To Miss Atkinson, On The Extreme Diffidence Which She Displays To Strangers.

Just as a fawn, in forest shade,
Trembling to meet th' admiring eye,
I've seen thee try to hide, sweet maid!
Thy charms behind thy modesty.

Thus too I've seen at midnight steal
A fleecy cloud before the wind,
And veil, tho' it could not conceal,
The brilliant light that shone behind.

John Carr

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John Carr

Verses To The Tomb Of A Friend.

John Carr, Simple Poetry

Lines Upon Reading The Journal Of A Friend'S Tour Into Scotland, In Which The Picturesque Scenery And The Character Of The People Are Fairly And Liberally Stated.

John Carr, Simple Poetry

Lines Upon A Lady Dying Soon After She Had Been Wrecked On The Cornish Coast, Leaving A Little Infant Behind Her.

John Carr, Simple Poetry

Song - Upon The Admiration Of The Valour And Amiable Qualities Of Lord Nelson, Expressed By Junot, Now Duke Of Abrantes, Who, By The Chances Of War, Was For A Short Time The British Hero's Prisoner.

John Carr, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

Lines To Delia, On Her Wearing A Muslin Veil.

Say, Delia, why, in muslin shade,
Ah! say, dost thou conceal those eyes?
Such little stars were never made,
I'm sure, to shine thro' misty skies.

Say, are they wrapt in so much shade,
That they may more successful rise,
Starting from such soft ambuscade,
To catch and kill us by surprise?

Or, of their various pow'rs afraid,
Is it in mercy to our sighs,
Lest love, o'er many a heart betray'd,
Should sob "a faithful vot'ry dies"?

Then, oh! remove the envious shade;
Let others wear, who want, disguise:
We all had sooner die, sweet maid,
To see, than live without, those eyes.

John Carr

The Lass With The Delicate Air

Timid and smiling, beautiful and shy,
She drops her head at every passer bye.
Afraid of praise she hurries down the streets
And turns away from every smile she meets.
The forward clown has many things to say
And holds her by the gown to make her stay,
The picture of good health she goes along,
Hale as the morn and happy as her song.
Yet there is one who never feels a fear
To whisper pleasing fancies in her ear;
Yet een from him she shuns a rude embrace,
And stooping holds her hands before her face,--
She even shuns and fears the bolder wind,
And holds her shawl, and often looks behind.

John Clare

Lines To An Accomplished Young Lady,

Whose Timidity frequently agitated her, when pressed to gratify her Friends by her Musical Talents.


'Tis said (and I believe it too)
That genuine merit seeks the shade;
Blushing to think what is her due,
As of her own sweet pow'rs afraid: -

Thus, lovely maid! on fluttering wings,
Thy pow'rs a thousand fears pursue,
Which, like thy own harmonious strings,
When press'd enchant, and tremble too!

The pity, which we give, you owe,
For mutual fears on both attend;
While anxious thus you joy bestow,
We fear too soon that joy will end!

John Carr

Go, faithless bloom! on Delia's cheek Your boasted captivations try; Alas! o'er Nature would you seek To gain one moment's victory? Her softer tint, sweet look, and gentle air, Shall prove you're but a vain intruder there. But go, display y

When men exert their utmost pow'rs,
To while away the tedious hours,
With soothing Flatt'ry's art,
When ev'ry art and work well skill'd,
And ev'ry look with poison fill'd,
Assail a woman's heart,

Tho' ardently she'd wish to be
Proof 'gainst the charms of Flattery,
The task is hard, I ween;
Self-love will whisper "'Tis quite true,
Who can there be more fair than you?
Who more admir'd, when seen?"

Then take this tempting gift of thine,
Nor e'er again wish me to shine
In any borrow'd bloom:
Nor rouge, nor compliments, can charm;
Full well I know they both will harm;
Truth is my only plume.

John Carr

Lines To Miss E. Atkinson, On Her Presenting The Author With An Irish Pebble.

Oft does the lucid pebble shine,
Just cover'd by the murm'ring sea;
Thus precious, thus conceal'd, it shews,
Fair maid! thy mind and modesty.

If searching eyes the stone discern,
Quick will the hand of Art remove
Each ruder part, till, brilliant grown,
It seals the fond record of love.

And here the sweet connexion ends,
Eliza! 'twixt the gem and thee;
For thou wast polish'd from the first,
By Nature's hand, more happily!

John Carr

The Veil

I think and think: yet still I fail -
Why must this lady wear a veil?
Why thus elect to mask her face
Beneath that dainty web of lace?
The tip of a small nose I see,
And two red lips, set curiously
Like twin-born berries on one stem,
And yet, she has netted even them.
Her eyes, 'tis plain, survey with ease
Whate'er to glance upon they please.
Yet, whether hazel, gray, or blue,
Or that even lovelier lilac hue,
I cannot guess: why - why deny
Such beauty to the passer-by?
Out of a bush a nightingale
May expound his song; from 'neath that veil
A happy mouth no doubt can make
English sound sweeter for its sake.
But then, why muffle in like this
What every blossomy wind would kiss?
Why in that little night disguise
A daybreak face, those sta...

Walter De La Mare