Uncle Sidney To Marcellus

Marcellus, won't you tell us -
    Truly tell us, if you can, -
What will you be, Marcellus,
    When you get to be a man?

You turn, with never answer
    But to the band that plays. -
O rapt and eerie dancer,
    What of your future days?

Far in the years before us
    We dreamers see your fame,
While song and praise in chorus
    Make music of your name.

And though our dreams foretell us
    As only visions can,
You must prove it, O Marcellus,
    When you get to be a man!

James Whitcomb Riley

James Whitcomb Riley was an American writer, poet, and best-selling author. He was known as the "Hoosier Poet" and the "Children's Poet" for his dialect works and children's poetry respectively. Over his career, Riley authored approximately 1,000 poems, including "Little Orphant Annie" and "The Raggedy Man". His influence extended into the 20th century, and his works continued to be celebrated for their nostalgic and rural themes.

James Whitcomb Riley

The Pet Coon

James Whitcomb Riley, Simple Poetry

Time 1

James Whitcomb Riley, Simple Poetry

Her Beautiful Hands

James Whitcomb Riley, Simple Poetry

Where The Children Used To Play

James Whitcomb Riley, Simple Poetry

English

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The Old Man

Lo! steadfast and serene,
In patient pause between
The seen and the unseen,
    What gentle zephyrs fan
Your silken silver hair, -
And what diviner air
Breathes round you like a prayer,
    Old Man?

Can you, in nearer view
Of Glory, pierce the blue
Of happy Heaven through;
    And, listening mutely, can
Your senses, dull to us,
Hear Angel-voices thus,
In chorus glorious -
    Old Man?

In your reposeful gaze
The dusk of Autumn days
Is blent with April haze,
    As when of old began
The bursting of the bud
Of rosy babyhood -
When all the world was good,
    Old Man.

And yet I find a sly
Little twinkle in your eye;
And your whisperingly shy
    Little laugh is simply an
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James Whitcomb Riley

Marthy Ellen.

They's nothin' in the name to strike
A feller more'n common like!
'Taint liable to git no praise
Ner nothin' like it nowadays;
An' yit that name o' her'n is jest
As purty as the purtiest -
And more 'n that, I'm here to say
I'll live a-thinkin' thataway
    And die far Marthy Ellen!

It may be I was prejudust
In favor of it from the fust -
'Cause I kin ricollect jest how
We met, and hear her mother now
A-callin' of her down the road -
And, aggervatin' little toad! -
I see her now, jes' sort o' half-
Way disapp'inted, turn and laugh
    And mock her - "Marthy Ellen!"

Our people never had no fuss,
And yit they never tuck to us;
We neighbered back and foreds some;
Until they see she liked to come
To our house - and me and h...

James Whitcomb Riley

Floretty's Musical Contribution

All seemed delighted, though the elders more,
Of course, than were the children. - Thus, before
Much interchange of mirthful compliment,
The story-teller said his stories "went"
(Like a bad candle) best when they went out, -
And that some sprightly music, dashed about,
Would wholly quench his "glimmer," and inspire
Far brighter lights.

    And, answering this desire,
The flutist opened, in a rapturous strain
Of rippling notes - a perfect April-rain
Of melody that drenched the senses through; -
Then - gentler - gentler - as the dusk sheds dew,
It fell, by velvety, staccatoed halts,
Swooning away in old "Von Weber's Waltz."
Then the young ladies sang "Isle of the Sea" -
In ebb and flow and wave so billowy, -
Only with quave...

James Whitcomb Riley

The Little Man In The Tinshop

When I was a little boy, long ago,
And spoke of the theater as the "show,"
The first one that I went to see,
Mother's brother it was took me -
(My uncle, of course, though he seemed to be
Only a boy - I loved him so!)
And ah, how pleasant he made it all!
And the things he knew that I should know! -
The stage, the "drop," and the frescoed wall;
The sudden flash of the lights; and oh,
The orchestra, with its melody,
And the lilt and jingle and jubilee
    Of "The Little Man in the Tinshop"!

For Uncle showed me the "Leader" there,
With his pale, bleak forehead and long, black hair;
Showed me the "Second," and "'Cello," and "Bass,"
And the "B-Flat," pouting and puffing his face
At the little end of the horn he blew
Silvery bubbles of music t...

James Whitcomb Riley

To My Old Friend, William Leachman

Fer forty year and better you have been a friend to me,
Through days of sore afflictions and dire adversity,
You allus had a kind word of counsul to impart,
Which was like a healin' 'intment to the sorrow of my hart.

When I burried my first womern, William Leachman, it was you
Had the only consolation that I could listen to -
Fer I knowed you had gone through it and had rallied from the blow,
And when you said I'd do the same, I knowed you'd ort to know.

But that time I'll long remember; how I wundered here and thare -
Through the settin'-room and kitchen, and out in the open air -
And the snowflakes whirlin', whirlin', and the fields a frozen glare,
And the neghbors' sleds and wagons congergatin' ev'rywhare.

I turned my eyes to'rds heaven, but the sun was hid a...

James Whitcomb Riley

John Mckeen.

John McKeen, in his rusty dress,
    His loosened collar, and swarthy throat;
His face unshaven, and none the less,
His hearty laugh and his wholesomeness,
    And the wealth of a workman's vote!

Bring him, O Memory, here once more,
    And tilt him back in his Windsor chair
By the kitchen-stove, when the day is o'er
And the light of the hearth is across the floor,
    And the crickets everywhere!

And let their voices be gladly blent
    With a watery jingle of pans and spoons,
And a motherly chirrup of sweet content,
And neighborly gossip and merriment,
    And old-time fiddle-tunes!

Tick the clock with a wooden sound,
    And fill the hearing with childish glee
Of rhyming riddle, or story found
In the Robinson Crusoe, leather-boun...

James Whitcomb Riley