Twillingate

    We all end up badly and
    it's not the season nor the salt
    rather, I suspect but type of gherkin used.

    We all end, badly, at least
    the more modest of us do.
    the old salts they dine on
    limericks anyways.

    We all end up, sadly, the distances
    and the wiles only last up,
    sideways, and barely with
    the edge-ways of a smile.

    Some of us, sadly,
    limit our losses
    call off the posse
    quit deals, the
    quicksilver steals.

    Some of us, gladly,
    surrender or catch
    a slow boat to Twillingate,
    if not willingly,
    at least painstakingly.

Paul Cameron Brown

Paul Cameron Brown is a Canadian poet known for his extensive work in both poetry and art criticism. Born in western Canada, Brown has had a prolific career in writing, often intertwining themes of human experience and nature. His works have been showcased in various literary magazines and anthologies. With a style that is both reflective and evocative, he has gained recognition not only in Canada but also internationally.

Paul Cameron Brown

The World Of Dying Love

Paul Cameron Brown, Simple Poetry

Currency

Paul Cameron Brown, Simple Poetry

Ending Up

Paul Cameron Brown, Simple Poetry

Tank-Top

Paul Cameron Brown, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

Turncoat

    Sitting in the spendthrift dark
    lilting pennies away,
    deciphering fate ... .
    The bed, a warm reach past
    the pillow
    like personal mortality in the
    incest breath of life.

    Warm stuff of dreams -
    the calender with its days mesh &
    march like soldiers
    dearly departed
    (cindered and bludgeoned)
    or the old sea-faring chest
    where all men are sailors
    past light's corner.

    Sturdy trudgeons,
    clock bursts thru the room
    mindful of time and aching,
    decaying things.

    Hallow's Eve in movements of the curtains -
    a remembered Rembrandt,
    self-portrait of the old man
    standing alone in a clammy room,
    idling the seconds, with drab

Paul Cameron Brown

Offerings (A Movement In Four Parts)

The night is folly without the moon,
trees blank space against a frontal sky
where lattice work from a bled fish reveals
skeletal markings will not administer
the red jack of hearts to a mistress sea.

Most fickle, the ways of a cockroach
(I don't recommend them) to offerings
of white linen, cold squares atop
a stone diamonded floor.

Palaver shacks drone in ghostly light
communicating some message about eel runs
up the black river, the equivalent brush
of tombstones against dark nightsoil.

Tiny bars open as cubicles.
proverbial flashes of the coming evening,
haciendas to count every blessing.

The road to such places
snarls a dusty pleasure
and will heat thin blood
to boil in the daylight hours.

II

Swe...

Paul Cameron Brown

Wincing

You can't go back,
to Love, a home.
memories of Pearl Bailey
even a scatterbrained job
curled like a Morning Glory
about the ribs of day.

Everyone repeats not going back.

A sly ripple on the cape of wind,
peaking with
absentminded glee,
into that bulge from within
your past, beyond your left arm,
called "before".

Dismissing angels, refusing to
court hardship, not to mention
wincing that comes from attaching
the mouth too fiercely on privale parts
and all flasks with firm memory;
wheeling drunkenly on her thought.
her sayings, sculling backwaters of your mind
with little fingers each repeating
sane warnings.

Paul Cameron Brown

Buzz Phrase

Down on your luck
or, as they say, "financially embarrassed" ...
with little in the way of hope,
less palaver    -
drifting in & out of theme parks not unlike
El Paso, Prairie Junction
between jobs, causes and wives...

letting "it all hang out", in the jumble of the moranese
letting despair and the pig iron law of economics
have their say    -
shouting "moral support" in the face of the rocky
"well-wisher".

I read all the plots and each ends up as a grave...
once in a single afternoon I even gave up on
golddiggers
who, though just passing through meant dress rehearsal
for the bigger jive, "longterm"
and since when should "patching up and catching up"
make starry-eyed even that slip of a girl, commitment.

Paul Cameron Brown

Dry Guillotine

    In my childhood, "Verdun," meant madness.
    Bars on the windows, cages around the intellect.
    Time was a poor keeper of souls, it seems, wore out all but
    a fragment of my memories. Musical, poetic. The sounds of clay china
    being dropped on the floor. Fierce Celts with a gift for the muse in
    keeping with their love of lyricism and war.

    Driving by 999 Queen in Toronto accompanies a lot of the above.
    A cuckoo bin by any calculation and a reference not meant to be
    pejorative. A subject so clothed in solemnity only irreverent
    "kidding," can hope to disarm its grasp. Still, the truth must be told.
    In university, no one shrinked from whispering the ultimate fate -
    a stint in Sydenham or a trip down the road to Cedar Springs.
    Delight...

Paul Cameron Brown

The Wreck Of Rivermouth

Rivermouth Rocks are fair to see,
By dawn or sunset shone across,
When the ebb of the sea has left them free,
To dry their fringes of gold-green moss
For there the river comes winding down,
From salt sea-meadows and uplands brown,
And waves on the outer rocks afoam
Shout to its waters, Welcome home!

And fair are the sunny isles in view
East of the grisly Head of the Boar,
And Agamenticus lifts its blue
Disk of a cloud the woodlands oer;
And southerly, when the tide is down,
Twixt white sea-waves and sand-hills brown,
The beach-birds dance and the gray gulls wheel
Over a floor of burnished steel.

Once, in the old Colonial days,
Two hundred years ago and more,
A boat sailed down through the winding ways
Of Hampton River to that low...

John Greenleaf Whittier