To Chloe Weeping

See, whilst Thou weep'st, fair Cloe, see
The World in Sympathy with Thee.
The chearful Birds no longer sing,
Each drops his Head, and hangs his Wing.
The Clouds have bent their Bosom lower,
And shed their Sorrows in a Show'r.
The Brooks beyond their Limits flow;
And louder Murmurs speak their Woe.
The Nymphs and Swains adopt Thy Cares:
They heave Thy Sighs, and weep Thy Tears.
Fantastic Nymph! that Grief should move
Thy Heart, obdurate against Love.
Strange Tears! whose Pow'r can soften All,
But That dear Breast on which they fall.

Matthew Prior

Matthew Prior was an English poet and diplomat. He is known for his extensive contributions to poetry during the late 17th and early 18th centuries. Prior's works often blend sharp wit, classical allusions, and a mastery of form. Apart from poetry, he was actively involved in politics and served as a diplomat for the English government. His poetry reflects his broad knowledge and varied experiences.

Matthew Prior

The Conversation. A Tale

Matthew Prior, Simple Poetry

To the Right Honourable The Countess Dowager Of Devonshire, On A Piece Of Wiessen's

Matthew Prior, Simple Poetry

Cupid's Promise - Paraphrased

Matthew Prior, Simple Poetry

A Song. In Vain You Tell Your Parting Lover

Matthew Prior, Simple Poetry

English

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Cloe Jealous

Forbear to ask Me, why I weep;
Vext Cloe to her Shepherd said:
'Tis for my Two poor stragling Sheep
Perhaps, or for my Squirrel dead.
For mind I what You late have writ?
Your subtle Questions, and Replies;
Emblems, to teach a Female Wit
The Ways, where changing Cupid flies.
Your Riddle, purpos'd to rehearse
The general Pow'r that Beauty has:
But why did no peculiar Verse
Describe one Charm of Cloe's Face?
The Glass, which was at Venus' Shrine,
With such Mysterious Sorrow laid:
The Garland (and You call it Mine)
Which show'd how Youth and Beauty fade.
Ten thousand Trifles light as These
Nor can my Rage, nor Anger move:
She shou'd be humble, who wou'd please:
And She must suffer, who can love.
When in My Glass I chanc'd to look;
Of Venus...

Matthew Prior

To Chloe Jealous

Dear Chloe, how blubber'd is that pretty face;
Thy cheek all on fire, and thy hair all uncurl'd:
Prythee quit this caprice; and (as old Falstaff says)
Let us e'en talk a little like folks of this world.

How canst thou presume, thou hast leave to destroy
The beauties, which Venus but lent to thy keeping?
Those looks were design'd to inspire love and joy:
More ord'nary eyes may serve people for weeping.

To be vext at a trifle or two that I writ,
Your judgment at once, and my passion you wrong:
You take that for fact, which will scarce be found wit:
Odds life! must one swear to the truth of a song?

What I speak, my fair Chloe, and what I write, shows
The diff'rence there is betwixt nature and art:
I court others in verse; but I love thee in prose:
An...

Matthew Prior

The Garland

The pride of every grove I chose,
The violet sweet and lily fair,
The dappled pink and blushing rose,
To deck my charming Cloe's hair.

At morn the nymph vouchsafed to place
Upon her brow the various wreath;
The flowers less blooming than her face,
The scent less fragrant than her breath.

The flowers she wore along the day,
And every nymph and shepherd said,
That in her hair they look'd more gay
Than glowing in their native bed.

Undress'd at evening, when she found
Their odours lost, their colours past,
She changed her look, and on the ground
Her garland and her eyes she cast.

That eye dropp'd sense distinct and clear
As any Muse's tongue could speak,
When from its lid a pearly tear
Ran trickling down her beauteous cheek.<...

Matthew Prior

A Better Answer

Dear Cloe, how blubber'd is that pretty Face?
Thy Cheek all on Fire, and Thy Hair all uncurl'd:
Pr'ythee quit this Caprice; and (as old Falstaf says)
Let Us e'en talk a little like Folks of This World.

How can'st Thou presume, Thou hast leave to destroy
The Beauties, which Venus but lent to Thy keeping?
Those Looks were design'd to inspire Love and Joy:
More ord'nary Eyes may serve People for weeping.

To be vext at a Trifle or two that I writ,
Your Judgment at once, and my Passion You wrong:
You take that for Fact, which will scarce be found Wit:
Odd's Life! must One swear to the Truth of a Song?

What I speak, my fair Cloe, and what I write, shews
The Diff'rence there is betwixt Nature and Art:
I court others in Verse; but I love Thee in Prose:
An...

Matthew Prior

The Widows' Tears; Or, Dirge Of Dorcas

Come pity us, all ye who see
Our harps hung on the willow-tree;
Come pity us, ye passers-by,
Who see or hear poor widows' cry;
Come pity us, and bring your ears
And eyes to pity widows' tears.
CHOR.And when you are come hither,
Then we will keep
A fast, and weep
Our eyes out all together,

For Tabitha; who dead lies here,
Clean wash'd, and laid out for the bier.
O modest matrons, weep and wail!
For now the corn and wine must fail;
The basket and the bin of bread,
Wherewith so many souls were fed,
CHOR.Stand empty here for ever;
And ah!the poor,
At thy worn door,
Shall be relieved never.

Woe worth the time, woe worth the day,
That reft us of thee, Tabitha!
For we have lost, with thee, the meal,
The bits, the morsels...

Robert Herrick

The Despairing Shepherd

Alexis shun'd his Fellow Swains,
Their rural Sports, and jocund Strains:
(Heav'n guard us all from Cupid's Bow!)
He lost his Crook, He left his Flocks;
And wand'ring thro' the lonely Rocks,
He nourish'd endless Woe.
The Nymphs and Shepherds round Him came:
His Grief Some pity, Others blame:
The fatal Cause All kindly seek.
He mingled his Concern with Their's:
He gave 'em back their friendly Tears:
He sigh'd, but would not speak.
Clorinda came among the rest:
And She too kind Concern exprest,
And ask'd the Reason of his Woe:
She ask'd, but with an Air and Mein,
That made it easily foreseen,
She fear'd too much to know.
The Shepherd rais'd his mournful Head:
And will You pardon Me, He said,
While I the cruel Truth reveal?
Which nothing f...

Matthew Prior