Transformation

It is the time when, by the forest falls,
The touch-me-nots hang fairy folly-caps;
When ferns and flowers fill the lichened laps
Of rocks with colour, rich as orient shawls:
And in my heart I hear a voice that calls
Me woodward, where the hamadryad wraps
Her limbs in bark, and, bubbling in the saps,
Sings the sweet Greek of Pan's old madrigals:
There is a gleam that lures me up the stream
A Naiad swimming with wet limbs of light?
Perfume that leads me on from dream to dream
An Oread's footprints fragrant with her flight?
And, lo! meseems I am a Faun again,
Part of the myths that I pursue in vain.

Madison Julius Cawein

Madison Julius Cawein was born on March 23, 1865, in Louisville, Kentucky and died on December 8, 1914. Known as the “Keats of Kentucky,” his poetry often focused on nature, mythology, and the lush landscapes of his home state. Throughout his lifetime, Cawein published more than 30 books of poetry. He is remembered for his vivid and descriptive style and his ability to capture the beauty of the natural world. His works provide a window into the pastoral and often mystical world of the late 19th and early 20th centuries.

Madison Julius Cawein

The Shadow

Madison Julius Cawein, Simple Poetry

Ismael.

Madison Julius Cawein, Simple Poetry

The Covered Bridge

Madison Julius Cawein, Simple Poetry

Penury. A Quatrain.

Madison Julius Cawein, Simple Poetry

English

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Myth And Romance

I

When I go forth to greet the glad-faced Spring,
Just at the time of opening apple-buds,
When brooks are laughing, winds are whispering,
On babbling hillsides or in warbling woods,
There is an unseen presence that eludes:
Perhaps a dryad, in whose tresses cling
The loamy odours of old solitudes,
Who, from her beechen doorway, calls, and leads
My soul to follow; now with dimpling words
Of leaves; and now with syllables of birds;
While here and there is it her limbs that swing?
Or restless sunlight on the moss and weeds?

II

Or, haply, 'tis a Naiad now who slips,
Like some white lily, from her fountain's glass,
While from her dripping hair and breasts and hips
The moisture rains cool music on the grass.
Her have I heard and followed, ...

Madison Julius Cawein

Myth And Romance

I


When I go forth to greet the glad-faced Spring,
Just at the time of opening apple-buds,
When brooks are laughing, winds are whispering,
On babbling hillsides or in warbling woods,
There is an unseen presence that eludes:--
Perhaps a Dryad, in whose tresses cling
The loamy odors of old solitudes,
Who, from her beechen doorway, calls; and leads
My soul to follow; now with dimpling words
Of leaves; and now with syllables of birds;
While here and there--is it her limbs that swing?
Or restless sunlight on the moss and weeds?


II


Or, haply, 't is a Naiad now who slips,
Like some white lily, from her fountain's glass,
While from her dripping hair and breasts and hips,
The moisture rains cool music on the grass.
Her have ...

Madison Julius Cawein

Enchantment.

The deep seclusion of this forest path,
O'er which the green boughs weave a canopy,
Along which bluet and anemone
Spread a dim carpet; where the twilight hath
Her dark abode; and, sweet as aftermath,
Wood-fragrance breathes, has so enchanted me,
That yonder blossoming bramble seems to be
Some sylvan resting, rosy from her bath:
Has so enspelled me with tradition's dreams,
That every foam-white stream that twinkling flows,
And every bird that flutters wings of tan,
Or warbles hidden, to my fancy seems
A Naiad dancing to a Faun who blows
Wild woodland music on the pipes of Pan.

Madison Julius Cawein

In Arcady

I remember, when a child,
How within the April wild
Once I walked with Mystery
In the groves of Arcady....
Through the boughs, before, behind,
Swept the mantle of the wind,
Thunderous and unconfined.

Overhead the curving moon
Pierced the twilight: a cocoon,
Golden, big with unborn wings -
Beauty, shaping spiritual things,
Vague, impatient of the night,
Eager for its heavenward flight
Out of darkness into light.

Here and there the oaks assumed
Satyr aspects; shadows gloomed,
Hiding, of a dryad look;
And the naiad-frantic brook,
Crying, fled the solitude,
Filled with terror of the wood,
Or some faun-thing that pursued.

In the dead leaves on the ground
Crept a movement; rose a sound:
Everywhere the silence tick...

Madison Julius Cawein

The Forest Of Old Enchantment

Squaw-Berry, bramble, Solomon's-seal,
And rattlesnake-weed make wild the place:
You seem to feel that a Faun will steal
Or leap before your face. . . .
Is that the reel of a Satyr's heel,
Or the brook in its headlong race?
Yellow puccoon and the blue-eyed grass,
And briars a riot of bloom:
And now from the mass of that sassafras
What is it shakes perfume?
A Nymph, who has for her looking-glass
That pool in the mossy gloom?
Mile on mile of the trees and vines,
And rock and fern and root:
What is it pines where the wild-grape twines?
A dove? or Pan's own flute?
And there! what shines into rosy lines?
A flower? or Dryad's foot?
White-plantain, bluet, and, golden-clear,
The crowfoot's earth-bound star:
Now what draws near to the spirit ear?

Madison Julius Cawein

In Arcady

I remember, when a child,
How within the April wild
Once I walked with Mystery
In the groves of Arcady....
Through the boughs, before, behind,
Swept the mantle of the wind,
Thunderous and unconfined.

Overhead the curving moon
Pierced the twilight: a cocoon,
Golden, big with unborn wings
Beauty, shaping spiritual things,
Vague, impatient of the night,
Eager for its heavenward flight
Out of darkness into light.

Here and there the oaks assumed
Satyr aspects; shadows gloomed,
Hiding, of a dryad look;
And the naiad-frantic brook,
Crying, fled the solitude,
Filled with terror of the wood,
Or some faun-thing that pursued.

In the dead leaves on the ground
Crept a movement; rose a sound:
Everywhere the silence ticked...

Madison Julius Cawein