To Lady Valletort, On Hearing Her Sing "Gloria In Excelsis," With Three Other Young Ladies, At Lacock Abbey, October 1831.

Fair inmate of these ivied walls, beneath
Whose silent cloisters Ella sleeps in death,
Let loftier bards, in rich and glowing lays,
Thy gentleness, thy grace, thy virtue praise!
Be mine to breathe one prayer; when all rejoice,
One parting prayer, still mindful of that voice,
And musing on the sacred song which stole,
Sweet as the spell of peace, upon the soul;
In those same scenes, where once the chapel dim
Echoed the cloistered sisters' vesper hymn: -
Live long! live happy! tranquil through the strife
And the loud stir of this tumultuous life!
Live long, live happy! and when many a day
Hath passed in the heart's harmony away;
When Eve's pale hand the gates of life shall close,
And hush the landscape to its last repose;
May sister seraphs meet with welcome song,
And gently say, Why have you stayed so long?

William Lisle Bowles

William Lisle Bowles was an English cleric, poet, and critic who was born on 24th September 1762 and died on 7th April 1850. He is best known for his sonnets, which were highly praised by the Romantic poets. Bowles's work significantly influenced Samuel Taylor Coleridge and William Wordsworth. Besides his poetry, he wrote extensively on literary criticism and editing. Bowles spent much of his clerical career in Wiltshire and Gloucestershire.

William Lisle Bowles

Avenue In Savernake Forest

William Lisle Bowles, Simple Poetry

Evening

William Lisle Bowles, Simple Poetry

Influence Of Time On Grief

William Lisle Bowles, Simple Poetry

The Ark: A Poem For Music.

William Lisle Bowles, Simple Poetry

English

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Inscribed To The Marchioness Of Lansdowne

Go to assemblies of the rich and gay,
The blazing hall of grandeur, and the throng
Of cities, and there listen to the song
Of festive harmony; then pause, and say,
Where is she found, who in her sphere might shine,
Attracting all? Where is she found, whose place
And dignity the proudest court might grace?
Go, where the desolate and dying pine
On their cold bed; open the cottage door;
Ask of that aged pair, who feebly bend
O'er their small evening fire, who is their friend;
Ask of these children of the village poor;
For this, at the great judgment, thou shalt find
Heaven's mercy, Lady, merciful and kind.

William Lisle Bowles

Lacock Nunnery. June 24, 1837

I stood upon the stone where ELA lay,
The widowed founder of these ancient walls,
Where fancy still on meek devotion calls,
Marking the ivied arch, and turret gray
For her soul's rest--eternal rest, to pray;
Where visionary nuns yet seem to tread,
A pale dim troop, the cloisters of the dead,
Though twice three hundred years have flown away!
But when, with silent step and pensive mien,
In weeds, as mourning for her sisters gone,
The mistress of this lone monastic scene
Came; and I heard her voice's tender tone,
I said, Though centuries have rolled between,
One gentle, beauteous nun is left, on earth, alone.

William Lisle Bowles

The Convent

If chance some pensive stranger, hither led,
His bosom glowing from majestic views,
Temple and tower 'mid the bright landscape's hues,
Should ask who sleeps beneath this lowly bed?
A maid of sorrow. To the cloistered scene,
Unknown and beautiful a mourner came,
Seeking with unseen tears to quench the flame
Of hapless love: yet was her look serene
As the pale moonlight in the midnight aisle;
Her voice was gentle and a charm could lend,
Like that which spoke of a departed friend;
And a meek sadness sat upon her smile!
Now, far removed from every earthly ill,
Her woes are buried, and her heart is still.

William Lisle Bowles

Memorials Of A Tour On The Continent, 1820 - XXVII. - The Three Cottage Girls

I

How blest the Maid whose heart, yet free
From Love's uneasy sovereignty
Beats with a fancy running high,
Her simple cares to magnify;
Whom Labour, never urged to toil,
Hath cherished on a healthful soil;
Who knows not pomp, who heeds not pelf;
Whose heaviest sin it is to look
Askance upon her pretty Self
Reflected in some crystal brook;
Whom grief hath spared, who sheds no tear
But in sweet pity; and can hear
Another's praise from envy clear.

II

Such (but O lavish Nature! why
That dark unfathomable eye,
Where lurks a Spirit that replies
To stillest mood of softest skies,
Yet hints at peace to be o'erthrown,
Another's first, and then her own?)
Such, haply, yon Italian Maid,
Our Lady's laggard Votaress,
Halt...

William Wordsworth

Written After The Consecration Of The New Church At Kingswood.

When first the fane, that, white, on Kingswood-Pen,
Arrests, far off, the pausing stranger's ken,
Echoed the hymn of praise, and on that day,
Which seemed to shine with more auspicious ray,
When thousands listened to the prelate[214] there,
Who called on God, with consecrating prayer; -
I saw a village-maid, almost a child,        7
Even as a light-haired cherub, undefiled
From earth's rank fume, with innocent look, her eye
Meekly uplifted to the throne on high,
Join in the full choir's solemn harmony.
Oh, then, how many boding thoughts arose,
Lest, long ere varied life's uncertain close,
Those looks of modesty, that open truth
Lighting the forehead of ingenuous youth -
Lest these, as slowly steal maturing years,
Should fade, and grief succeed, and dimming tea...

William Lisle Bowles

On Mozart.

Oh! still, as with a seraph's voice, prolong
The harmonies of that enchanting song,
Till, listening, we might almost think we hear,
Beyond this cloudy world, in the pure sphere
Of light, acclaiming hosts the throne surrounding,
The long hosannahs evermore resounding,
Soft voices interposed in pure accord,
Breathing a holier charm. Oh! every word
Falls like a drop of silver, as the strain,
In winding sweetness, swells and sinks again.
Sing ever thus, beguiling life's long way,
As here, poor pilgrims of the earth, we stray;
And, lady, when thy pilgrimage shall end,
And late the shades of the long night descend,
May sister seraphs welcome with a song,
And gently say, Why have you stayed so long?

William Lisle Bowles