Upon the rocks where the baubles of broken blue glass wink at the sun and gather strands of rusted wire with the occasional bloodroot wildflower, a man is unbending in his efforts to construct a stone rail fence. Specks of mica in the rock are like lizards basking in the heat of a mid-day or a man's thumb placed squarely about these noisome stones clattering as one more of their number comes to rest and home.
The line of cherokee rocks bends first up, then downward in movement across the meadow much like a labouring oar listing but finally brought into play. The glitter of turquoise water with jewels of light on her passing wave - like wings entrances much as does this fence moving smartly into the space of green and earth.
The man, a stooped farmer, has toiled for days to clear this land for tillage. His impact seems negligible to efforts given yet gradually he surmises a scant return is being paid. He picks a wildflower nudging its face through calloused stone and watches the juice break onto forward skin. An old saying reminds him insect bites will lessen should he smear the liquid onto exposed limbs. He is perspiring now and the rocks shove face-like projections into the consciousness of forest and that periphery area, his clearing.
The fence begins to melt as if in a haze and the logic of clearing this vast expanse of earth and rock escapes him. He thinks of each rock as the buttress of a treasure box he has just hidden and is loath to dislodge further stones. He ponders Christ's parable of the Kingdom of Heaven likened unto treasure buried in a field. For reasons unclear but not necessarily related to the blood juice, he imagines the fence to be the one at Chancellorsville where a Union regiment died to a man and was found by a burial brigade with apple blossoms stuck to each bloodied face.
Evasive now, he perceives the fence to be the one stopping Pickett's charge at Gettysburg or that fence at Mons in northern France which turned a war. He begins to rummage through the piled stones for spent bullets and other mementoes of a great battle. He relives the story of the Angel of Mons[1].
As he dislodges more and more stones, he showers chunks of limestone and granite backward onto the barren field. The shower of rock is somewhat reminiscent of Ungava's meteor spray or splintered debris forced down a soldier's foxhole. Perhaps a runic stone will fall from tangled roots when he burns the dead stumps of trees deciphering once and for all why men labour or think at all. The fence swirls on and on in growing amnesia becoming the very touchstone of all purpose, stones from Jericho's Wall or the passkeys taken from our material existence. Gabriel, the archangel, will sound his trumpet here, he is assured. The dead and unburied of nameless acts of toil and dread will stand a stone's breadth across this fence. The Face of God will be seen in the pact nature has made with earth and stone.
He turns and puts his hat by a tree, lifts a canteen and imagines what all might be should vegetation ever be coded and stones prophets to their accordion earth.
Upturn The Rock
Paul Cameron Brown
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