Two Sermons.

Between the rail of woven brass,
That hides the "Strangers' Pew,"
I hear the gray-haired vicar pass
From Section One to Two.

And somewhere on my left I see--
Whene'er I chance to look--
A soft-eyed, girl St. Cecily,
Who notes them--in a book.

Ah, worthy GOODMAN,--sound divine!
Shall I your wrath incur,
If I admit these thoughts of mine
Will sometimes stray--to her?

I know your theme, and I revere;
I hear your precepts tried;
Must I confess I also hear
A sermon at my side?

Or how explain this need I feel,--
This impulse prompting me
Within my secret self to kneel
To Faith,--to Purity!

Henry Austin Dobson

Henry Austin Dobson, commonly known as Austin Dobson, was an English poet and essayist. A civil servant by profession, Dobson was one of the most renowned poets and literary critics of the late Victorian and Edwardian periods. His work is noted for its delicate craftsmanship and profound interest in 18th-century literature. Dobson's poetry often revisited and celebrated historical themes and characters, blending scholarly interest with lyrical form.

Henry Austin Dobson

Lines To A Stupid Picture.

Henry Austin Dobson, Simple Poetry

André Le Chapelain.

Henry Austin Dobson, Simple Poetry

The Screen In The Lumber Room.

Henry Austin Dobson, Simple Poetry

Molly Trefusis.

Henry Austin Dobson, Simple Poetry

English

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Satires Of Circumstances In Fifteen Glimpses - II In Church

"And now to God the Father," he ends,
And his voice thrills up to the topmost tiles:
Each listener chokes as he bows and bends,
And emotion pervades the crowded aisles.
Then the preacher glides to the vestry-door,
And shuts it, and thinks he is seen no more.

The door swings softly ajar meanwhile,
And a pupil of his in the Bible class,
Who adores him as one without gloss or guile,
Sees her idol stand with a satisfied smile
And re-enact at the vestry-glass
Each pulpit gesture in deft dumb-show
That had moved the congregation so.

Thomas Hardy

The Problem

I like a church; I like a cowl;
I love a prophet of the soul;
And on my heart monastic aisles
Fall like sweet strains, or pensive smiles
Yet not for all his faith can see
Would I that cowlèd churchman be.

Why should the vest on him allure,
Which I could not on me endure?

Not from a vain or shallow thought
His awful Jove young Phidias brought;
Never from lips of cunning fell
The thrilling Delphic oracle;
Out from the heart of nature rolled
The burdens of the Bible old;
The litanies of nations came,
Like the volcano's tongue of flame,
Up from the burning core below,--
The canticles of love and woe:
The hand that rounded Peter's dome
And groined the aisles of Christian Rome
Wrought in a sad sincerity;
Himself from God he could...

Ralph Waldo Emerson

A Boy In Church

"Gabble-gabble,... brethren,... gabble-gabble!"
My window frames forest and heather.
I hardly hear the tuneful babble,
Not knowing nor much caring whether
The text is praise or exhortation,
Prayer or thanksgiving, or damnation.

Outside it blows wetter and wetter,
The tossing trees never stay still.
I shift my elbows to catch better
The full round sweep of heathered hill.
The tortured copse bends to and fro
In silence like a shadow-show.

The parson's voice runs like a river
Over smooth rocks. I like this church:
The pews are staid, they never shiver,
They never bend or sway or lurch.
"Prayer," says the kind voice, "is a chain
That draws down Grace from Heaven again."

I add the hymns up, over and over,
Until there's not the least...

Robert von Ranke Graves

The New Church Organ.

They 've got a brand-new organ, Sue,
For all their fuss and search;
They've done just as they said they'd do,
And fetched it into church.
They're bound the critter shall be seen,
And on the preacher's right
They've hoisted up their new machine,
In every body's sight.
They've got a chorister and choir,
Ag'in' my voice and vote;
For it was never my desire,
To praise the Lord by note!

I've been a sister good an' true
For five-an'-thirty year;
I've done what seemed my part to do,
An' prayed my duty clear;
I've sung the hymns both slow and quick,
Just as the preacher read,
And twice, when Deacon Tubbs was sick,
I took the fork an' led!
And now, their bold, new-fangled ways
Is comin' all about;
And I, right in my latter days,

William McKendree Carleton

Premiers Amours.

Old Loves and old dreams,--
"Requiescant in pace."
How strange now it seems,--
"Old" Loves and "old" dreams!
Yet we once wrote you reams
Maude, Alice, and Gracie!
Old Loves and old dreams,--
"Requiescant in pace."


When I called at the "Hollies" to-day,
In the room with the cedar-wood presses,
Aunt Deb. was just folding away
What she calls her "memorial dresses."

She'd the frock that she wore at fifteen,--
Short-waisted, of course--my abhorrence;
She'd "the loveliest"--something in "een"
That she wears in her portrait by Lawrence;

She'd the "jelick" she used--"as a Greek," (!)
She'd the habit she got her bad fall in;
She had e'en the blue moiré antique
That she opened Squire Grasshopper's ball in:--

New and old ...

Henry Austin Dobson

The Vision Of Echard

The Benedictine Echard
Sat by the wayside well,
Where Marsberg sees the bridal
Of the Sarre and the Moselle.

Fair with its sloping vineyards
And tawny chestnut bloom,
The happy vale Ausonius sunk
For holy Treves made room.

On the shrine Helena builded
To keep the Christ coat well,
On minster tower and kloster cross,
The westering sunshine fell.

There, where the rock-hewn circles
Oerlooked the Romans game,
The veil of sleep fell on him,
And his thought a dream became.

He felt the heart of silence
Throb with a soundless word,
And by the inward ear alone
A spirits voice he heard.

And the spoken word seemed written
On air and wave and sod,
And the bending walls of sapphire
Blazed with the thought ...

John Greenleaf Whittier