To Tintoretto In Venice

The Art of Painting had in the Primitive years looked with the light, not towards it. Before Tintorettos date, however, many painters practised shadows and lights, and turned more or less sunwards; but he set the figure between himself and a full sun. His work is to be known in Venice by the splendid trick of an occluded sun and a shadow thrown straight at the spectator.

Tintorettos thronged "Procession to Calvary" and his "Crucifixion," incidentally named, are two of the greatest of his multitude of works in Venice.

Master, thy enterprise,
Magnificent, magnanimous, was well done,
Which seized, the head of Art, and turned her eyes-
The simpleton-and made her front the sun.

Long had she sat content,
Her young unlessoned back to a morning gay,
To a solemn noon, to a cloudy firmament,
And looked upon a world in gentle day.

But thy imperial call
Bade her to stand with thee and breast the light,
And therefore face the shadows, mystical,
Sombre, translucent, vestiges of night,

Yet glories of the day.
Eagle! we know thee by thy undaunted eyes
Sky-ward, and by thy glooms; we blow thy way
Ambiguous, and those halo-misted dyes.

Thou Cloud, the bridegrooms friend
(The bridegroom sun)! Master, we know thy sign:
A mystery of hues world-without-end;
And hide-and-seek of gamesome and divine;

Shade of the noble head
Cast hitherward upon the noble breast;
Human solemnities thrice hallowèd;
The haste to Calvary, the Cross at rest.

Look sunward, Angel, then!
Carry the fortress-heavens by that hand;
Still be the interpreter of suns to men;
And shadow us, O thou Tower! for thou shalt stand.

Alice Meynell

Alice Meynell was an English writer, editor, critic, and suffragist, now remembered mainly as a poet. Born on September 11, 1847, she grew up in a literary family and published her first book of poems, "Preludes," in 1875. She married the editor Wilfrid Meynell in 1877 and joined him in literary and journalistic endeavors. Meynell's worked in the women's suffrage movement, advocating for her rights through her writings. She died on November 27, 1922, leaving behind a legacy of lyrical and meditative poetry.

Alice Meynell

The Two Shakespeare Tercentenaries: Of Birth, 1864: Of Death, 1916.

Alice Meynell, Simple Poetry

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Alice Meynell, Simple Poetry

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Alice Meynell, Simple Poetry

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Alice Meynell, Simple Poetry

English

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Memorials Of A Tour On The Continent, 1820 - XXVI. - The Eclipse Of The Sun, 1820

High on her speculative tower
Stood Science waiting for the hour
When Sol was destined to endure
'That' darkening of his radiant face
Which Superstition strove to chase,
Erewhile, with rites impure.

Afloat beneath Italian skies,
Through regions fair as Paradise
We gaily passed, till Nature wrought
A silent and unlooked-for change,
That checked the desultory range
Of joy and sprightly thought.

Where'er was dipped the toiling oar,
The waves danced round us as before,
As lightly, though of altered hue,
'Mid recent coolness, such as falls
At noontide from umbrageous walls
That screen the morning dew.

No vapour stretched its wings; no cloud
Cast far or near a murky shroud;
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The Divine Comedy by Dante: The Vision Of Paradise: Canto XIV

From centre to the circle, and so back
From circle to the centre, water moves
In the round chalice, even as the blow
Impels it, inwardly, or from without.
Such was the image glanc'd into my mind,
As the great spirit of Aquinum ceas'd;
And Beatrice after him her words
Resum'd alternate: "Need there is (tho' yet
He tells it to you not in words, nor e'en
In thought) that he should fathom to its depth
Another mystery. Tell him, if the light,
Wherewith your substance blooms, shall stay with you
Eternally, as now: and, if it doth,
How, when ye shall regain your visible forms,
The sight may without harm endure the change,
That also tell." As those, who in a ring
Tread the light measure, in their fitful mirth
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Dante Alighieri

The Divine Comedy by Dante: The Vision Of Paradise: Canto XXX

Noon's fervid hour perchance six thousand miles
From hence is distant; and the shadowy cone
Almost to level on our earth declines;
When from the midmost of this blue abyss
By turns some star is to our vision lost.
And straightway as the handmaid of the sun
Puts forth her radiant brow, all, light by light,
Fade, and the spangled firmament shuts in,
E'en to the loveliest of the glittering throng.
Thus vanish'd gradually from my sight
The triumph, which plays ever round the point,
That overcame me, seeming (for it did)
Engirt by that it girdeth. Wherefore love,
With loss of other object, forc'd me bend
Mine eyes on Beatrice once again.

If all, that hitherto is told of her,
Were in one praise concluded, 't were too weak
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Rhymes On The Road. Extract XIV. Rome.

Fragment of a Dream.--The great Painters supposed to be Magicians.--The Beginnings of the Art.--Gildings on the Glories and Draperies.-- Improvements under Giotto, etc.--The first Dawn of the true Style in Masaccio.--Studied by all the great Artists who followed him.--Leonardo da Vinci, with whom commenced the Golden Age of Painting.--His Knowledge of Mathematics and of Music.--His female heads all like each other.-- Triangular Faces.--Portraits of Mona Lisa, etc.--Picture of Vanity and Modesty.--His chef-d'oeuvre, the Last Supper.--Faded and almost effaced.


Filled with the wonders I had seen
    In Rome's stupendous shrines and halls,
I felt the veil of sleep serene
Come o'er the memory of each scene,
    As twilight o'er the landscape falls.
Nor was it slumber, sound and deep,

Thomas Moore

The Divine Comedy by Dante: The Vision Of Paradise: Canto X

Looking into his first-born with the love,
Which breathes from both eternal, the first Might
Ineffable, whence eye or mind
Can roam, hath in such order all dispos'd,
As none may see and fail to enjoy. Raise, then,
O reader! to the lofty wheels, with me,
Thy ken directed to the point, whereat
One motion strikes on th' other. There begin
Thy wonder of the mighty Architect,
Who loves his work so inwardly, his eye
Doth ever watch it. See, how thence oblique
Brancheth the circle, where the planets roll
To pour their wished influence on the world;
Whose path not bending thus, in heav'n above
Much virtue would be lost, and here on earth,
All power well nigh extinct: or, from direct
Were its departure distant more or less,
I' th' universal order, great defect

Dante Alighieri

The Divine Comedy by Dante: The Vision Of Paradise: Canto XXXIII

"O virgin mother, daughter of thy Son,
Created beings all in lowliness
Surpassing, as in height, above them all,
Term by th' eternal counsel pre-ordain'd,
Ennobler of thy nature, so advanc'd
In thee, that its great Maker did not scorn,
Himself, in his own work enclos'd to dwell!
For in thy womb rekindling shone the love
Reveal'd, whose genial influence makes now
This flower to germin in eternal peace!
Here thou to us, of charity and love,
Art, as the noon-day torch: and art, beneath,
To mortal men, of hope a living spring.
So mighty art thou, lady! and so great,
That he who grace desireth, and comes not
To thee for aidance, fain would have desire
Fly without wings. Nor only him who asks,
Thy bounty succours, but doth freely oft
Forerun the asking. Wh...

Dante Alighieri