The Old School-Chum

He puts the poem by, to say
His eyes are not themselves to-day!

A sudden glamour o'er his sight -
A something vague, indefinite -

An oft-recurring blur that blinds
The printed meaning of the lines,

And leaves the mind all dusk and dim
In swimming darkness - strange to him!

It is not childishness, I guess, -
Yet something of the tenderness

That used to wet his lashes when
A boy seems troubling him again; -

The old emotion, sweet and wild,
That drove him truant when a child,

That he might hide the tears that fell
Above the lesson - "Little Nell."

And so it is he puts aside
The poem he has vainly tried

To follow; and, as one who sighs
In failure, through a poor disguise

Of smiles, he dries his tears, to say
His eyes are not themselves to-day.

James Whitcomb Riley

James Whitcomb Riley was an American writer, poet, and best-selling author. He was known as the "Hoosier Poet" and the "Children's Poet" for his dialect works and children's poetry respectively. Over his career, Riley authored approximately 1,000 poems, including "Little Orphant Annie" and "The Raggedy Man". His influence extended into the 20th century, and his works continued to be celebrated for their nostalgic and rural themes.

James Whitcomb Riley

My Father's Halls

James Whitcomb Riley, Simple Poetry

Jim

James Whitcomb Riley, Simple Poetry

To An Importunate Ghost.

James Whitcomb Riley, Simple Poetry

The Boy Patriot

James Whitcomb Riley, Simple Poetry

English

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The Old Man

Lo! steadfast and serene,
In patient pause between
The seen and the unseen,
    What gentle zephyrs fan
Your silken silver hair, -
And what diviner air
Breathes round you like a prayer,
    Old Man?

Can you, in nearer view
Of Glory, pierce the blue
Of happy Heaven through;
    And, listening mutely, can
Your senses, dull to us,
Hear Angel-voices thus,
In chorus glorious -
    Old Man?

In your reposeful gaze
The dusk of Autumn days
Is blent with April haze,
    As when of old began
The bursting of the bud
Of rosy babyhood -
When all the world was good,
    Old Man.

And yet I find a sly
Little twinkle in your eye;
And your whisperingly shy
    Little laugh is simply an
Internal shout o...

James Whitcomb Riley

Friday Afternoon

TO WILLIAM MORRIS PIERSON

[1868-1870]

Of the wealth of facts and fancies
    That our memories may recall,
The old school-day romances
    Are the dearest, after all! - .
When some sweet thought revises
    The half-forgotten tune
That opened "Exercises"
    On "Friday Afternoon."

We seem to hear the clicking
    Of the pencil and the pen,
And the solemn, ceaseless ticking
    Of the timepiece ticking then;
And we note the watchful master,
    As he waves the warning rod,
With our own heart beating faster
    Than the boy's who threw the wad.

Some little hand uplifted,
    And the creaking of a shoe: -
A problem left unsifted
    For the teacher's hand to do:
The murmured hum of learning -
    And the ...

James Whitcomb Riley

A Backward Look

As I sat smoking, alone, yesterday,
And lazily leaning back in my chair,
Enjoying myself in a general way -
Allowing my thoughts a holiday
From weariness, toil and care, -
My fancies - doubtless, for ventilation -
Left ajar the gates of my mind, -
And Memory, seeing the situation,
Slipped out in street of "Auld Lang Syne."

Wandering ever with tireless feet
Through scenes of silence, and jubilee
Of long-hushed voices; and faces sweet
Were thronging the shadowy side of the street
As far as the eye could see;
Dreaming again, in anticipation,
The same old dreams of our boyhood's days
That never come true, from the vague sensation
Of walking asleep in the world's strange ways.

Away to the house where I was born!
And there was the selfsame...

James Whitcomb Riley

The Old Swimmin'-Hole

"Oh! the old swimmin'-hole! whare the crick so still and deep
Looked like a baby-river that was laying half asleep,
And the gurgle of the worter round the drift jest below
Sounded like the laugh of something we onc't ust to know
Before we could remember anything but the eyes
Of the angels lookin' out as we left Paradise;
But the merry days of youth is beyond our controle,
And it's hard to part ferever with the old swimmin'-hole."


"Oh! the old swimmin'-hole!    In the happy days of yore,
When I ust to lean above it on the old sickamore,
Oh! it showed me a face in its warm sunny tide
That gazed back at me so gay and glorified,
It made me love myself, as I leaped to caress
My shadder smilin' up at me with sich tenderness.
But them days is past and gone, and old...

James Whitcomb Riley

The Song Of Yesterday

I

But yesterday
I looked away
O'er happy lands, where sunshine lay
In golden blots
Inlaid with spots
Of shade and wild forget-me-nots.

My head was fair
With flaxen hair,
And fragrant breezes, faint and rare,
And warm with drouth
From out the south,
Blew all my curls across my mouth.

And, cool and sweet,
My naked feet
Found dewy pathways through the wheat;
And out again
Where, down the lane,
The dust was dimpled with the rain.


II

But yesterday: -
Adream, astray,
From morning's red to evening's gray,
O'er dales and hills
Of daffodils
And lorn sweet-fluting whippoorwills.

I knew nor cares
Nor tears nor prayers -
A mortal god, crowned unawares
With sunset - a...

James Whitcomb Riley

An Old Sweetheart Of Mine

An old sweetheart of mine! - Is this her presence here with me,
Or but a vain creation of a lover's memory?
A fair, illusive vision that would vanish into air
Dared I even touch the silence with the whisper of a prayer?

Nay, let me then believe in all the blended false and true -
The semblance of the OLD love and the substance of the NEW, -
The THEN of changeless sunny days - the NOW of shower and shine -
But Love forever smiling - as that old sweetheart of mine.

This ever-restful sense of HOME, though shouts ring in the hall. -
The easy chair - the old book-shelves and prints along the wall;
The rare HABANAS in their box, or gaunt church-warden-stem
That often wags, above the jar, derisively at them.

As one who cons at evening o'er an album, all alone,
And...

James Whitcomb Riley