To Laura In Death. Sonnet XL.

Quella per cui con Sorga ho cangiat' Arno.

HE ATTEMPTS TO PAINT HER BEAUTIES, BUT NOT HER VIRTUES.


    She, for whose sake fair Arno I resign,
And for free poverty court-affluence spurn,
Has known to sour the precious sweets to turn
On which I lived, for which I burn and pine.
Though since, the vain attempt has oft been mine
That future ages from my song should learn
Her heavenly beauties, and like me should burn,
My poor verse fails her sweet face to define.
The gifts, though all her own, which others share,
Which were but stars her bright sky scatter'd o'er,
Haply of these to sing e'en I might dare;
But when to the diviner part I soar,
To the dull world a brief and brilliant light,
Courage and wit and art are baffled quite.

MACGREGOR.

Francesco Petrarca

Francesco Petrarca, commonly known as Petrarch, was an Italian scholar, poet, and early humanist during the Renaissance. He is often called the "Father of Humanism" and is best known for his Italian poetry, notably the Canzoniere, a collection of poems addressed to his idealized beloved Laura. Petrarch's works have influenced countless writers and helped shape the modern Italian language.

Francesco Petrarca

Sonnet CXLVIII.

Francesco Petrarca, Simple Poetry

Sonnet CXIII.

Francesco Petrarca, Simple Poetry

Sonnet CCVII.

Francesco Petrarca, Simple Poetry

Sonnet CVIII.

Francesco Petrarca, Simple Poetry

English

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To Laura In Death. Sonnet XLI.

L' alto e novo miracol ch' a dì nostri.

IT IS IMPOSSIBLE FOR HIM TO DESCRIBE HER EXCELLENCES.


    The wonder, high and new, that, in our days,
Dawn'd on the world, yet would not there remain,
Which heaven but show'd to us to snatch again
Better to blazon its own starry ways;
That to far times I her should paint and praise
Love wills, who prompted first my passionate strain;
But now wit, leisure, pen, page, ink in vain
To the fond task a thousand times he sways.
My slow rhymes struggle not to life the while;
I feel it, and whoe'er to-day below,
Or speak or write of love will prove it so.
Who justly deems the truth beyond all style,
Here silent let him muse, and sighing say,
Blessèd the eyes who saw her living day!

MACGREGOR.

Francesco Petrarca

To Laura In Death. Sonnet XXXIX.

Io pensava assai destro esser sull' ale.

UNWORTHY TO HAVE LOOKED UPON HER, HE IS STILL MORE SO TO ATTEMPT HER PRAISES.


    I thought me apt and firm of wing to rise
(Not of myself, but him who trains us all)
In song, to numbers fitting the fair thrall
Which Love once fasten'd and which Death unties.
Slow now and frail, the task too sorely tries,
As a great weight upon a sucker small:
"Who leaps," I said, "too high may midway fall:
Man ill accomplishes what Heaven denies."
So far the wing of genius ne'er could fly--
Poor style like mine and faltering tongue much less--
As Nature rose, in that rare fabric, high.
Love follow'd Nature with such full success
In gracing her, no claim could I advance
Even to look, and yet was bless'd by chance.

Francesco Petrarca

To Laura In Death. Sonnet XVIII.

Se quell' aura soave de' sospiri.

SHE RETURNS IN PITY TO COMFORT HIM WITH HER ADVICE.


    If that soft breath of sighs, which, from above,
I hear of her so long my lady here,
Who, now in heaven, yet seems, as of our sphere,
To breathe, and move, to feel, and live, and love,
I could but paint, my passionate verse should move
Warmest desires; so jealous, yet so dear
O'er me she bends and breathes, without a fear,
That on the way I tire, or turn, or rove.
She points the path on high: and I who know
Her chaste anxiety and earnest prayer,
In whispers sweet, affectionate, and low,
Train, at her will, my acts and wishes there:
And find such sweetness in her words alone
As with their power should melt the hardest stone.

MACGREGOR.

Francesco Petrarca

To Laura In Death. Sonnet LXVIII.

Conobbi, quanto il ciel gli occhi m' aperse.

HER PRAISES ARE, COMPARED WITH HER DESERTS, BUT AS A DROP TO THE OCEAN.


    So far as to mine eyes its light heaven show'd,
So far as love and study train'd my wings,
Novel and beautiful but mortal things
From every star I found on her bestow'd:
So many forms in rare and varied mode
Of heavenly beauty from immortal springs
My panting intellect before me brings,
Sunk my weak sight before their dazzling load.
Hence, whatsoe'er I spoke of her or wrote,
Who, at God's right, returns me now her prayers,
Is in that infinite abyss a mote:
For style beyond the genius never dares;
Thus, though upon the sun man fix his sight,
He seeth less as fiercer burns its light.

MACGREGOR.

Francesco Petrarca

To Laura In Death. Sonnet LXXIII.

Fu forse un tempo dolce cosa amore.

HE COMPLAINS OF HIS SUFFERINGS, WHICH ADMIT OF NO RELIEF.


    Love, haply, was erewhile a sweet relief;
I scarce know when; but now it bitter grows
Beyond all else. Who learns from life well knows,
As I have learnt to know from heavy grief;
She, of our age, who was its honour chief,
Who now in heaven with brighter lustre glows,
Has robb'd my being of the sole repose
It knew in life, though that was rare and brief.
Pitiless Death my every good has ta'en!
Not the great bliss of her fair spirit freed
Can aught console the adverse life I lead.
I wept and sang; who now can wake no strain,
But day and night the pent griefs of my soul
From eyes and tongue in tears and verses roll.

MACGREGOR.

Francesco Petrarca

To Laura In Death. Sonnet XXXVI.

Mentre che 'l cor dagli amorosi vermi.

HAD SHE NOT DIED SO EARLY, HE WOULD HAVE LEARNED TO PRAISE HER MORE WORTHILY.


    While on my heart the worms consuming prey'd
Of Love, and I with all his fire was caught;
The steps of my fair wild one still I sought
To trace o'er desert mountains as she stray'd;
And much I dared in bitter strains to upbraid
Both Love and her, whom I so cruel thought;
But rude was then my genius, and untaught
My rhymes, while weak and new the ideas play'd.
Dead is that fire; and cold its ashes lie
In one small tomb; which had it still grown on
E'en to old age, as oft by others felt,
Arm'd with the power of rhyme, which wretched I
E'en now disclaim, my riper strains had won
E'en stones to burst, and in soft sorrows melt...

Francesco Petrarca