To a Friend

Who prop, thou ask'st in these bad days, my mind?
He much, the old man, who, clearest-souled of men,
Saw The Wide Prospect, and the Asian Fen,
And Tmolus hill, and Smyrna bay, though blind.

Much he, whose friendship I not long since won,
That halting slave, who in Nicopolis
Taught Arrian, when Vespasian's brutal son
Cleared Rome of what most shamed him. But be his

My special thanks, whose even-balanced soul,
From first youth tested up to extreme old age,
Business could not make dull, nor passion wild;

Who saw life steadily, and saw it whole;
The mellow glory of the Attic stage,
Singer of sweet Colonus, and its child.

Matthew Arnold

Matthew Arnold was an English poet and cultural critic who worked as an inspector of schools. He is best remembered for his poetry, including works like 'Dover Beach,' and his influence on literary and social criticism. Arnold's work often grappled with the social issues and the loss of faith in the modern age, making him a central figure in the transition from Romanticism to Modernism in literature.

Matthew Arnold

Progress

Matthew Arnold, Simple Poetry

Austerity Of Poetry

Matthew Arnold, Simple Poetry

Consolation

Matthew Arnold, Simple Poetry

A Dream

Matthew Arnold, Simple Poetry

English

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To A Friend

Who prop, thou askst in these bad days, my mind?
He much, the old man, who, clearest-souled of men,
Saw The Wide Prospect, and the Asian Fen,
And Tmolus hill, and Smyrnas bay, though blind.
Much he, whose friendship I not long since won,
That halting slave, who in Nicopolis
Taught Arrian, when Vespasians brutal son
Cleared Rome of what most shamed him. But be his
My special thanks, whose even-balanced soul,
From first youth tested up to extreme old age,
Business could not make dull, nor passion wild:
Who saw life steadily, and saw it whole:
The mellow glory of the Attic stage;
Singer of sweet Colonus, and its child.

Matthew Arnold

To A Republican Friend

God knows it, I am with you. If to prize
Those virtues, priz'd and practis'd by too few,
But priz'd, but lov'd, but eminent in you,
Man's fundamental life: if to despise
The barren optimistic sophistries
Of comfortable moles, whom what they do
Teaches the limit of the just and true
And for such doing have no need of eyes:
If sadness at teh long heart-wasting show
Wherein earth's great ones are disquieted:
If thoughts, not idle, while before me flow
The armies of the homeless and unfed:
If these are yours, if this is what you are,
Then am I yours, and what you feel, I share.

Matthew Arnold

A Farewell

My Horse's feet beside the lake,
Where sweet the unbroken moonbeams lay,
Sent echoes through the night to wake,
Each glistening strand, each heath-fringed bay.

The poplar avenue was passd,
And the roofed bridge that spans the stream,
Up the steep street I hurried fast,
Led by thy tapers starlike beam.

I came! I saw thee rise:, the blood
Poured flushing to thy languid cheek.
Locked in each others arms we stood,
In tears, with hearts too full to speak.

Days flew; ah, soon I could discern
A trouble in thine altered air.
Thy hand lay languidly in mine,
Thy cheek was grave, thy speech grew rare.

I blame thee not:, This heart, I know,
To be long lovd was never framd,
For something in its depths doth glow
Too strange, too r...

Matthew Arnold

To Giovanni Battista Manso, Marquis of Villa.

^[1]Giovanni Battista Manso, Marquis of Villa, is an Italian Nobleman of the highest estimation among his countrymen, for Genius, Literature,and military accomplishments. To Him Torquato Tasso addressed his "Dialogue on Friendship," for he was much the friend of Tasso, who has also celebrated him among the other princes of his country, in his poem entitled "Jerusalem Conquered" (Book XX).

                Among cavaliers magnanimous and courteous
                - Manso is resplendent.

During the Author's stay at Naples he received at the hands of the Marquis a thousand kind offices and civilities, and, desirous not to appear ungrateful, sent him this poem a short time before his departure from that city.


These verses also to thy praise the Nine^[2]
Oh Manso! happy in tha...

William Cowper

Obermann

In front the awful Alpine track
Crawls up its rocky stair;
The autumn storm-winds drive the rack
Close oer it, in the air.

Behind are the abandond baths
Mute in their meadows lone;
The leaves are on the valley paths;
The mists are on the Rhone,

The white mists rolling like a sea.
I hear the torrents roar.
Yes, Obermann, all speaks of thee!
I feel thee near once more.

I turn thy leaves: I feel their breath
Once more upon me roll;
That air of languor, cold, and death,
Which brooded oer thy soul.

Fly hence, poor Wretch, whoeer thou art,
Condemnd to cast about,
All shipwreck in thy own weak heart,
For comfort from without:

A fever in these pages burns
Beneath the calm they feign;
A wounded human spir...

Matthew Arnold

A Modern Sappho

They are gone: all is still: Foolish heart, dost thou quiver?
Nothing moves on the lawn but the quick lilac shade.
Far up gleams the house, and beneath flows the river.
Here lean, my head, on this cool balustrade.

Ere he come: ere the boat, by the shining-branchd border
Of dark elms come round, dropping down the proud stream;
Let me pause, let me strive, in myself find some order,
Ere their boat-music sound, ere their broiderd flags gleam.

Is it hope makes me linger? the dim thought, that sorrow
Means parting? that only in absence lies pain?
It was well with me once if I saw him: to-morrow
May bring one of the old happy moments again.

Last night we stood earnestly talking together
She enterd, that moment his eyes turnd from me.
Fastend on her dark...

Matthew Arnold