The Oriole's Secret.

To hear an oriole sing
May be a common thing,
Or only a divine.

It is not of the bird
Who sings the same, unheard,
As unto crowd.

The fashion of the ear
Attireth that it hear
In dun or fair.

So whether it be rune,
Or whether it be none,
Is of within;

The "tune is in the tree,"
The sceptic showeth me;
"No, sir! In thee!"

Emily Elizabeth Dickinson

Emily Elizabeth Dickinson, born on December 10, 1830, and died on May 15, 1886, was an American poet who is extensively known for her innovative and poignant use of language and form. Her work, largely unpublished and unknown during her lifetime, has since positioned her among the greatest American poets. Although she seldom left her home, her poetry delved deeply into themes of death, immortality, nature, and human consciousness. Dickinson's unique style continues to influence poets and readers today.

Emily Elizabeth Dickinson

The Secret.

Emily Elizabeth Dickinson, Simple Poetry

Autumn.

Emily Elizabeth Dickinson, Simple Poetry

Experience.

Emily Elizabeth Dickinson, Simple Poetry

A Light Exists In Spring

Emily Elizabeth Dickinson, Simple Poetry

English

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The Oriole.

One of the ones that Midas touched,
Who failed to touch us all,
Was that confiding prodigal,
The blissful oriole.

So drunk, he disavows it
With badinage divine;
So dazzling, we mistake him
For an alighting mine.

A pleader, a dissembler,
An epicure, a thief, --
Betimes an oratorio,
An ecstasy in chief;

The Jesuit of orchards,
He cheats as he enchants
Of an entire attar
For his decamping wants.

The splendor of a Burmah,
The meteor of birds,
Departing like a pageant
Of ballads and of bards.

I never thought that Jason sought
For any golden fleece;
But then I am a rural man,
With thoughts that make for peace.

But if there were a Jason,
Tradition suffer me
Behold his lost emolument...

Emily Elizabeth Dickinson

Secrets.

The skies can't keep their secret!
They tell it to the hills --
The hills just tell the orchards --
And they the daffodils!

A bird, by chance, that goes that way
Soft overheard the whole.
If I should bribe the little bird,
Who knows but she would tell?

I think I won't, however,
It's finer not to know;
If summer were an axiom,
What sorcery had snow?

So keep your secret, Father!
I would not, if I could,
Know what the sapphire fellows do,
In your new-fashioned world!

Emily Elizabeth Dickinson

I Hear The Oriole's Always-Grieving Voice

I hear the oriole's always-grieving voice,
And the rich summer's welcome loss I hear
In the sickle's serpentine hiss
Cutting the corn's ear tightly pressed to ear.
And the short skirts of the slim reapers
Fly in the wind like holiday pennants,
The clash of joyful cymbals, and creeping
From under dusty lashes, the long glance.

I don't expect love's tender flatteries,
In premonition of some dark event,
But come, come and see this paradise
Where together we were blessed and innocent.

Anna Akhmatova

The Bluebird.

Before you thought of spring,
Except as a surmise,
You see, God bless his suddenness,
A fellow in the skies
Of independent hues,
A little weather-worn,
Inspiriting habiliments
Of indigo and brown.

With specimens of song,
As if for you to choose,
Discretion in the interval,
With gay delays he goes
To some superior tree
Without a single leaf,
And shouts for joy to nobody
But his seraphic self!

Emily Elizabeth Dickinson

The Secret.

Some things that fly there be, --
Birds, hours, the bumble-bee:
Of these no elegy.

Some things that stay there be, --
Grief, hills, eternity:
Nor this behooveth me.

There are, that resting, rise.
Can I expound the skies?
How still the riddle lies!

Emily Elizabeth Dickinson

To A Bird At Dawn

O bird that somewhere yonder sings,
    In the dim hour 'twixt dreams and dawn,
Lone in the hush of sleeping things,
    In some sky sanctuary withdrawn;
Your perfect song is too like pain,
And will not let me sleep again.

I think you must be more than bird,
    A little creature of soft wings,
Not yours this deep and thrilling word -
    Some morning planet 'tis that sings;
Surely from no small feathered throat
    Wells that august, eternal note.

As some old language of the dead,
    In one resounding syllable,
Says Rome and Greece and all is said -
    A simple word a child may spell;
So in your liquid note impearled
Sings the long epic of the world.

Unfathomed sweetness of your song,
    With ancient anguish at its core,

Richard Le Gallienne