To Chloe I

Why do you shun me, Chloe, like the fawn,
That, fearful of the breezes and the wood,
Has sought her timorous mother since the dawn,
And on the pathless mountain tops has stood?

Her trembling heart a thousand fears invites,
Her sinking knees with nameless terrors shake,--
Whether the rustling leaf of spring affrights,
Or the green lizards stir the slumbering brake.

I do not follow with a tigerish thought,
Or with the fierce Gætulian lion's quest;
So, quickly leave your mother, as you ought,
Full ripe to nestle on a husband's breast.

Eugene Field

Eugene Field was an American writer, best known for his children's poetry and humorous essays. Born in St. Louis, Missouri, he was known as the 'Poet of Childhood' due to his well-loved poems for children. After his mother's death in 1856, he was raised by a cousin in Amherst, Massachusetts. Field studied at several universities but never graduated. His most famous poems include 'Wynken, Blynken, and Nod' and 'The Duel.' Field worked as a journalist and editor in various cities, including Chicago, where he spent the last years of his life.

Eugene Field

To M.L. Gray.

Eugene Field, Simple Poetry

To A Soubrette

Eugene Field, Simple Poetry

The Bottle And The Bird.

Eugene Field, Simple Poetry

Sweet Little Fairy,

Eugene Field, Simple Poetry

English

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To Chloe II

Chloe, you shun me like a hind
That, seeking vainly for her mother,
Hears danger in each breath of wind,
And wildly darts this way and t' other;

Whether the breezes sway the wood
Or lizards scuttle through the brambles,
She starts, and off, as though pursued,
The foolish, frightened creature scrambles.

But, Chloe, you're no infant thing
That should esteem a man an ogre;
Let go your mother's apron-string,
And pin your faith upon a toga!

Eugene Field

Horatian Lyrics. Odes I, 23.

Why do you shun me, Chloe, like the fawn,
That, fearful of the breezes and the wood,
Has sought her timorous mother since the dawn
And on the pathless mountain tops has stood?

Her trembling heart a thousand fears invites--
Her sinking knees with nameless terrors shake;
Whether the rustling leaf of spring affrights,
Or the green lizards stir the slumbering brake.

I do not follow with a tigerish thought
Or with the fierce Gaetulian lion's quest;
So, quickly leave your mother, as you ought,
Full ripe to nestle on a husband's breast.

Eugene Field

To Chloe. I-23 (From The Odes Of Horace)

    Ah Chloe, like a fawn you now elude me,
        Seeking its timid dam on lonely hills,
    Its dam who not without an idle tremor
        At breezes in the forest thrills.
    For if before the breeze the bushes quiver
        With rustling leaves, or if green lizards start
    Across the bramble, then it is it trembles, -
        This little fawn - in knees and heart.
    But Chloe, I am not a cruel tiger,
        Nor a Gætulian lion, thee to chase;
    And now that thou art old enough to marry,
        Beside thy mother take thy place.

Helen Leah Reed

A Paraphrase, Circa 1715

Since Chloe is so monstrous fair,
With such an eye and such an air,
What wonder that the world complains
When she each am'rous suit disdains?

Close to her mother's side she clings,
And mocks the death her folly brings
To gentle swains that feel the smarts
Her eyes inflict upon their hearts.

Whilst thus the years of youth go by,
Shall Colin languish, Strephon die?
Nay, cruel nymph! come, choose a mate,
And choose him ere it be too late!

Eugene Field

To Chloe Jealous

Dear Chloe, how blubber'd is that pretty face;
Thy cheek all on fire, and thy hair all uncurl'd:
Prythee quit this caprice; and (as old Falstaff says)
Let us e'en talk a little like folks of this world.

How canst thou presume, thou hast leave to destroy
The beauties, which Venus but lent to thy keeping?
Those looks were design'd to inspire love and joy:
More ord'nary eyes may serve people for weeping.

To be vext at a trifle or two that I writ,
Your judgment at once, and my passion you wrong:
You take that for fact, which will scarce be found wit:
Odds life! must one swear to the truth of a song?

What I speak, my fair Chloe, and what I write, shows
The diff'rence there is betwixt nature and art:
I court others in verse; but I love thee in prose:
An...

Matthew Prior

A Paraphrase, By Dr. I.W.

Why, Mistress Chloe, do you bother
With prattlings and with vain ado
Your worthy and industrious mother,
Eschewing them that come to woo?

Oh, that the awful truth might quicken
This stern conviction to your breast:
You are no longer now a chicken
Too young to quit the parent nest.

So put aside your froward carriage,
And fix your thoughts, whilst yet there's time,
Upon the righteousness of marriage
With some such godly man as I'm.

Eugene Field