The Wooing

A youth went faring up and down,
Alack and well-a-day.
He fared him to the market town,
Alack and well-a-day.
And there he met a maiden fair,
With hazel eyes and auburn hair;
His heart went from him then and there,
Alack and well-a-day.

She posies sold right merrily,
Alack and well-a-day;
But not a flower was fair as she,
Alack and well-a-day.
He bought a rose and sighed a sigh,
"Ah, dearest maiden, would that I
Might dare the seller too to buy!"
Alack and well-a-day.

She tossed her head, the coy coquette,
Alack and well-a-day.
"I'm not, sir, in the market yet,"
Alack and well-a-day.
"Your love must cool upon a shelf;
Tho' much I sell for gold and pelf,
I 'm yet too young to sell myself,"
Alack and well-a-day.

The youth was filled with sorrow sore,
Alack and well-a-day.
And looked he at the maid once more,
Alack and well-a-day.
Then loud he cried, "Fair maiden, if
Too young to sell, now as I live,
You're not too young yourself to give,"
Alack and well-a-day.

The little maid cast down her eyes,
Alack and well-a-day.
And many a flush began to rise,
Alack and well-a-day.
"Why, since you are so bold," she said,
"I doubt not you are highly bred,
So take me!" and the twain were wed,
Alack and well-a-day.

Paul Laurence Dunbar

Paul Laurence Dunbar was an influential American poet, novelist, and playwright of the late 19th and early 20th centuries. Born in Dayton, Ohio, Dunbar gained national recognition for his dialectic verse and collections of poems such as 'Majors and Minors' (1895) and 'Lyrics of Lowly Life' (1896). His works often addressed themes of racial identity and struggle, making significant contributions to African American literature. Dunbar's writings served as an inspiration for later writers of the Harlem Renaissance.

Paul Laurence Dunbar

Worn Out

Paul Laurence Dunbar, Simple Poetry

A Confidence

Paul Laurence Dunbar, Simple Poetry

Misapprehension

Paul Laurence Dunbar, Simple Poetry

Dream Song II

Paul Laurence Dunbar, Simple Poetry

English

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A Madrigal

Dream days of fond delight and hours
As rosy-hued as dawn, are mine.
Love's drowsy wine,
Brewed from the heart of Passion flowers,
Flows softly o'er my lips
And save thee, all the world is in eclipse.

There were no light if thou wert not;
The sun would be too sad to shine,
And all the line
Of hours from dawn would be a blot;
And Night would haunt the skies,
An unlaid ghost with staring dark-ringed eyes.

Oh, love, if thou wert not my love,
And I perchance not thine--what then?
Could gift of men
Or favor of the God above,
Plant aught in this bare heart
Or teach this tongue the singer's soulful art?

Ah, no! 'Tis love, and love alone
That spurs my soul so surely on;
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Then And Now

THEN

He loved her, and through many years,
Had paid his fair devoted court,
Until she wearied, and with sneers
Turned all his ardent love to sport.

That night within his chamber lone,
He long sat writing by his bed
A note in which his heart made moan
For love; the morning found him dead.

NOW

Like him, a man of later day
Was jilted by the maid he sought,
And from her presence turned away,
Consumed by burning, bitter thought.

He sought his room to write--a curse
Like him before and die, I ween.
Ah no, he put his woes in verse,
And sold them to a magazine.

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The Fause Lover

A fair maid sat in her bower door,
Wringing her lily hands;
And by it came a sprightly youth,
Fast tripping o'er the strands.

"Where gang ye, young John," she says,
"Sae early in the day?
It gars me think, by your fast trip,
Your journey's far away."

He turn'd about wi' surly look,
And said, "What's that to thee?
I'm ga'en to see a lovely maid,
Mair fairer far than ye."

"Now hae ye play'd me this, fause love,
In simmer, 'mid the flowers?
I shall repay ye back again,
In winter, 'mid the showers."

"But again, dear love, and again, dear love,
Will ye not turn again?
For as ye look to ither women,
I shall do to other men."

"Make your choice o' whom you please,
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Ione

I

Ah, yes, 't is sweet still to remember,
Though 'twere less painful to forget;
For while my heart glows like an ember,
Mine eyes with sorrow's drops are wet,
And, oh, my heart is aching yet.
It is a law of mortal pain
That old wounds, long accounted well,
Beneath the memory's potent spell,
Will wake to life and bleed again.

So 't is with me; it might be better
If I should turn no look behind,--
If I could curb my heart, and fetter
From reminiscent gaze my mind,
Or let my soul go blind--go blind!
But would I do it if I could?
Nay! ease at such a price were spurned;
For, since my love was once returned,
All that I suffer seemeth good.

I know, I know it is the fashion,
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An Old Memory

How sweet the music sounded
That summer long ago,
When you were by my side, love,
To list its gentle flow.

I saw your eyes a-shining,
I felt your rippling hair,
I kissed your pearly cheek, love,
And had no thought of care.

And gay or sad the music,
With subtle charm replete;
I found in after years, love
'Twas you that made it sweet.

For standing where we heard it,
I hear again the strain;
It wakes my heart, but thrills it
With sad, mysterious pain.

It pulses not so joyous
As when you stood with me,
And hand in hand we listened
To that low melody.

Oh, could the years turn back, love!
Oh, could events be changed
To what they were that time, love,
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The Lover And The Moon

A lover whom duty called over the wave,
With himself communed: "Will my love be true
If left to herself? Had I better not sue
Some friend to watch over her, good and grave?
But my friend might fail in my need," he said,
"And I return to find love dead.
Since friendships fade like the flow'rs of June,
I will leave her in charge of the stable moon."

Then he said to the moon: "O dear old moon,
Who for years and years from thy thrown above
Hast nurtured and guarded young lovers and love,
My heart has but come to its waiting June,
And the promise time of the budding vine;
Oh, guard thee well this love of mine."
And he harked him then while all was still,
And the pale moon answered and said, "I will."

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Paul Laurence Dunbar