The Romaunt Of Margret (Excerpts)

IX

My lips do need thy breath,
My lips do need thy smile,
And my pallid eyne, that light in thine
Which met the stars erewhile:
Yet go with light and life
If that thou lovest one
In all the earth who loveth thee
As truly as the sun.
Margret, Margret.


XIV

But better loveth he
Thy chaliced wine than thy chanted song,
And better both than thee,
Margret, Margret.



XVII

But better loveth she
Thy golden comb than thy gathered flowers,
And better both than thee,
Margret, Margret.


XXII

We brake no gold, a sign
Of stronger faith to be,
But I wear his last look in my soul,
Which said, I love but thee!
Margret, Margret.


XXVI

A knights bloodhound and he
The funeral watch did keep;
With a thought o the chase he stroked its face
As it howled to see him weep.
A fair child kissed the dead,
But shrank before its cold.
And alone yet proudly in his hall
Did stand a baron of old.
Margret, Margret.

Elizabeth Barrett Browning

Elizabeth Barrett Browning was an English poet of the Victorian era, celebrated for her romantic and passionate poetry. Born in 1806, she gained early fame with her collection 'Poems' in 1844, which caught the attention of fellow poet Robert Browning. The two poets married in 1846 and lived in Italy for most of their lives. Elizabeth's most famous work, 'Sonnets from the Portuguese,' explores her profound love for Robert. She died in 1861 and remains a significant figure in English literature.

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English

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To Marguerite

We were apart: yet, day by day,
I bade my heart more constant be;
I bade it keep the world away,
And grow a home for only thee:
Nor feard but thy love likewise grew,
Like mine, each day more tried, more true.

The fault was grave: I might have known,
What far too soon, alas, I learnd
The heart can bind itself alone,
And faith is often unreturnd.
Self-swayd our feelings ebb and swell:
Thou lovest no more: Farewell! Farewell!

Farewell! and thou, thou lonely heart,
Which never yet without remorse
Even for a moment didnt depart
From thy remote and spherèd course
To haunt the place where passions reign,
Back to thy solitude again!

Back, with the conscious thrill of shame
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Margaret

I.
O sweet pale Margaret,
O rare pale Margaret,
What lit your eyes with tearful power,
Like moonlight on a falling shower?
Who lent you, love, your mortal dower
Of pensive thought and aspect pale,
Your melancholy sweet and frail
As perfume of the cuckoo-flower?
From the westward-winding flood,
From the evening-lighted wood,
From all things outward you have won
A tearful grace, as tho you stood
Between the rainbow and the sun.
The very smile before you speak,
That dimples your transparent cheek,
Encircles all the heart, and feedeth
The senses with a still delight
Of dainty sorrow without sound,
Like the tender amber round,
Which the moon about her spreadeth,
Moving thro a fleecy night.

II.
You love, remaining peacefull...

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Margaretta.

When I was in my teens,
I loved dear Margaretta:
I know not what it means,
I can not now forget her!
That vision of the past
My head is ever crazing;
Yet, when I saw her last,
I could not speak for gazing!
Oh, lingering bud of May!
Dear as when first I met her;
Worn in my heart always,
Life-cherished Margaretta!

We parted near the stile,
As morn was faintly breaking:
For many a weary mile
Oh how my heart was aching!
But distance, time, and change,
Have lost me Margaretta;
And yet 'tis sadly strange
That I can not forget her!
O queen of rural maids--
My dark-eyed Magaretta--
The heart the mind upbraids
That struggles to forget her!

My love, I know, will seem
A wayward, boyish folly;
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Ten years! and to my waking eye
Once more the roofs of Berne appear;
The rocky banks, the terrace high,
The stream, and do I linger here?

The clouds are on the Oberland,
The Jungfrau snows look faint and far;
But bright are those green fields at hand,
And through those fields comes down the Aar,

And from the blue twin lakes it comes,
Flows by the town, the church-yard fair,
And neath the garden-walk it hums,
The house and is my Marguerite there?

Ah, shall I see thee, while a flush
Of startled pleasure floods thy brow,
Quick through the oleanders brush,
And clap thy hands, and cry: Tis thou!

Or hast thou long since wanderd back,
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Two In The Campagna

I
I wonder do you feel to-day
As I have felt since, hand in hand,
We sat down on the grass, to stray
In spirit better through the land,
This morn of Rome and May?

II
For me, I touched a thought, I know,
Has tantalized me many times,
(Like turns of thread the spiders throw
Mocking across our path) for rhymes
To catch at and let go.

III
Help me to hold it! First it left
The yellowing fennel, run to seed
There, branching from the brickworks cleft,
Some old tombs ruin: yonder weed
Took up the floating weft,

IV
Where one small orange cup amassed
Five beetles, blind and green they grope
Among the honey-meal: and last,
Everywhere on the grassy slope
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V
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Light Love

'Oh, sad thy lot before I came,
    But sadder when I go;
My presence but a flash of flame,
    A transitory glow
    Between two barren wastes like snow.
What wilt thou do when I am gone,
    Where wilt thou rest, my dear?
For cold thy bed to rest upon,
    And cold the falling year
    Whose withered leaves are lost and sere.'

She hushed the baby at her breast,
    She rocked it on her knee:
'And I will rest my lonely rest,
    Warmed with the thought of thee,
    Rest lulled to rest by memory.'
She hushed the baby with her kiss,
    She hushed it with her breast:
'Is death so sadder much than this -
    Sure death that builds a nest
    For those who elsewhere cannot rest?'

'Oh, sad thy note, my mateless dove,
    With t...

Christina Georgina Rossetti