To seem the stranger

To seem the stranger lies my lot, my life
Among strangèrs. Father and mother dear,
Brothers and sisters are in Christ not near
And he my peace my parting, sword and strife.
England, whose honour O all my heart woos, wife
To my creating thought, would neither hear
Me, were I pleading, plead nor do I: I wear-
y of idle a being but by where wars are rife.

I am in Ireland now; now I am at a thírd
Remove. Not but in all removes I can
Kind love both give and get. Only what word
Wisest my heart breeds dark heaven's baffling ban
Bars or hell's spell thwarts. This to hoard unheard,
Heard unheeded, leaves me a lonely began.

Gerard Manley Hopkins

Gerard Manley Hopkins was an English poet and Jesuit priest, whose posthumous fame placed him among the leading Victorian poets. His experimental explorations in prosody and his use of imagery established him as a daring innovator in a period of largely traditional verse. Hopkins' work had cutting-edge sensibilities that prefigured the modernist style, though his poems were first published only in 1918, long after his death.

Gerard Manley Hopkins

That Nature is a Heraclitean Fire and of the comfort of the Resurrection

Gerard Manley Hopkins, Simple Poetry

To what serves Mortal Beauty?

Gerard Manley Hopkins, Simple Poetry

At the Wedding March

Gerard Manley Hopkins, Simple Poetry

Inversnaid

Gerard Manley Hopkins, Simple Poetry

English

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Carrion Comfort

Not, I'll not, carrion comfort, Despair, not feast on thee;
Not untwist - slack they may be - these last strands of man
In me ór, most weary, cry I can no more. I can;
Can something, hope, wish day come, not choose not to be.
But ah, but O thou terrible, why wouldst thou rude on me
Thy wring-world right foot rock? lay a lionlimb against me? scan
With darksome devouring eyes my bruisèd bones? and fan,
O in turns of tempest, me heaped there; me frantic to avoid thee and flee?

Why? That my chaff might fly; my grain lie, sheer and clear.
Nay in all that toil, that coil, since (seems) I kissed the rod,
Hand rather, my heart lo! lapped strength, stole joy, would laugh, chéer.
Cheer whom though? the hero whose heaven-handling flung me, fóot tród
Me? or me that fought him? O...

Gerard Manley Hopkins

On the Portrait of Two Beautiful Young People A Brother and Sister

O I admire and sorrow! The heart's eye grieves
Discovering you, dark tramplers, tyrant years.
A juice rides rich through bluebells, in vine leaves,
And beauty's dearest veriest vein is tears.



Happy the father, mother of these! Too fast:
Not that, but thus far, all with frailty, blest
In one fair fall; but, for time's aftercast,
Creatures all heft, hope, hazard, interest.

And are they thus? The fine, the fingering beams
Their young delightful hour do feature down
That fleeted else like day-dissolvèd dreams
Or ringlet-race on burling Barrow brown.

She leans on him with such contentment fond
As well the sister sits, would well the wife;
His looks, the soul's own letters, see beyond,
Gaze on, and fall directly forth on life.

But...

Gerard Manley Hopkins

Inversnaid

This darksome burn, horseback brown,
His rollrock highroad roaring down,
In coop and in comb the fleece of his foam
Flutes and low to the lake falls home.

A windpuff-bonnet of fáawn-fróth
Turns and twindles over the broth
Of a pool so pitchblack, féll-frówning,
It rounds and rounds Despair to drowning.

Degged with dew, dappled with dew
Are the groins of the braes that the brook treads through,
Wiry heathpacks, flitches of fern,
And the beadbonny ash that sits over the burn.

What would the world be, once bereft
Of wet and of wildness? Let them be left,
O let them be left, wildness and wet;
Long live the weeds and the wilderness yet.

Gerard Manley Hopkins

Spelt from Sibyl's Leaves

Earnest, earthless, equal, attuneable, | vaulty, voluminous, . . stupendous
Evening strains to be tíme's vást, | womb-of-all, home-of-all, hearse-of-all night.
Her fond yellow hornlight wound to the west, | her wild hollow hoarlight hung to the height
Waste; her earliest stars, earl-stars, | stárs principal, overbend us,
Fíre-féaturing heaven. For earth | her being has unbound, her dapple is at an end, as- tray or aswarm, all throughther, in throngs; | self ín self steepèd and pashed - qúite
Disremembering, dísmembering | àll now. Heart, you round me right
With: Óur évening is over us; óur night | whélms, whélms, ánd will end us.
Only the beak-leaved boughs dragonish | damask the tool-smooth bleak light; black,
Ever so black on it. Óur tale, óur oracle! | Lét life, wáned, ah lét life wind
Off h...

Gerard Manley Hopkins

My own heart

My own heart let me have more pity on; let
Me live to my sad self hereafter kind,
Charitable; not live this tormented mind
With this tormented mind tormenting yet.
I cast for comfort I can no more get
By groping round my comfortless, than blind
Eyes in their dark can day or thirst can find
Thirst's all-in-all in all a world of wet.

Soul, self; come, poor Jackself, I do advise
You, jaded, let be; call off thoughts awhile
Elsewhere; leave comfort root-room; let joy size
At God knows when to God knows what; whose smile
's not wrung, see you; unforeseen times rather - as skies
Betweenpie mountains - lights a lovely mile.

Gerard Manley Hopkins

The shepherd's brow

The shepherd's brow fronting forked lightning, owns
The horror and the havoc and the glory
Of it. Angels fall, they are towers, from heaven - a story
Of just, majestical, and giant groans.
But man - we, scaffold of score brittle bones;
Who breathe, from groundlong babyhood to hoary
Age gasp; whose breath is our memento mori -
What bass is our viol for tragic tones?
He! Hand to mouth he lives, and voids with shame;
And, blazoned in however bold the name,
Man Jack the man is, just; his mate a hussy.
And I that die these deaths, that feed this flame,
That ... in smooth spoons spy life's masque mirrored: tame
My tempests there, my fire and fever fussy.

Gerard Manley Hopkins