To The Cricket

Didst thou not tease and fret me to and fro,
Sweet spirit of this summer-circled field,
With that quiet voice of thine that would not yield
Its meaning, though I mused and sought it so?
But now I am content to let it go,
To lie at length and watch the swallows pass,
As blithe and restful as this quiet grass,
Content only to listen and to know
That years shall turn, and summers yet shall shine,
And I shall lie beneath these swaying trees,
Still listening thus; haply at last to seize,
And render in some happier verse divine
That friendly, homely, haunting speech of thine,
That perfect utterance of content and ease.

Archibald Lampman

Canadian Confederation poet Archibald Lampman, born in 1861, is often regarded as one of Canada's finest late 19th-century poets. Known for his nature-themed works, Lampman contributed significantly to the country's literary heritage. He published several collections, with "Among the Millet" and "Lyrics of Earth" being notable examples. Lampman's poetry reflects a deep appreciation for the Canadian landscape, making him a seminal figure in Canadian literature.

Archibald Lampman

The Return Of The Year

Archibald Lampman, Simple Poetry

The Poet's Possession

Archibald Lampman, Simple Poetry

Storm.

Archibald Lampman, Simple Poetry

The Child's Music Lesson.

Archibald Lampman, Simple Poetry

English

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Comfort Of The Fields

What would'st thou have for easement after grief,
When the rude world hath used thee with despite,
And care sits at thine elbow day and night,
Filching thy pleasures like a subtle thief?
To me, when life besets me in such wise,
'Tis sweetest to break forth, to drop the chain,
And grasp the freedom of this pleasant earth,
To roam in idleness and sober mirth,
Through summer airs and summer lands, and drain
The comfort of wide fields unto tired eyes.

By hills and waters, farms and solitudes,
To wander by the day with wilful feet;
Through fielded valleys wide with yellowing wheat;
Along gray roads that run between deep woods,
Murmurous and cool; through hallowed slopes of pine,
Where the long daylight dreams, unpierced, unstirred,
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In May

Grief was my master yesternight;
To-morrow I may grieve again;
But now along the windy plain
The clouds have taken flight.

The sowers in the furrows go;
The lusty river brimmeth on;
The curtains from the hills are gone;
The leaves are out; and lo,

The silvery distance of the day,
The light horizons, and between
The glory of the perfect green,
The tumult of the May.

The bobolinks at noonday sing
More softly than the softest flute,
And lightlier than the lightest lute
Their fairy tambours ring.

The roads far off are towered with dust;
The cherry-blooms are swept and thinned;
In yonder swaying elms the wind
Is charging gust on gust.

But here there is no stir at all;
The ministers of sun and shadow
Horde ...

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An Old Lesson From The Fields.

Even as I watched the daylight how it sped
From noon till eve, and saw the light wind pass
In long pale waves across the flashing grass,
And heard through all my dreams, wherever led,
The thin cicada singing overhead,
I felt what joyance all this nature has,
And saw myself made clear as in a glass,
How that my soul was for the most part dead.

Oh, light, I cried, and, heaven, with all your blue,
Oh, earth, with all your sunny fruitfulness,
And ye, tall lilies, of the wind-vexed field,
What power and beauty life indeed might yield,
Could we but cast away its conscious stress,
Simple of heart, becoming even as you.

Archibald Lampman

Among The Timothy.

Long hours ago, while yet the morn was blithe,
Nor sharp athirst had drunk the beaded dew,
A reaper came, and swung his cradled scythe
Around this stump, and, shearing slowly, drew
Far round among the clover, ripe for hay,
A circle clean and grey;
And here among the scented swathes that gleam,
Mixed with dead daisies, it is sweet to lie
And watch the grass and the few-clouded sky,
Nor think but only dream.

For when the noon was turning, and the heat
Fell down most heavily on field and wood,
I too came hither, borne on restless feet,
Seeking some comfort for an aching mood.
Ah, I was weary of the drifting hours,
The echoing city towers,
The blind grey streets, the jingle of the throng,
Weary of hope that like a shape of stone
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Archibald Lampman

The Meadow

Here when the cloudless April days begin,
And the quaint crows flock thicker day by day,
Filling the forests with a pleasant din,
And the soiled snow creeps secretly away,
Comes the small busy sparrow, primed with glee,
First preacher in the naked wilderness,
Piping an end to all the long distress
From every fence and every leafless tree.

Now with soft slight and viewless artifice
Winter's iron work is wondrously undone;
In all the little hollows cored with ice
The clear brown pools stand simmering in the sun,
Frail lucid worlds, upon whose tremulous floors
All day the wandering water-bugs at will,
Shy mariners whose oars are never still,
Voyage and dream about the heightening shores.

The bluebird, peeping from the gnarlèd thorn,
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By An Autumn Stream

Now overhead,
Where the rivulet loiters and stops,
The bittersweet hangs from the tops
Of the alders and cherries
Its bunches of beautiful berries,
Orange and red.

And the snowbirds flee,
Tossing up on the far brown field,
Now flashing and now concealed,
Like fringes of spray
That vanish and gleam on the gray
Field of the sea.

Flickering light,
Come the last of the leaves down borne,
And patches of pale white corn
In the wind complain,
Like the slow rustle of rain
Noticed by night.

Withered and thinned,
The sentinel mullein looms,
With the pale gray shadowy plumes
Of the goldenrod;
And the milkweed opens its pod,
Tempting the wind.

Aloft on the hill,
A cloudrift opens and shines
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