The Spoilsport

My familiar ghost again
Comes to see what he can see,
Critic, son of Conscious Brain,
Spying on our privacy.

Slam the window, bolt the door,
Yet he'll enter in and stay;
In tomorrow's book he'll score
Indiscretions of today.

Whispered love and muttered fears,
How their echoes fly about!
None escape his watchful ears,
Every sigh might be a shout.

No kind words nor angry cries
Turn away this grim spoilsport;
No fine lady's pleading eyes,
Neither love, nor hate, nor ... port.

Critics wears no smile of fun,
Speaks no word of blame nor praise,
Counts our kisses one by one,
Notes each gesture, every phrase.

My familiar ghost again
Stands or squats where suits him best;
Critic, son of Conscious Brain,
Listens, watches, takes no rest.

Robert von Ranke Graves

Robert von Ranke Graves was a British poet, historical novelist, critic, and classicist. His father was Alfred Perceval Graves, a distinguished Irish poet and figure in the Gaelic revival. Known for his war poetry, love poems, and scholarly works, he created a lasting literary legacy, including his interpretations of the Greek myths. Graves was also a soldier in World War I, an experience that profoundly influenced his writing.

Robert von Ranke Graves

Haunted.

Robert von Ranke Graves, Simple Poetry

Lost Love

Robert von Ranke Graves, Simple Poetry

The Pier-Glass

Robert von Ranke Graves, Simple Poetry

A Dead Boche

Robert von Ranke Graves, Simple Poetry

English

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The Pier-Glass

Lost manor where I walk continually
A ghost, while yet in woman's flesh and blood;
Up your broad stairs mounting with outspread fingers
And gliding steadfast down your corridors
I come by nightly custom to this room,
And even on sultry afternoons I come
Drawn by a thread of time-sunk memory.

Empty, unless for a huge bed of state
Shrouded with rusty curtains drooped awry
(A puppet theatre where malignant fancy
Peoples the wings with fear). At my right hand
A ravelled bell-pull hangs in readiness
To summon me from attic glooms above
Service of elder ghosts; here at my left
A sullen pier-glass cracked from side to side
Scorns to present the face as do new mirrors
With a lying flush, but shows it melancholy
And pale, as faces grow that look in mirrors.<...

Robert von Ranke Graves

Haunted.

Haunted? Ay, in a social way
By a body of ghosts in dread array;
But no conventional spectres they -
Appalling, grim, and tricky:
I quail at mine as I'd never quail
At a fine traditional spectre pale,
With a turnip head and a ghostly wail,
And a splash of blood on the dickey!

Mine are horrible, social ghosts, -
Speeches and women and guests and hosts,
Weddings and morning calls and toasts,
In every bad variety:
Ghosts who hover about the grave
Of all that's manly, free, and brave:
You'll find their names on the architrave
Of that charnel-house, Society.

Black Monday black as its school-room ink -
With its dismal boys that snivel and think
Of its nauseous messes to eat and drink,
And its frozen tank to wash in.
That was the first...

William Schwenck Gilbert

Haunted

Haunted? Ay, in a social way
By a body of ghosts in dread array;
But no conventional spectres they
Appalling, grim, and tricky:
I quail at mine as I'd never quail
At a fine traditional spectre pale,
With a turnip head and a ghostly wail,
And a splash of blood on the dickey!

Mine are horrible, social ghosts,
Speeches and women and guests and hosts,
Weddings and morning calls and toasts,
In every bad variety:
Ghosts who hover about the grave
Of all that's manly, free, and brave:
You'll find their names on the architrave
Of that charnel-house, Society.

Black Monday black as its school-room ink
With its dismal boys that snivel and think
Of its nauseous messes to eat and drink,
And its frozen tank to wash in.
That was the first that ...

William Schwenck Gilbert

St. Martins Summer

No protesting, dearest!
Hardly kisses even!
Dont we both know how it ends?
How the greenest leaf turns serest,
Bluest outbreak, blankest heaven,
Lovers, friends?

You would build a mansion,
I would weave a bower
Want the heart for enterprise.
Walls admit of no expansion:
Trellis-work may haply flower
Twice the size.

What makes glad Lifes Winter?
New buds, old blooms after.
Sad the sighing How suspect
Reams would ere mid-Autumn splinter,
Rooftree scarce support a rafter,
Walls lie wrecked?

You are young, my princess!
I am hardly older:
Yet, I steal a glance behind!
Dare I tell you what convinces
Timid me that you, if bolder,
Bold, are blind?

Where we plan our dwelling
Glooms a graveyard sur...

Robert Browning

To An Ungentle Critic

The great sun sinks behind the town
Through a red mist of Volnay wine....
But what's the use of setting down
That glorious blaze behind the town?
You'll only skip the page, you'll look
For newer pictures in this book;
You've read of sunsets rich as mine.

A fresh wind fills the evening air
With horrid crying of night birds....
But what reads new or curious there
When cold winds fly across the air?
You'll only frown; you'll turn the page,
But find no glimpse of your "New Age
Of Poetry" in my worn-out words.

Must winds that cut like blades of steel
And sunsets swimming in Volnay,
The holiest, cruellest pains I feel,
Die stillborn, because old men squeal
For something new: "Write something new:
We've read this poem, that on...

Robert von Ranke Graves

Phantasmagoria Canto III ( Scarmoges )

"And did you really walk," said I,
"On such a wretched night?
I always fancied Ghosts could fly,
If not exactly in the sky,
Yet at a fairish height."

"It's very well," said he, "for Kings
To soar above the earth:
But Phantoms often find that wings,
Like many other pleasant things,
Cost more than they are worth.

"Spectres of course are rich, and so
Can buy them from the Elves:
But WE prefer to keep below,
They're stupid company, you know,
For any but themselves:

"For, though they claim to be exempt
From pride, they treat a Phantom
As something quite beneath contempt,
Just as no Turkey ever dreamt
Of noticing a Bantam."

"They seem too proud," said I, "to go
To houses such as mine.
Pray, how did they contrive ...

Lewis Carroll