To The Dean Of St. Patrick's

Dear Dean, I'm in a sad condition,
    I cannot see to read or write;
Pity the darkness of thy Priscian,
    Whose days are all transform'd to night.

My head, though light, 's a dungeon grown,
    The windows of my soul are closed;
Therefore to sleep I lay me down,
    My verse and I are both composed.

Sleep, did I say? that cannot be;
    For who can sleep, that wants his eyes?
My bed is useless then to me,
    Therefore I lay me down to rise.

Unnumber'd thoughts pass to and fro
    Upon the surface of my brain;
In various maze they come and go,
    And come and go again.

So have you seen in sheet burnt black,
    The fiery sparks at random run;
Now here, now there, some turning back
    Some ending where they just begun.
                            THOMAS SHERIDAN.

Jonathan Swift

Jonathan Swift was an Anglo-Irish satirist, essayist, political pamphleteer, poet and cleric who became Dean of St Patrick's Cathedral, Dublin. Swift is remembered for works such as "A Tale of a Tub" (1704), "An Argument Against Abolishing Christianity" (1712), and "Gulliver's Travels" (1726). Swift originally published all of his works under pseudonyms—such as Lemuel Gulliver, Isaac Bickerstaff, Drapier's Letters as MB Drapier—and works were sometimes attributed to Anonymous.

Jonathan Swift

The Puppet-Show

Jonathan Swift, Simple Poetry

On A Curate's Complaint Of Hard Duty

Jonathan Swift, Simple Poetry

Parody On The Recorder Of Blessington's Address To Queen Anne

Jonathan Swift, Simple Poetry

Epigram By Mr. Bowyer Intended To Be Placed Under The Head Of Gulliver. 1733

Jonathan Swift, Simple Poetry

English

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To The Dean Of St. Patrick's

Dear Sir, Since you in humble wise
    Have made a recantation,
From your low bended knees arise;
    I hate such poor prostration.

'Tis bravery that moves the brave,
    As one nail drives another;
If you from me would mercy have,
    Pray, Sir, be such another.

You that so long maintain'd the field
    With true poetic vigour;
Now you lay down your pen and yield,
    You make a wretched figure.

Submit, but do't with sword in hand,
    And write a panegyric
Upon the man you cannot stand;
    I'll have it done in lyric:

That all the boys I teach may sing
    The achievements of their Chiron;
What conquests my stern looks can bring
    Without the help of iron.

A small goose-quill, yclep'd a pen,
    From m...

Jonathan Swift

The Dean Of St. Patrick's

TO THOMAS SHERIDAN

SIR,
I cannot but think that we live in a bad age,
O tempora, O mores! as 'tis in the adage.
My foot was but just set out from my cathedral,
When into my hands comes a letter from the droll.
I can't pray in quiet for you and your verses;
But now let us hear what the Muse from your car says.
    Hum - excellent good - your anger was stirr'd;
Well, punners and rhymers must have the last word.
But let me advise you, when next I hear from you,
To leave off this passion which does not become you;
For we who debate on a subject important,
Must argue with calmness, or else will come short on't.
For myself, I protest, I care not a fiddle,
For a riddle and sieve, or a sieve and a riddle;
And think of the sex as you please, I'd as lieve

Jonathan Swift

To The Dean Of St. Patrick'S

SIR,
Your Billingsgate Muse methinks does begin
With much greater noise than a conjugal din.
A pox of her bawling, her tempora et mores!
What are times now to me; a'nt I one of the Tories?
You tell me my verses disturb you at prayers;
Oh, oh, Mr. Dean, are you there with your bears?
You pray, I suppose, like a Heathen, to Phoebus,
To give his assistance to make out my rebus:
Which I don't think so fair; leave it off for the future;
When the combat is equal, this God should be neuter.
I'm now at the tavern, where I drink all I can,
To write with more spirit; I'll drink no more Helicon;
For Helicon is water, and water is weak;
'Tis wine on the gross lee, that makes your Muse speak.
This I know by her spirit and life; but I think
She's much in the wrong to...

Jonathan Swift

To The Dean Of St. Patrick's In Answer To His Left-Handed Letter

Since your poetic prancer is turn'd into Cancer,
I'll tell you at once, sir, I'm now not your man, sir;
For pray, sir, what pleasure in fighting is found
With a coward, who studies to traverse his ground?
When I drew forth my pen, with your pen you ran back;
But I found out the way to your den by its track:
From thence the black monster I drew, o' my conscience,
And so brought to light what before was stark nonsense.
When I with my right hand did stoutly pursue,
You turn'd to your left, and you writ like a Jew;
Which, good Mister Dean, I can't think so fair,
Therefore turn about to the right, as you were;
Then if with true courage your ground you maintain,
My fame is immortal, when Jonathan's slain:
Who's greater by far than great Alexander,
As much as a teal surpa...

Jonathan Swift

Verses Sent To The Dean On His Birth-Day, With Pine's Horace, Finely Bound. By Dr. J. Sican[1]

(Horace speaking.)

You've read, sir, in poetic strain,
How Varus and the Mantuan swain
Have on my birth-day been invited,
(But I was forced in verse to write it,)
Upon a plain repast to dine,
And taste my old Campanian wine;
But I, who all punctilios hate,
Though long familiar with the great,
Nor glory in my reputation,
Am come without an invitation;
And, though I'm used to right Falernian,
I'll deign for once to taste Iërnian;
But fearing that you might dispute
(Had I put on my common suit)
My breeding and my politesse,
I visit in my birth-day dress:
My coat of purest Turkey red,
With gold embroidery richly spread;
To which I've sure as good pretensions,
As Irish lords who starve on pensions.
What though proud ministers of state...

Jonathan Swift

Dr. Sheridan's Reply To The Dean

Don't think these few lines which I send, a reproach,
From my Muse in a car, to your Muse in a coach.
The great god of poems delights in a car,
Which makes him so bright that we see him from far;
For, were he mew'd up in a coach, 'tis allow'd
We'd see him no more than we see through a cloud.
    You know to apply this - I do not disparage
Your lines, but I say they're the worse for the carriage.
    Now first you deny that a woman's a sieve;
I say that she is: What reason d'ye give?
Because she lets out more than she takes in.
Is't that you advance for't? you are still to begin.
Your major and minor I both can refute,
I'll teach you hereafter with whom to dispute.
A sieve keeps in half, deny't if you can.
D. "Adzucks, I mistook it, who thought of the bran?"
I ...

Jonathan Swift