The Veil.

("Qu'avez-vous, mes frères?")

[XI., September, 18288.]

"Have you prayed tonight, Desdemona?"


THE SISTER

What has happened, my brothers? Your spirit to-day
Some secret sorrow damps
There's a cloud on your brow. What has happened? Oh, say,
For your eyeballs glare out with a sinister ray
Like the light of funeral lamps.
And the blades of your poniards are half unsheathed
In your belt - and ye frown on me!
There's a woe untold, there's a pang unbreathed
In your bosom, my brothers three!

ELDEST BROTHER.

Gulnara, make answer! Hast thou, since the dawn,
To the eye of a stranger thy veil withdrawn?

THE SISTER.

As I came, oh, my brother! at noon - from the bath -
As I came - it was noon, my lords -
And your sister had then, as she constantly hath,
Drawn her veil close around her, aware that the path
Is beset by these foreign hordes.
But the weight of the noonday's sultry hour
Near the mosque was so oppressive
That - forgetting a moment the eye of the Giaour -
I yielded to th' heat excessive.

SECOND BROTHER.

Gulnara, make answer! Whom, then, hast thou seen,
In a turban of white and a caftan of green?

THE SISTER.

Nay, he might have been there; but I muflled me so,
He could scarcely have seen my figure. -
But why to your sister thus dark do you grow?
What words to yourselves do you mutter thus low,
Of "blood" and "an intriguer"?
Oh! ye cannot of murder bring down the red guilt
On your souls, my brothers, surely!
Though I fear - from the hands that are chafing the hilt,
And the hints you give obscurely.

THIRD BROTHER.

Gulnara, this evening when sank the red sun,
Didst thou mark how like blood in descending it shone?

THE SISTER.

Mercy! Allah! have pity! oh, spare!
See! I cling to your knees repenting!
Kind brothers, forgive me! for mercy, forbear!
Be appeased at the cry of a sister's despair,
For our mother's sake relenting.
O God! must I die? They are deaf to my cries!
Their sister's life-blood shedding;
They have stabbed me each one - I faint - o'er my eyes
A veil of Death is spreading!

THE BROTHERS.

Gulnara, farewell! take that veil; 'tis the gift
Of thy brothers - a veil thou wilt never lift!

"FATHER PROUT" (FRANK S. MAHONY).

Victor-Marie Hugo

Victor-Marie Hugo was a French poet, novelist, and dramatist of the Romantic movement. He is considered one of the greatest French writers, with works such as "Les Misérables" and "The Hunchback of Notre-Dame." His literary works often explore themes of justice, love, and human rights. In addition to his literary achievements, he was also a politician and human rights activist. Hugo's influence extends beyond literature into politics and society.

Victor-Marie Hugo

Outside The Ball-Room.

Victor-Marie Hugo, Simple Poetry

The Children Of The Poor.

Victor-Marie Hugo, Simple Poetry

An Autumnal Simile.

Victor-Marie Hugo, Simple Poetry

How Butterflies Are Born.

Victor-Marie Hugo, Simple Poetry

English

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("Dors-tu? mère de notre mère.")

[III., 1823.]

"To die - to sleep." - SHAKESPEARE.


Still asleep! We have been since the noon thus alone.
Oh, the hours we have ceased to number!
Wake, grandmother! - speechless say why thou art grown.
Then, thy lips are so cold! - the Madonna of stone
Is like thee in thy holy slumber.
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Like thy hours of repose all thy orisons were,
And thy lips would still murmur a blessing whene'er
Thy children stood beside thee.

Now thine eye is unclosed, and thy forehead is bent
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The Father's Curse.

("Vous, sire, écoutez-moi.")

[LE ROI S'AMUSE, Act I.]


M. ST. VALLIER (an aged nobleman, from whom King Francis I. decoyed his daughter, the famous beauty, Diana of Poitiers).

A king should listen when his subjects speak:
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How Good Are The Poor.

("Il est nuit. La cabane est pauvre.")

[Bk. LII. iii.]

'Tis night - within the close stout cabin door,
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In the dim corner, from the oaken chest,
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Five children on the long low mattress lie -
A nest of little souls, it heaves with dreams;
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And redden the dark room with crimson gleams.

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The Infanticide.

Hark where the bells toll, chiming, dull and steady,
The clock's slow hand hath reached the appointed time.
Well, be it so prepare, my soul is ready,
Companions of the grave the rest for crime!
Now take, O world! my last farewell receiving
My parting kisses in these tears they dwell!
Sweet are thy poisons while we taste believing,
Now we are quits heart-poisoner, fare-thee-well!

Farewell, ye suns that once to joy invited,
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Fancies the children that an Eden bore!
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Mourning.

("Charle! ô mon fils!")

[March, 1871.]


Charles, Charles, my son! hast thou, then, quitted me?
Must all fade, naught endure?
Hast vanished in that radiance, clear for thee,
But still for us obscure?

My sunset lingers, boy, thy morn declines!
Sweet mutual love we've known;
For man, alas! plans, dreams, and smiling twines
With others' souls his own.

He cries, "This has no end!" pursues his way:
He soon is downward bound:
He lives, he suffers; in his grasp one day
Mere dust and ashes found.

I've wandered twenty years, in distant lands,
With sore heart forced to stay:
Why fell the blow Fate only understands!
God took my home away.

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The Old Man's Love.

("Dérision! que cet amour boiteux.")

[HERNANI, Act III.]


O mockery! that this halting love
That fills the heart so full of flame and transport,
Forgets the body while it fires the soul!
If but a youthful shepherd cross my path,
He singing on the way - I sadly musing,
He in his fields, I in my darksome alleys -
Then my heart murmurs: "O, ye mouldering towers!
Thou olden ducal dungeon! O how gladly
Would I exchange ye, and my fields and forests,
Mine ancient name, mine ancient rank, my ruins -
My ancestors, with whom I soon shall lie,
For his thatched cottage and his youthful brow!"
His hair is black - his eyes shine forth like thine.
Him thou might'st look upon, and say, fair youth,
Then turn to me, and think that I am old...

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