunted, and I wish it were, I do;
For it wouldn't be so lonely if it had a ghost or two.

This house on the road to Suffern needs a dozen panes of glass,
And somebody ought to weed the walk and take a scythe to the grass.
It needs new paint and shingles, and the vines should be trimmed and tied;
But what it needs the most of all is some people living inside.

Alfred Joyce Kilmer

A Street Of Ghosts.

The drowsy day, with half-closed eyes,
Dreams in this quaint forgotten street,
That, like some old-world wreckage, lies,
Left by the sea's receding beat,
Far from the city's restless feet.

Abandoned pavements, that the trees'
Huge roots have wrecked, whose flagstones feel
No more the sweep of draperies;
And sunken curbs, whereon no wheel
Grinds, nor the gallant's spur-bound heel.

Old houses, walled with rotting brick,
Thick-creepered, dormered, weather-vaned,
Like withered faces, sad and sick,
Stare from each side, all broken paned,
With battered doors the rain has stained.

And though the day be white with heat,
Their ancient yards are dim and cold;
Where now the toad makes its retreat,
'Mid flower-pots green-caked with mold,
A...

Madison Julius Cawein

The Old Farm

Dormered and verandaed, cool,
Locust-girdled, on the hill;
Stained with weather-wear, and dull-
Streak'd with lichens; every sill
Thresholding the beautiful;
I can see it standing there,
Brown above the woodland deep,
Wrapped in lights of lavender,
By the warm wind rocked asleep,
Violet shadows everywhere.
I remember how the Spring,
Liberal-lapped, bewildered its
Acred orchards, murmuring,
Kissed to blossom; budded bits
Where the wood-thrush came to sing.
Barefoot Spring, at first who trod,
Like a beggermaid, adown
The wet woodland; where the god,
With the bright sun for a crown
And the firmament for rod,
Met her; clothed her; wedded her;
Her Cophetua: when, lo!
All the hill, one breathing blur,
Burst in beauty; gleam and glo...

Madison Julius Cawein