They Were Welcome To Their Belief

Grief may have thought it was grief.
Care may have thought it was care.
They were welcome to their belief,
The over important pair.

No, it took all the snows that clung
To the low roof over his bed,
Beginning when he was young,
To induce the one snow on his head.

But whenever the roof came white
The head in the dark below
Was a shade less the color of night,
A shade more the color of snow.

Grief may have thought it was grief.
Care may have thought it was care.
But neither one was the thief
Of his raven color of hair.

Robert Lee Frost

Robert Lee Frost was an American poet renowned for his depictions of rural New England life, his realistic verse portraying ordinary people in everyday situations. Frost's work frequently employed themes from the natural world and championed common speech. He received four Pulitzer Prizes for Poetry and was a much-honored poet of his era. Some of his most famous works include 'The Road Not Taken,' 'Stopping by Woods on a Snowy Evening,' and 'Mending Wall.'

Robert Lee Frost

Dust In The Eyes

Robert Lee Frost, Simple Poetry

Mowing

Robert Lee Frost, Simple Poetry

Mending Wall

Robert Lee Frost, Simple Poetry

The Secret Sits

Robert Lee Frost, Simple Poetry

English

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Not To Keep

They sent him back to her. The letter came
Saying And she could have him. And before
She could be sure there was no hidden ill
Under the formal writing, he was in her sight,
Living. They gave him back to her alive,
How else? They are not known to send the dead,
And not disfigured visibly. His face?
His hands? She had to look, and ask,
What was it, dear? And she had given all
And still she had all, they had they the lucky!
Wasnt she glad now? Everything seemed won,
And all the rest for them permissible ease.
She had to ask, What was it, dear?

Enough,
Yet not enough. A bullet through and through,
High in the breast. Nothing but what good care
And medicine and rest, and you a week,
Can cure me of to go again. The same
Grim giving to do ove...

Robert Lee Frost

The Thatch

Out alone in the winter rain,
Intent on giving and taking pain.
But never was I far out of sight
Of a certain upper-window light.
The light was what it was all about:
I would not go in till the light went out;
It would not go out till I came in.
Well, we should wee which one would win,
We should see which one would be first to yield.
The world was black invisible field.
The rain by rights was snow for cold.
The wind was another layer of mold.
But the strangest thing: in the thick old thatch,
Where summer birds had been given hatch,
had fed in chorus, and lived to fledge,
Some still were living in hermitage.
And as I passed along the eaves,
So low I brushed the straw with my sleeves,
I flushed birds out of hole after hole,
Into the darkness. It g...

Robert Lee Frost

Reluctance

Out through the fields and the woods
And over the walls I have wended;
I have climbed the hills of view
And looked at the world, and descended;
I have come by the highway home,
And lo, it is ended.

The leaves are all dead on the ground,
Save those that the oak is keeping
To ravel them one by one
And let them go scraping and creeping
Out over the crusted snow,
When others are sleeping.

And the dead leaves lie huddled and still,
No longer blown hither and thither;
The last long aster is gone;
The flowers of the witch-hazel wither;
The heart is still aching to seek,
But the feet question 'Whither?'

Ah, when to the heart of man
Was it ever less than a treason
To go with the drift of things,
To yield with a grace to reason...

Robert Lee Frost

The Hill Wife

LONELINESS
(Her Word)

One ought not to have to care
So much as you and I
Care when the birds come round the house
To seem to say good-bye;
Or care so much when they come back
With whatever it is they sing;
The truth being we are as much
Too glad for the one thing
As we are too sad for the other here
With birds that fill their breasts
But with each other and themselves
And their built or driven nests.

HOUSE FEAR

Always I tell you this they learned
Always at night when they returned
To the lonely house from far away
To lamps unlighted and fire gone gray,
They learned to rattle the lock and key
To give whatever might chance to be
Warning and time to be off in flight:
And preferring the out- to the in-door night,

Robert Lee Frost

The Black Cottage

We chanced in passing by that afternoon
To catch it in a sort of special picture
Among tar-banded ancient cherry trees,
Set well back from the road in rank lodged grass,
The little cottage we were speaking of,
A front with just a door between two windows,
Fresh painted by the shower a velvet black.
We paused, the minister and I, to look.
He made as if to hold it at arm's length
Or put the leaves aside that framed it in.
"Pretty," he said. "Come in. No one will care."
The path was a vague parting in the grass
That led us to a weathered window-sill.
We pressed our faces to the pane. "You see," he said,
"Everything's as she left it when she died.
Her sons won't sell the house or the things in it.
They say they mean to come and summer here
Where they were boy...

Robert Lee Frost

My November Guest

My Sorrow, when she's here with me,
Thinks these dark days of autumn rain
Are beautiful as days can be;
She loves the bare, the withered tree;
She walks the sodden pasture lane.

Her pleasure will not let me stay.
She talks and I am fain to list:
She's glad the birds are gone away,
She's glad her simple worsted grady
Is silver now with clinging mist.

The desolate, deserted trees,
The faded earth, the heavy sky,
The beauties she so wryly sees,
She thinks I have no eye for these,
And vexes me for reason why.

Not yesterday I learned to know
The love of bare November days
Before the coming of the snow,
But it were vain to tell he so,
And they are better for her praise.

Robert Lee Frost