To One In Bedlam

With delicate, mad hands, behind his sordid bars,
Surely he hath his posies, which they tear and twine;
Those scentless wisps of straw, that miserably line
His strait, caged universe, whereat the dull world stares,

Pedant and pitiful. O, how his rapt gaze wars
With their stupidity! Know they what dreams divine
Lift his long, laughing reveries like enchaunted wine,
And make his melancholy germane to the stars'?

O lamentable brother! if those pity thee,
Am I not fain of all thy lone eyes promise me;
Half a fool's kingdom, far from men who sow and reap,
All their days, vanity? Better than mortal flowers,
Thy moon-kissed roses seem: better than love or sleep,
The star-crowned solitude of thine oblivious hours!

Ernest Christopher Dowson

Ernest Christopher Dowson, a notable English poet of the late 19th century, was associated with the Decadent movement. Renowned for his melancholic and evocative verse, he significantly influenced 20th-century literature. Despite struggling with poverty and alcoholism, Dowson's work, including the famous phrase "days of wine and roses," endures. He faced immense personal tragedies, losing both parents within a year, which plunged him into deeper despair. Dowson's legacy persists through his deeply moving poetry that captures the fragility of life and love.

Ernest Christopher Dowson

De Amore

Ernest Christopher Dowson, Simple Poetry

Amor Profanus

Ernest Christopher Dowson, Simple Poetry

My Lady April

Ernest Christopher Dowson, Simple Poetry

Transition

Ernest Christopher Dowson, Simple Poetry

English

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De Amore

Shall one be sorrowful because of love,
Which hath no earthly crown,
Which lives and dies, unknown?
Because no words of his shall ever move
Her maiden heart to own
Him lord and destined master of her own:
Is Love so weak a thing as this,
Who can not lie awake,
Solely for his own sake,
For lack of the dear hands to hold, the lips to kiss,
A mere heart-ache?

Nay, though love's victories be great and sweet,
Nor vain and foolish toys,
His crowned, earthly joys,
Is there no comfort then in love's defeat?
Because he shall defer,
For some short span of years all part in her,
Submitting to forego
The certain peace which happier lovers know;
Because he shall be utterly disowned,
Nor length of service bring
Her least awakening:
Foiled...

Ernest Christopher Dowson

After Paul Verlaine

I

Il pleut doucement sur la ville.--RIMBAUD

Tears fall within mine heart,
As rain upon the town:
Whence does this languor start,
Possessing all mine heart?

O sweet fall of the rain
Upon the earth and roofs!
Unto an heart in pain,
O music of the rain!

Tears that have no reason
Fall in my sorry heart:
What! there was no treason?
This grief hath no reason.

Nay! the more desolate,
Because, I know not why,
(Neither for love nor hate)
Mine heart is desolate.


II

COLLOQUE SENTIMENTAL

Into the lonely park all frozen fast,
Awhile ago there were two forms who passed.

Lo, are their lips fallen and their eyes dead,
Hardly shall a man hear the words they said.

In...

Ernest Christopher Dowson

The Knight And The Friar. Part First.

In our Fifth Harry's reign, when 'twas the fashion
To thump the French, poor creatures! to excess;--
Tho' Britons, now a days, shew more compassion,
And thump them, certainly, a great deal less;--

In Harry's reign, when flush'd Lancastrian roses
Of York's pale blossoms had usurp'd the right;^[3]
As wine drives Nature out of drunkards' noses,
Till red, triumphantly, eclipses white;--
In Harry's reign--but let me to my song,
Or good king Harry's reign may seem too long.

SIR THOMAS ERPINGHAM, a gallant knight,
When this king Harry went to war, in France,
Girded a sword about his middle;
Resolving, very lustily, to fight,
And teach the Frenchmen how to dance,
Without a fiddle.

And wond'rous bold Sir Thomas prove'd in battle,
Perfor...

George Colman

The Garden Of Shadow

Love heeds no more the sighing of the wind
Against the perfect flowers: thy garden's close
Is grown a wilderness, where none shall find
One strayed, last petal of one last year's rose.

O bright, bright hair! O mount like a ripe fruit!
Can famine be so nigh to harvesting?
Love, that was songful, with a broken lute
In grass of graveyards goeth murmuring.

Let the wind blow against the perfect flowers,
And all thy garden change and glow with spring:
Love is grown blind with no more count of hours
Nor part in seed-tune nor in harvesting.

Ernest Christopher Dowson

Stanzas Written In My Pocket Copy Of Thomsons "Castle Of Indolence"

Within our happy Castle there dwelt One
Whom without blame I may not overlook;
For never sun on living creature shone
Who more devout enjoyment with us took:
Here on his hours he hung as on a book,
On his own time here would he float away,
As doth a fly upon a summer brook;
But go to-morrow, or belike to-day,
Seek for him, he is fled; and whither none can say.

Thus often would he leave our peaceful home,
And find elsewhere his business or delight;
Out of our Valley's limits did he roam:
Full many a time, upon a stormy night,
His voice came to us from the neighbouring height:
Oft could we see him driving full in view
At mid-day when the sun was shining bright;
What ill was on him, what he had to do,
A mighty wonder bred among our quiet crew.

William Wordsworth

Vain Hope

Sometimes, to solace my sad heart, I say,
Though late it be, though lily-time be past,
Though all the summer skies be overcast,
Haply I will go down to her, some day,
And cast my rests of life before her feet,
That she may have her will of me, being so sweet
And none gainsay!

So might she look on me with pitying eyes,
And lay calm hands of healing on my head:
"Because of thy long pains be comforted;
For I, even I, am Love: sad soul, arise!"
So, for her graciousness, I might at last
Gaze on the very face of Love, and hold Him fast
In no disguise.

Haply, I said, she will take pity on me,
Though late I come, long after lily-time,
With burden of waste days and drifted rhyme:
Her kind, calm eyes, down drooping maidenly,
Shall change, gr...

Ernest Christopher Dowson