The Song Of Fionnuala.[1]

Silent, oh Moyle, be the roar of thy water,
    Break not, ye breezes, your chain of repose,
While, murmuring mournfully, Lir's lonely daughter
    Tells to the night-star her tale of woes.
When shall the swan, her death-note singing,
Sleep, with wings in darkness furled?
When will heaven, its sweet bell ringing,
Call my spirit from this stormy world?

Sadly, oh Moyle, to thy winter wave weeping,
Fate bids me languish long ages away;
Yet still in her darkness doth Erin lie sleeping,
Still doth the pure light its dawning delay.
When will that day-star, mildly springing,
Warm our isle with peace and love?
When will heaven, its sweet bell ringing,
Call my spirit to the fields above?

Thomas Moore

Thomas Moore was an Irish poet, singer, and songwriter, celebrated for his Irish Melodies, which are now considered a staple of Irish cultural heritage. Born on May 28, 1779, in Dublin, Ireland, Moore gained fame for his lyrical songs, many of which were set to traditional Irish tunes. Not only a poet, but he was also a staunch advocate of Irish nationalism, often incorporating themes of national identity and resistance into his work. Moore's influential collection 'Irish Melodies' became popular in both Ireland and Britain and helped to define the literary output of the era. He passed away on February 25, 1852, but his legacy in Irish literature and music endures.

Thomas Moore

The Dying Warrior.

Thomas Moore, Simple Poetry

Fancy.

Thomas Moore, Simple Poetry

A Vision. By The Author Of "Christabel."

Thomas Moore, Simple Poetry

Odes Of Anacreon - Ode LXIII.

Thomas Moore, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

The Song Of O'Ruark, Prince Of Breffni.[1]

The valley lay smiling before me,
    Where lately I left her behind;
Yet I trembled, and something hung o'er me,
    That saddened the joy of my mind.
I looked for the lamp which, she told me,
    Should shine, when her Pilgrim returned;
But, tho' darkness began to infold me,
    No lamp from the battlements burned!

I flew to her chamber--'twas lonely,
    As if the loved tenant lay dead;--
Ah, would it were death, and death only!
    But no, the young false one had fled.
And there hung the lute that could soften
    My very worst pains into bliss;
While the hand, that had waked it so often,
    Now throbbed to a proud rival's kiss.

There was a time, falsest of women,
    When Breffni's good sword would have sought
That man, thro'...

Thomas Moore

Silence Is In Our Festal Halls.

^[1]


Silence is in our festal halls,--
    Sweet Son of Song! thy course is o'er;
In vain on thee sad Erin calls,
    Her minstrel's voice responds no more;--
All silent as the Eolian shell
    Sleeps at the close of some bright day,
When the sweet breeze that waked its swell
    At sunny morn hath died away.

Yet at our feasts thy spirit long
    Awakened by music's spell shall rise;
For, name so linked with deathless song
    Partakes its charm and never dies:
And even within the holy fane
    When music wafts the soul to heaven,
One thought to him whose earliest strain
    Was echoed there shall long be given.

But, where is now the cheerful day.
    The social night when by thy side
He who now weaves this part...

Thomas Moore

For The Moore Centennial Celebration

I
Enchanter of Erin, whose magic has bound us,
Thy wand for one moment we fondly would claim,
Entranced while it summons the phantoms around us
That blush into life at the sound of thy name.

The tell-tales of memory wake from their slumbers, -
I hear the old song with its tender refrain, -
What passion lies hid in those honey-voiced numbers
What perfume of youth in each exquisite strain!

The home of my childhood comes back as a vision, -
Hark! Hark! A soft chord from its song-haunted room, -
'T is a morning of May, when the air is Elysian, -
The syringa in bud and the lilac in bloom, -

We are clustered around the "Clementi" piano, -
There were six of us then, - there are two of us now, -
She is singing - the girl with the silver soprano -
How...

Oliver Wendell Holmes

O'Donohue's Mistress.

Of all the fair months, that round the sun
In light-linked dance their circles run,
    Sweet May, shine thou for me;
For still, when thy earliest beams arise,
That youth, who beneath the blue lake lies,
    Sweet May, returns to me.

Of all the bright haunts, where daylight leaves
Its lingering smile on golden eyes,
    Fair Lake, thou'rt dearest to me;
For when the last April sun grows dim,
Thy Naïads prepare his steed^[1] for him
    Who dwells, bright Lake, in thee.

Of all the proud steeds, that ever bore
Young plumed Chiefs on sea or shore,
    White Steed, most joy to thee;
Who still, with the first young glance of spring,
From under that glorious lake dost bring
    My love, my chief, to me.

While, white as the sail ...

Thomas Moore

Tis Gone, And For Ever.

'Tis gone, and for ever, the light we saw breaking,
    Like Heaven's first dawn o'er the sleep of the dead--
When Man, from the slumber of ages awaking,
    Looked upward, and blest the pure ray, ere it fled.
'Tis gone, and the gleams it has left of its burning
But deepen the long night of bondage and mourning,
That dark o'er the kingdoms of earth is returning,
    And darkest of all, hapless Erin, o'er thee.

For high was thy hope, when those glories were darting
    Around thee, thro' all the gross clouds of the world;
When Truth, from her fetters indignantly starting,
    At once, like a Sun-burst, her banner unfurled.^[1]
Oh! never shall earth see a moment so splendid!
Then, then--had one Hymn of Deliverance blended
The tongues of all nations--how sw...

Thomas Moore

Song Of The Battle Eve.

TIME--THE NINTH CENTURY.


To-morrow, comrade, we
On the battle-plain must be,
    There to conquer, or both lie low!
The morning star is up,--
But there's wine still in the cup,
    And we'll take another quaff, ere we go, boy, go;
    We'll take another quaff, ere we go.

'Tis true, in manliest eyes
A passing tear will rise,
    When we think of the friends we leave lone;
But what can wailing do?
See, our goblet's weeping too!
    With its tears we'll chase away our own, boy, our own;
    With its tears we'll chase away our own.

But daylight's stealing on;--
The last that o'er us shone
    Saw our children around us play;
The next--ah! where shall we
And those rosy urchins be?
    But--no matter--grasp thy sword and a...

Thomas Moore