To the White Julienne

The white Julienne remains the flower of Marie Antoinette.
- ALPHONSE KARR


Again above thy fragile flowers
I bend, to bring their perfume nigh;
For only in the evening hours
Thy odors pass thy blossoms by;
But when the ministering day
Deserts thee with the warmth and light
That lulled thee, waking thou wilt pay
For these, in sweetness, to the night.

O flower of Marie Antoinette!
Ungrateful to the lavish day,
Refusing it thy fragrance, yet
Relenting in such generous way,
Perchance, like thee, while life was bright
Her soul no holy savour shed,
Yet scattered incense when griefs night
Wept dews of blood upon her head!

I bend, to bring thy perfume near,
Again, I cannot leave the spot;
Damp walls and prison gloom are here!
The beauties of the garden-plot
Are gone, save thee, White Julienne,
Fond-handled by the fated queen!
I hear her sigh above thee, then
The sentrys tread behind the screen!

Mary Hannay Foott

Mary Hannay Foott was an Australian poet known for her works that capture the spirit and landscape of colonial Australia. Her most famous poem, 'Where the Pelican Builds', reflects the challenges and beauty of the pioneering experience. She was notable for being one of the first Australian poets to gain recognition, with her works regularly published in Australian newspapers and magazines of the time. Her poetry often explored themes of nature, human perseverance, and the Australian identity.

Mary Hannay Foott

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Mary Hannay Foott, Simple Poetry

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Mary Hannay Foott, Simple Poetry

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Mary Hannay Foott, Simple Poetry

The Future of Australia

Mary Hannay Foott, Simple Poetry

English

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Soeur Monique

A RONDEAU BY COUPERIN

Quiet form of silent nun,
What has given you to my inward eyes?
What has marked you, unknown one,
In the throngs of centuries
That mine ears do listen through?
This old master's melody
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This admired simplicity,
Tender, with a serious wit,
And two words, the name of it,
'Soeur Monique.'

And if sad the music is,
It is sad with mysteries
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That the passing ages sing,--
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Of the people of the earth.

No, not sad; we are beguiled,
Sad with living as we are;
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Soeur Monique - A Rondeau By Couperin

Quiet form of silent nun,
What has given you to my inward eyes?
What has marked you, unknown one,
In the throngs of centuries
That mine ears do listen through?
This old master's melody
That expresses you,
This admired simplicity,
Tender, with a serious wit,
And two words, the name of it,
'Soeur Monique.'

And if sad the music is,
It is sad with mysteries
Of a small immortal thing
That the passing ages sing,-
Simple music making mirth
Of the dying and the birth
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No, not sad; we are beguiled,
Sad with living as we are;
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Sad self on a selfless thing,
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Lines Written At Fredensborg, The Deserted Palace Of The Late Queen Dowager Juliana Maria [A].

Bless'd are the steps of Virtue's queen!
Where'er she moves fresh roses bloom;
And, when she droops, kind Nature pours
Her genuine tears in gentle show'rs,
That love to dew the willow green
That over-canopies her tomb.

But, ah! no willing mourner here
Attends to tell the tale of woe:
Why is yon statue prostrate thrown?
Why has the grass green'd o'er the stone?
Why, 'gainst the spider'd casement drear,
So sullen seems the wind to blow?

How mournful was the lonely bird,
Within yon dark neglected grove!
Say, was it fancy? From its throat
Issu'd a strange and cheerless note;
'Twas not so sad as grief I heard,
Nor yet so wildly sweet as love.

In the deep gloom of yonder dell
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Cornflowers.

("Tandis que l'étoile inodore.")

[XXXII.]


While bright but scentless azure stars
Be-gem the golden corn,
And spangle with their skyey tint
The furrows not yet shorn;
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Ape each a snowy ball, -
Away, ye merry maids, and haste
To gather ere they fall!

Nowhere the sun of Spain outshines
Upon a fairer town
Than Peñafiel, or endows
More richly farming clown;
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Such brilliant mansions, tall, -
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Nowhere a statelier abbey rears
Dome huger o'er a shrine,
Though seek ye from old Rome itself
To even Seville fine.
Here countless pilgrims come to pray
And promenade the Mall, -
Away, ye merry maids, etc.

Victor-Marie Hugo

The Beauteous Flower. Song Of The Imprisoned Count.

COUNT.

I Know a flower of beauty rare,

Ah, how I hold it dear!
To seek it I would fain repair,

Were I not prison'd here.
My sorrow sore oppresses me,
For when I was at liberty,

I had it close beside me.

Though from this castle's walls so steep

I cast mine eyes around,
And gaze oft from the lofty keep,

The flower can not be found.
Whoe'er would bring it to my sight,
Whether a vassal he, or knight,

My dearest friend I'd deem him.

THE ROSE.

I blossom fair, thy tale of woes

I hear from 'neath thy grate.
Thou doubtless meanest me, the rose.

Poor knight of high estate!
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My White Chrysanthemum.

As purely white as is the drifted snow,
More dazzling fair than summer roses are,
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Sweet with a freshening fragrance, all their own,
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You stand alone.

Fronting the winter with a fearless grace,
Flavoring the odorless gray autumn chill,
Nipped by the furtive frosts, but cheery still,
Lifting to heaven from the bare garden place
A smiling face.

Roses are fair, but frail, and soon grow faint,
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