To His Lute

My lute, be as thou wert when thou didst grow
With thy green mother in some shady grove,
When immelodious winds but made thee move,
And birds their ramage did on thee bestow.
Since that dear Voice which did thy sounds approve,
Which wont in such harmonious strains to flow,
Is reft from Earth to tune those spheres above,
What art thou but a harbinger of woe?
Thy pleasing notes be pleasing notes no more,
But orphans' wailings to the fainting ear;
Each stroke a sigh, each sound draws forth a tear;
For which be silent as in woods before:
Or if that any hand to touch thee deign,
Like widowed turtle, still her loss complain.

William Henry Drummond

William Henry Drummond was a Canadian poet, best known for his humor-filled verse that captured the dialect and lifestyle of French Canadian habitants. Born on April 13, 1854, in Ireland, he immigrated to Canada during his childhood. Drummond pursued a career in medicine but garnered fame for his poetry, which was rich with character and wit. He passed away on April 6, 1907, leaving behind a cherished legacy in Canadian literature.

William Henry Drummond

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Maxime Labelle

William Henry Drummond, Simple Poetry

English

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Remembrance.[A]

You bid the minstrel strike the lute,
And wake once more a soothing tone
Alas! its strings, untuned, are mute,
Or only echo moan for moan.

The flowers around it twined are dead,
And those who wreathed them there, are flown;
The spring that gave them bloom is fled,
And winter's frost is o'er them thrown.

Poor lute! forgot 'mid strife and care,
I fain would try thy strings once more,
Perchance some lingering tone is there
Some cherished melody of yore.

If flowers that bloom no more are here,
Their odors still around us cling
And though the loved are lost-still dear,
Their memories may wake the string.

I strike but lo, the wonted thrill,
Of joy in sorrowing cadence dies:
Alas! the minstrel's hand is chill,
And the sad lute, ...

Samuel Griswold Goodrich

If Thou Wouldst Have Me Sing And Play.

If thou wouldst have me sing and play,
    As once I played and sung,
First take this time-worn lute away,
    And bring one freshly strung.
Call back the time when pleasure's sigh
First breathed among the strings;
And Time himself, in flitting by.
    Made music with his wings.

But how is this? tho' new the lute,
    And shining fresh the chords,
Beneath this hand they slumber mute,
    Or speak but dreamy words.
In vain I seek the soul that dwelt
    Within that once sweet shell,
Which told so warmly what it felt,
    And felt what naught could tell.

Oh, ask not then for passion's lay,
    From lyre so coldly strung;
With this I ne'er can sing or play,
    As once I played and sung.
No, bring that long-loved lute again,--

Thomas Moore

My Heart And Lute.

I give thee all--I can no more--
    Tho' poor the offering be;
My heart and lute are all the store
    That I can bring to thee.
A lute whose gentle song reveals
    The soul of love full well;
And, better far, a heart that feels
    Much more than lute could tell.

Tho' love and song may fail, alas!
    To keep life's clouds away,
At least 'twill make them lighter pass,
    Or gild them if they stay.
And even if Care at moments flings
    A discord o'er life's happy strain,
Let Love but gently touch the strings,
    'Twill all be sweet again!

Thomas Moore

To My Father's Violin

Does he want you down there
In the Nether Glooms where
The hours may be a dragging load upon him,
As he hears the axle grind
Round and round
Of the great world, in the blind
Still profound
Of the night-time? He might liven at the sound
Of your string, revealing you had not forgone him.

In the gallery west the nave,
But a few yards from his grave,
Did you, tucked beneath his chin, to his bowing
Guide the homely harmony
Of the quire
Who for long years strenuously -
Son and sire -
Caught the strains that at his fingering low or higher
From your four thin threads and eff-holes came outflowing.

And, too, what merry tunes
He would bow at nights or noons
That chanced to find him bent to lute a measure,
When he made you speak his h...

Thomas Hardy

The Æolian Harp

My pensive SARA! thy soft cheek reclined
Thus on mine arm, most soothing sweet it is
To sit beside our Cot, our Cot o'ergrown
With white-flower'd Jasmin, and the broad-leav'd Myrtle,
(Meet emblems they of Innocence and Love!)
And watch the clouds, that late were rich with light,
Slow saddenning round, and mark the star of eve
Serenely brilliant (such should Wisdom be)
Shine opposite! How exquisite the scents
Snatch'd from yon bean-field! and the world so hush'd!
The stilly murmur of the distant Sea
Tells us of silence.
[spacer][spacer]And that simplest Lute,
Plac'd length-ways in the clasping casement, hark!
How by the desultory breeze caress'd,
Like some coy maid half-yielding to her lover,
It pours such sweet upbraiding, as must needs
Tempt to repeat th...

Samuel Taylor Coleridge

To His Lute

If ever in the sylvan shade
A song immortal we have made,
Come now, O lute, I prithee come,
Inspire a song of Latium!

A Lesbian first thy glories proved;
In arms and in repose he loved
To sweep thy dulcet strings, and raise
His voice in Love's and Liber's praise.
The Muses, too, and him who clings
To Mother Venus' apron-strings,
And Lycus beautiful, he sung
In those old days when you were young.

O shell, that art the ornament
Of Phoebus, bringing sweet content
To Jove, and soothing troubles all,--
Come and requite me, when I call!

Eugene Field