Upon The Duke Of Marlborough's House At Woodstock.

'See, sir, here's the grand approach,
This way is for his Grace's coach:
There lies the bridge, and here's the clock,
Observe the lion and the cock,
The spacious court, the colonnade,
And mark how wide the hall is made!
The chimneys are so well design'd,
They never smoke in any wind.
This gallery's contrived for walking,
The windows to retire and talk in;
The council chamber for debate,
And all the rest are rooms of state.'

'Thanks, sir,' cried I, ''tis very fine,
But where d'ye sleep, or where d'ye dine?
I find by all you have been telling
That 'tis a house, but not a dwelling.'

Alexander Pope

Alexander Pope was an English poet, best known for his satirical verse, including 'The Rape of the Lock' and 'The Dunciad'. He is the second-most frequently quoted writer in The Oxford Dictionary of Quotations after Shakespeare. Pope was one of the greatest English poets and the foremost poet of the early 18th century. He also translated Homer. Despite suffering from numerous health problems, Pope made a significant impact on English literature and is remembered for his sharp wit and mastery of the heroic couplet.

Alexander Pope

Moral Essays. Epistle IV. - To Richard Boyle, Earl Of Burlington.

Alexander Pope, Simple Poetry

The Satires Of Dr John Donne, Dean Of St Paul's,[171] Versified.

Alexander Pope, Simple Poetry

Epigram On The Feuds About Handel And Bononcini.

Alexander Pope, Simple Poetry

Extemporaneous Lines On A Portrait Of Lady Mary Wortley Montague, Painted By Kneller.

Alexander Pope, Simple Poetry

English

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Verses On Blenheim[1]

Atria longa patent. Sed nec cenantibus usquam
    Nec somno locus est. Quam bene non habitas!
MART., lib. xii, Ep. 50.


See, here's the grand approach,
That way is for his grace's coach;
There lies the bridge, and there the clock,
Observe the lion and the cock;[2]
The spacious court, the colonnade,
And mind how wide the hall is made;
The chimneys are so well design'd,
They never smoke in any wind:
The galleries contrived for walking,
The windows to retire and talk in;
The council-chamber to debate,
And all the rest are rooms of state.
Thanks, sir, cried I, 'tis very fine,
But where d'ye sleep, or where d'ye dine?
I find, by all you have been telling,
That 'tis a house, but not a dwelling.

Jonathan Swift

Epistles To Several Persons: Epistle Iv, To Richard Boyle,

Est brevitate opus, ut currat sententia, neu se
Impediat verbis lassas onerantibus aures:
Et sermone opus est modo tristi, saepe jocoso,
Defendente vicem modo Rhetoris atque Poetae,
Interdum urbani, parcentis viribus, atque
Extenuantis eas consulto.
(Horace, Satires, I, x, 17-22)
'Tis strange, the miser should his cares employ
To gain those riches he can ne'er enjoy:
Is it less strange, the prodigal should waste
His wealth to purchase what he ne'er can taste?
Not for himself he sees, or hears, or eats;
Artists must choose his pictures, music, meats:
He buys for Topham, drawings and designs,
For Pembroke, statues, dirty gods, and coins;
Rare monkish manuscripts for Hearne alone,
And books for Mead, and butterflies for Sloane.
Think we all these are for him...

Alexander Pope

Moral Essays. Epistle IV. - To Richard Boyle, Earl Of Burlington.

ARGUMENT.

OF THE USE OF RICHES.

The vanity of expense in people of wealth and quality. The abuse of the word 'taste,' ver. 13. That the first principle and foundation, in this as in every thing else, is good sense, ver. 40. The chief proof of it is to follow nature, even in works of mere luxury and elegance. Instanced in architecture and gardening, where all must be adapted to the genius and use of the place, and the beauties not forced into it, but resulting from it, ver. 50. How men are disappointed in their most expensive undertakings, for want of this true foundation, without which nothing can please long, if at all; and the best examples and rules will but be perverted into something burdensome or ridiculous, ver. 65 to 92. A description of the false taste of magnificence; the first grand error of which is to im...

Alexander Pope

To Mr Gay, Who Had Congratulated Pope On Finishing His House And Gardens.

'Ah, friend! 'tis true--this truth you lovers know--
In vain my structures rise, my gardens grow,
In vain fair Thames reflects the double scenes
Of hanging mountains, and of sloping greens:
Joy lives not here, to happier seats it flies,
And only dwells where Wortley casts her eyes.

'What are the gay parterre, the chequer'd shade,
The morning bower, the evening colonnade,
But soft recesses of uneasy minds,
To sigh unheard in, to the passing winds?
So the struck deer in some sequester'd part
Lies down to die, the arrow at his heart,
He, stretch'd unseen in coverts hid from day,
Bleeds drop by drop, and pants his life away.'

Alexander Pope

To Mr C.,[1] St James's Place.

Few words are best; I wish you well:
Bethel, I'm told, will soon be here;
Some morning walks along the Mall,
And evening friends, will end the year.

If in this interval, between
The falling leaf and coming frost,
You please to see, on Twit'nam green,
Your friend, your poet, and your host:

For three whole days you here may rest
From office business, news, and strife;
And (what most folks would think a jest)
Want nothing else except your wife.

Alexander Pope

Roxana, Or The Drawing-Room. An Eclogue.

Roxana, from the Court returning late,
Sigh'd her soft sorrow at St James's gate:
Such heavy thoughts lay brooding in her breast,
Not her own chairmen with more weight oppress'd:
They curse the cruel weight they're doom'd to bear;
She in more gentle sounds express'd her care.

'Was it for this, that I these roses wear?
For this, new-set the jewels for my hair?
Ah, Princess! with what zeal have I pursued!
Almost forgot the duty of a prude.
This king I never could attend too soon;
I miss'd my prayers, to get me dress'd by noon.
For thee, ah! what for thee did I resign?
My passions, pleasures, all that e'er was mine:
I've sacrificed both modesty and ease;
Left operas, and went to filthy plays:
Double-entendres shock'd my tender ear;
Yet even this...

Alexander Pope