The Two Loves

Smoothing soft the nestling head
Of a maiden fancy-led,
Thus a grave-eyed woman said:

"Richest gifts are those we make,
Dearer than the love we take
That we give for love's own sake.

"Well I know the heart's unrest;
Mine has been the common quest,
To be loved and therefore blest.

"Favors undeserved were mine;
At my feet as on a shrine
Love has laid its gifts divine.

"Sweet the offerings seemed, and yet
With their sweetness came regret,
And a sense of unpaid debt.

"Heart of mine unsatisfied,
Was it vanity or pride
That a deeper joy denied?

"Hands that ope but to receive
Empty close; they only live
Richly who can richly give.

"Still," she sighed, with moistening eyes,
"Love is sweet in any guise;
But its best is sacrifice!

"He who, giving, does not crave
Likest is to Him who gave
Life itself the loved to save.

"Love, that self-forgetful gives,
Sows surprise of ripened sheaves,
Late or soon its own receives.

John Greenleaf Whittier

John Greenleaf Whittier was an American Quaker poet and advocate of the abolition of slavery in the United States. He was born on December 17, 1807, in Haverhill, Massachusetts, and died on September 7, 1892, in Hampton Falls, New Hampshire. Whittier is remembered particularly for his anti-slavery writings as well as his association with the Fireside Poets, a group of New England writers whose work became notable in American literature in the 19th century.

John Greenleaf Whittier

The Wishing Bridge

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Inscription-For The Relief By Preston Powers

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John Greenleaf Whittier, Simple Poetry

English

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Two Ways To Love.

"Entre deux amants il y a toujours l'an qui baise et l'autre qui tend la joue."


I says he loves me well, and I
Believe it; in my hands, to make
Or mar, his life lies utterly,
Nor can I the strong plea deny.
Which claims my love for his love's sake.

He says there is no face so fair
As mine; when I draw near, his eyes
Light up; each ripple of my hair
He loves; the very clunk I wear
He touches fondly where it lies.

And roses, roses all the way,
Upon my path fall, strewed by him;
His tenderness by night, by day,
Keeps faithful watch to heap alway
My cup of pleasure to the brim.

The other women, full of spite,
Count me the happiest woman born
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The Lover Who Thinks.

Dost thou remember, Love, those hours
Shot o'er with random rainy showers,
When the bold sun would woo coy May?
She smiled, then wept - and looked another way.

We, learning from the sun and season,
Together plotted joyous treason
'Gainst maiden majesty, to give
Each other troth, and henceforth wedded live.

But love, ah, love we know is blind!
Not always what they seek they find
When, groping through dim-lighted natures,
Fond lovers look for old, ideal statures.

What then? Is all our purpose lost?
The balance broken, since Fate tossed
Uneven weights? Oh well beware
That thought, my sweet: 't were neither fit nor fair!

Seek not for any grafted fruits
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Love.

Love - love - love - love, -
A tiny hand in a tiny glove;
A witching smile that means, - well, - well,
Whether little or much its hard to tell.
A tiny foot and a springy tread,
Short curls running riot all over her head;
A waist that invites a fond embrace,
Yet by modesty girt seems a holy place;
Not a place where an arm should be idly thrown,
But should gently rest, as would rest my own.
An angel whose wings are but hid from view,
Whose charms are many and faults so few,
As near perfection as mortal can be,
Is the one that I love and that loves but me.
They tell me that love is blind, - .oh, no!
They can never convince a lover so;
Love cannot be blind for it sees much more,
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Persuasion

Then I asked: 'Does a firm persuasion that a thing is so, make it so?'

He replied: 'All Poets believe that it does, and in ages of imagination this firm persuasion removed mountains; but many are not capable of a firm persuasion of anything.'

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I

At any moment love unheralded
Comes, and is king. Then as, with a fall
Of frost, the buds upon the hawthorn spread
Are withered in untimely burial,
So love, occasion gone, his crown puts by,
And as a beggar walks unfriended ways,
With but remembered beauty to defy
The frozen sorrows of unsceptred days.
Or in that later travelling he comes
Upon a bleak oblivion, and tells
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The Maids Of Attitash

In sky and wave the white clouds swam,
And the blue hills of Nottingham
Through gaps of leafy green
Across the lake were seen,

When, in the shadow of the ash
That dreams its dream in Attitash,
In the warm summer weather,
Two maidens sat together.

They sat and watched in idle mood
The gleam and shade of lake and wood;
The beach the keen light smote,
The white sail of a boat;

Swan flocks of lilies shoreward lying,
In sweetness, not in music, dying;
Hardback, and virgin's-bower,
And white-spiked clethra-flower.

With careless ears they heard the plash
And breezy wash of Attitash,
The wood-bird's plaintive cry,
The locust's sharp reply.

And teased the while, with playful band,
The shaggy dog of Newfoundland,

John Greenleaf Whittier

To Lydia Maria Child

On reading her poem in "The Standard.


The sweet spring day is glad with music,
But through it sounds a sadder strain;
The worthiest of our narrowing circle
Sings Loring's dirges o'er again.

O woman greatly loved! I join thee
In tender memories of our friend;
With thee across the awful spaces
The greeting of a soul I send!

What cheer hath he? How is it with him?
Where lingers he this weary while?
Over what pleasant fields of Heaven
Dawns the sweet sunrise of his smile?

Does he not know our feet are treading
The earth hard down on Slavery's grave?
That, in our crowning exultations,
We miss the charm his presence gave?

Why on this spring air comes no whisper
From him to tell us all is well?
Why to our flow...

John Greenleaf Whittier