To A Lady Who Had Been Singing.

The spirit-harp within the breast
A spirit's touch alone can know,
Yet thine the power to wake its rest,
And bid its echoing numbers flow.

Yes, and thy minstrel art the while,
Can blend the tones of weal and we,
So archly, that the heart may smile,
Though bright, unbidden tear-drops flow.

And thus thy wizard skill can weave
Music's soft twilight o'er the breast,
As mingling day and night, at eve,
Robe the far purpling hills for rest.

Thy voice is treasured in my soul,
And echoing memory shall prolong
Those woman tones, whose sweet control
Melts joy and sorrow into song.

The tinted sea-shell, borne away
Far from the ocean's pebbly shore,
Still loves to hum the choral lay,
The whispering mermaid taught of yore.

The hollow cave, that once hath known
Echo's lone voice, can ne'er forget
But gives though parting years have flown
The wild responsive cadence yet.

So shall thy plaintive melody,
Undying, linger in my heart,
Till the last string of memory,
By death's chill finger struck, shall part!

Samuel Griswold Goodrich

Samuel Griswold Goodrich, born on August 19, 1793, and passing away on May 9, 1860, was an American author notable for his numerous children's books. Writing under the pseudonym 'Peter Parley,' he was a significant literary figure in the 19th century. Goodrich’s works were known for their educational content, aiming to teach young readers about history, geography, and other subjects in an engaging manner. His publications had a lasting impact on American children's literature.

Samuel Griswold Goodrich

The Rose: To Ellen.

Samuel Griswold Goodrich, Simple Poetry

The Rival Bubbles.

Samuel Griswold Goodrich, Simple Poetry

The Two Shades.

Samuel Griswold Goodrich, Simple Poetry

The Gipsy's Prayer.

Samuel Griswold Goodrich, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

Remembrance.[A]

You bid the minstrel strike the lute,
And wake once more a soothing tone
Alas! its strings, untuned, are mute,
Or only echo moan for moan.

The flowers around it twined are dead,
And those who wreathed them there, are flown;
The spring that gave them bloom is fled,
And winter's frost is o'er them thrown.

Poor lute! forgot 'mid strife and care,
I fain would try thy strings once more,
Perchance some lingering tone is there
Some cherished melody of yore.

If flowers that bloom no more are here,
Their odors still around us cling
And though the loved are lost-still dear,
Their memories may wake the string.

I strike but lo, the wonted thrill,
Of joy in sorrowing cadence dies:
Alas! the minstrel's hand is chill,
And the sad lute, ...

Samuel Griswold Goodrich

The Harp

One musician is sure,
His wisdom will not fail,
He has not tasted wine impure,
Nor bent to passion frail.
Age cannot cloud his memory,
Nor grief untune his voice,
Ranging down the ruled scale
From tone of joy to inward wail,
Tempering the pitch of all
In his windy cave.
He all the fables knows,
And in their causes tells,--
Knows Nature's rarest moods,
Ever on her secret broods.
The Muse of men is coy,
Oft courted will not come;
In palaces and market squares
Entreated, she is dumb;
But my minstrel knows and tells
The counsel of the gods,
Knows of Holy Book the spells,
Knows the law of Night and Day,
And the heart of girl and boy,
The tragic and the gay,
And what is writ on Table Round
Of Arthur and his peers;
Wh...

Ralph Waldo Emerson

The Singer

Years since (but names to me before),
Two sisters sought at eve my door;
Two song-birds wandering from their nest,
A gray old farm-house in the West.

How fresh of life the younger one,
Half smiles, half tears, like rain in sun!
Her gravest mood could scarce displace
The dimples of her nut-brown face.

Wit sparkled on her lips not less
For quick and tremulous tenderness;
And, following close her merriest glance,
Dreamed through her eyes the heart's romance.

Timid and still, the elder had
Even then a smile too sweetly sad;
The crown of pain that all must wear
Too early pressed her midnight hair.

Yet ere the summer eve grew long,
Her modest lips were sweet with song;
A memory haunted all her words
Of clover-fields and singing...

John Greenleaf Whittier

My Gentle Harp.

My gentle harp, once more I waken
    The sweetness of thy slumbering strain;
In tears our last farewell was taken,
    And now in tears we meet again.
No light of joy hath o'er thee broken,
    But, like those Harps whose heavenly skill
Of slavery, dark as thine, hath spoken,
    Thou hang'st upon the willows still.

And yet, since last thy chord resounded,
    An hour of peace and triumph came,
And many an ardent bosom bounded
    With hopes--that now art turned to shame.
Yet even then, while Peace was singing
    Her halcyon song o'er land and sea,
Tho' joy and hope to others bringing,
    She only brought new tears to thee.

Then, who can ask for notes of pleasure,
    My drooping Harp, from chords like thine?
Alas, the lark's gay morni...

Thomas Moore

To A Lady.

Suggested By Hearing Her Voice During Services At Church.

At night, in visions, when my soul drew near
    The shadowy confines of the spirit land,
Wild, wondrous notes of song have met my ear,
    Wrung from their harps by many a seraph's hand;
And forms of light, too, more divinely fair
    Than Mercy's messenger to hearts that mourn,
On wings that made sweet music in the air,
    Have round me, in those hours of bliss, been borne,
And, filled with joy unutterable, I
Have deemed myself a born child of the sky.

And often, too, at sunset's magic hour,
    When musing by some solitary stream,
While thought awoke in its resistless pow'r,
    And restless Fancy wove her brightest dream:
Mysterious tongues, that were not of the earth,
    Have whispere...

George W. Sands

The Harp Of The Minstrel

The harp of the minstrel has never a tone
    As sad as the song in his bosom to-night,
For the magical touch of his fingers alone
    Can not waken the echoes that breathe it aright;
But oh! as the smile of the moon may impart
    A sorrow to one in an alien clime,
Let the light of the melody fall on the heart,
    And cadence his grief into musical rhyme.

The faces have faded, the eyes have grown dim
    That once were his passionate love and his pride;
And alas! all the smiles that once blossomed for him
    Have fallen away as the flowers have died.
The hands that entwined him the laureate's wreath
    And crowned him with fame in the long, long ago,
Like the laurels are withered and folded beneath
    The grass and the stubble - the frost and the snow.

James Whitcomb Riley