To A Pastoral Poet.

(H. E. B.)


Among my best I put your Book,
O Poet of the breeze and brook!
(That breeze and brook which blows and falls
More soft to those in city walls)
Among my best: and keep it still
Till down the fair grass-girdled hill,
Where slopes my garden-slip, there goes
The wandering wind that wakes the rose,
And scares the cohort that explore
The broad-faced sun-flower o'er and o'er,
Or starts the restless bees that fret
The bindweed and the mignonette.

Then I shall take your Book, and dream
I lie beside some haunted stream;
And watch the crisping waves that pass,
And watch the flicker in the grass;
And wait--and wait--and wait to see
The Nymph ... that never comes to me!

Henry Austin Dobson

Henry Austin Dobson, commonly known as Austin Dobson, was an English poet and essayist. A civil servant by profession, Dobson was one of the most renowned poets and literary critics of the late Victorian and Edwardian periods. His work is noted for its delicate craftsmanship and profound interest in 18th-century literature. Dobson's poetry often revisited and celebrated historical themes and characters, blending scholarly interest with lyrical form.

Henry Austin Dobson

To Phidyle.

Henry Austin Dobson, Simple Poetry

The Poet And The Critics.

Henry Austin Dobson, Simple Poetry

An Epistle To An Editor

Henry Austin Dobson, Simple Poetry

Jocosa Lyra.

Henry Austin Dobson, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

An April Pastoral.

He. Whither away, fair Neat-herdess?
She. Shepherd, I go to tend my kine.
He. Stay thou, and watch this flock of mine.
She. With thee? Nay, that were idleness.
He. Thy kine will pasture none the less.
She. Not so: they wait me and my sign.
He. I'll pipe to thee beneath the pine.
She. Thy pipe will soothe not their distress.
He. Dost thou not hear beside the spring
How the gay birds are carolling?
She. I hear them. But it may not be.
He. Farewell then, Sweetheart! Farewell now.
She. Shepherd, farewell----Where goest thou?
He. I go ... to tend thy kine for thee!

Henry Austin Dobson

Prologue To Abbey's "Quiet Life."

Even as one in city pent,
Dazed with the stir and din of town,
Drums on the pane in discontent,
And sees the dreary rain come down,
Yet, through the dimmed and dripping glass,
Beholds, in fancy, visions pass,
Of Spring that breaks with all her leaves,
Of birds that build in thatch and eaves,
Of woodlands where the throstle calls,
Of girls that gather cowslip balls,
Of kine that low, and lambs that cry,
Of wains that jolt and rumble by,
Of brooks that sing by brambly ways,
Of sunburned folk that stand at gaze,
Of all the dreams with which men cheat
The stony sermons of the street,
So, in its hour, the artist brain
Weary of human ills and woes,
Weary of passion, and of pain,
And vaguely craving for repose,
Deserts awhile the stage of strife

Henry Austin Dobson

A Garden Song.

(To W. E. H.)


Here, in this sequestered close
Bloom the hyacinth and rose;
Here beside the modest stock
Flaunts the flaring hollyhock;
Here, without a pang, one sees
Ranks, conditions, and degrees.

All the seasons run their race
In this quiet resting place;
Peach, and apricot, and fig
Here will ripen, and grow big;
Here is store and overplus,--
More had not Alcinoüs!

Here, in alleys cool and green,
Far ahead the thrush is seen;
Here along the southern wall
Keeps the bee his festival;
All is quiet else--afar
Sounds of toil and turmoil are.

Here be shadows large and long;
Here be spaces meet for song;
Grant, O garden-god, that I,
Now that none profane is nigh,--
Now that mood and moment please,

Henry Austin Dobson

The Poet And The Critics.

If those who wield the Rod forget,
'Tis truly--Quis custodiet?


A certain Bard (as Bards will do)
Dressed up his Poems for Review.
His Type was plain, his Title clear;
His Frontispiece by FOURDRINIER.
Moreover, he had on the Back
A sort of sheepskin Zodiac;--
A Mask, a Harp, an Owl,--in fine,
A neat and "classical" Design.
But the in-Side?--Well, good or bad,
The Inside was the best he had:
Much Memory,--more Imitation;--
Some Accidents of Inspiration;--
Some Essays in that finer Fashion
Where Fancy takes the place of Passion;--
And some (of course) more roughly wrought
To catch the Advocates of Thought.

In the less-crowded Age of ANNE,
Our Bard had been a favoured Man;
Fortune, more chary with the Sickle,
Had ranked h...

Henry Austin Dobson

The Distressed Poet.

A Suggestion From Hogarth.


One knows the scene so well,--a touch,
A word, brings back again
That room, not garnished overmuch,
In gusty Drury Lane;

The empty safe, the child that cries,
The kittens on the coat,
The good-wife with her patient eyes,
The milkmaid's tuneless throat;

And last, in that mute woe sublime,
The luckless verseman's air:
The "Bysshe," the foolscap and the rhyme,--
The Rhyme ... that is not there!

Poor Bard! to dream the verse inspired--
With dews Castalian wet--
Is built from cold abstractions squired
By "Bysshe," his epithet!

Ah! when she comes, the glad-eyed Muse,
No step upon the stair
Betrays the guest that none refuse,--
She takes us unaware;

And tips with fire our ly...

Henry Austin Dobson

To The Poet, John Dyer

Bard of the Fleece, whose skilful genius made
That work a living landscape fair and bright;
Nor hallowed less with musical delight
Than those soft scenes through which thy childhood strayed,
Those southern tracts of Cambria, "deep embayed,
With green hills fenced, with ocean's murmur lulled;"
Though hasty Fame hath many a chaplet culled
For worthless brows, while in the pensive shade
Of cold neglect she leaves thy head ungraced,
Yet pure and powerful minds, hearts meek and still,
A grateful few, shall love thy modest Lay,
Long as the shepherd's bleating flock shall stray
O'er naked Snowdon's wide aerial waste;
Long as the thrush shall pipe on Grongar Hill!

William Wordsworth