To what serves Mortal Beauty?

To what serves mortal beauty | dangerous; does set danc-
ing blood the O-seal-that-so | feature, flung prouder form
Than Purcell tune lets tread to? | See: it does this: keeps warm
Men's wits to the things that are; | what good means - where a glance
Master more may than gaze, | gaze out of countenance.
Those lovely lads once, wet-fresh | windfalls of war's storm,
How then should Gregory, a father, | have gleanèd else from swarm-
ed Rome? But God to a nation | dealt that day's dear chance.
To man, that needs would worship | block or barren stone,
Our law says: Love what are | love's worthiest, were all known;
World's loveliest - men's selves. Self | flashes off frame and face.
What do then? how meet beauty? | Merely meet it; own,
Home at heart, heaven's sweet gift; | then leave, let that alone.
Yea, wish that though, wish all, | God's better beauty, grace.

Gerard Manley Hopkins

Gerard Manley Hopkins was an English poet and Jesuit priest, whose posthumous fame placed him among the leading Victorian poets. His experimental explorations in prosody and his use of imagery established him as a daring innovator in a period of largely traditional verse. Hopkins' work had cutting-edge sensibilities that prefigured the modernist style, though his poems were first published only in 1918, long after his death.

Gerard Manley Hopkins

Fragment

Gerard Manley Hopkins, Simple Poetry

Fragment

Gerard Manley Hopkins, Simple Poetry

Carrion Comfort

Gerard Manley Hopkins, Simple Poetry

English

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Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

On the Portrait of Two Beautiful Young People A Brother and Sister

O I admire and sorrow! The heart's eye grieves
Discovering you, dark tramplers, tyrant years.
A juice rides rich through bluebells, in vine leaves,
And beauty's dearest veriest vein is tears.



Happy the father, mother of these! Too fast:
Not that, but thus far, all with frailty, blest
In one fair fall; but, for time's aftercast,
Creatures all heft, hope, hazard, interest.

And are they thus? The fine, the fingering beams
Their young delightful hour do feature down
That fleeted else like day-dissolvèd dreams
Or ringlet-race on burling Barrow brown.

She leans on him with such contentment fond
As well the sister sits, would well the wife;
His looks, the soul's own letters, see beyond,
Gaze on, and fall directly forth on life.

But...

Gerard Manley Hopkins

Henry Purcell

The poet wishes well to the divine genius of Purcell and praises him that, whereas other musicians have given utterance to the moods of man's mind, he has, beyond that, uttered in notes the very make and species of man as created both in him and in all men generally.

Have fair fallen, O fair, fair have fallen, so dear
To me, so arch-especial a spirit as heaves in Henry Purcell,
An age is now since passed, since parted; with the reversal
Of the outward sentence low lays him, listed to a heresy, here.

Not mood in him nor meaning, proud fire or sacred fear,
Or love or pity or all that sweet notes not his might nursle:
It is the forgèd feature finds me; it is the rehearsal
Of own, of abrupt self there so thrusts on, so throngs the ear.

Let him Oh! with his air of angels the...

Gerard Manley Hopkins

Morning Midday and Evening Sacrifice

The dappled die-away
Cheek and wimpled lip,
The gold-wisp, the airy-grey
Eye, all in fellowship -
This, all this beauty blooming,
This, all this freshness fuming,
Give God while worth consuming.

Both thought and thew now bolder
And told by Nature: Tower;
Head, heart, hand, heel, and shoulder
That beat and breathe in power -
This pride of prime's enjoyment
Take as for tool, not toy meant
And hold at Christ's employment.

The vault and scope and schooling
And mastery in the mind,
In silk-ash kept from cooling,
And ripest under rind -
What life half lifts the latch of,
What hell stalks towards the snatch of,
Your offering, with despatch, of!

Gerard Manley Hopkins

To his Watch

Mortal my mate, bearing my rock-a-heart
Warm beat with cold beat company, shall I
Earlier or you fail at our force, and lie
The ruins of, rifled, once a world of art?
The telling time our task is; time's some part,
Not all, but we were framed to fail and die -
One spell and well that one. There, ah thereby
Is comfort's carol of all or woe's worst smart.

Field-flown the departed day no morning brings
Saying 'This was yours' with her, but new one, worse.
And then that last and shortest . . .

Gerard Manley Hopkins

The Habit of Perfection

Elected Silence, sing to me
And beat upon my whorlèd ear,
Pipe me to pastures still and be
The music that I care to hear.

Shape nothing, lips; be lovely-dumb:
It is the shut, the curfew sent
From there where all surrenders come
Which only makes you eloquent.

Be shellèd, eyes, with double dark
And find the uncreated light:
This ruck and reel which you remark
Coils, keeps, and teases simple sight.

Palate, the hutch of tasty lust,
Desire not to be rinsed with wine:
The can must be so sweet, the crust
So fresh that come in fasts divine!

Nostrils, your careless breath that spend
Upon the stir and keep of pride,
What relish shall the censers send
Along the sanctuary side!

O feel-of-primrose hands, O feet
That wa...

Gerard Manley Hopkins

The Handsome Heart: at a Gracious Answer

'But tell me, child, your choice; what shall I buy
You?' - 'Father, what you buy me I like best.'
With the sweetest air that said, still plied and pressed,
He swung to his first poised purport of reply.

What the heart is! which, like carriers let fly -
Doff darkness, homing nature knows the rest -
To its own fine function, wild and self-instressed,
Falls light as ten years long taught how to and why.

Mannerly-hearted! more than handsome face -
Beauty's bearing or muse of mounting vein,
All, in this case, bathed in high hallowing grace . . .

Of heaven what boon to buy you, boy, or gain
Not granted? - Only ... O on that path you pace
Run all your race, O brace sterner that strain!

Gerard Manley Hopkins