Venus by Adonis' Side

Venus by Adonis' side
Crying kiss'd, and kissing cried,
Wrung her hands and tore her hair
For Adonis dying there.

Stay (quoth she) O stay and live!
Nature surely doth not give
To the earth her sweetest flowers
To be seen but some few hours.

On his face, still as he bled
For each drop a tear she shed,
Which she kiss'd or wip'd away,
Else had drown'd him where he lay.

Fair Proserpina (quoth she)
Shall not have thee yet from me;
Nor my soul to fly begin
While my lips can keep it in.

Here she clos'd again. And some
Say Apollo would have come
To have cur'd his wounded limb,
But that she had smothered him.

From Britannia's Pastorals.

William Browne

William Browne (1590–1645) was an English poet from Tavistock, Devon. Best known for his pastoral poetry, Browne's notable works include 'Britannia's Pastorals'. His poetry reflects the influence of Edmund Spenser and his themes often revolve around nature, rural life, and patriotic sentiments. Although his work was not widely known during his time, it has since gained recognition for its lyrical quality and depiction of English countryside traditions.

William Browne

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English

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Fragment Of The Elegy On The Death Of Adonis.

FROM THE GREEK OF BION.


I mourn Adonis dead - loveliest Adonis -
Dead, dead Adonis - and the Loves lament.
Sleep no more, Venus, wrapped in purple woof -
Wake violet-stoled queen, and weave the crown
Of Death, - 'tis Misery calls, - for he is dead.

The lovely one lies wounded in the mountains,
His white thigh struck with the white tooth; he scarce
Yet breathes; and Venus hangs in agony there.
The dark blood wanders o'er his snowy limbs,
His eyes beneath their lids are lustreless,
The rose has fled from his wan lips, and there
That kiss is dead, which Venus gathers yet.

A deep, deep wound Adonis...
A deeper Venus bears upon her heart.
See, his beloved dogs are gathering round -
The Oread nymphs are weeping - Aphrodite
With hair unbo...

Percy Bysshe Shelley

The Gardens Of Adonis

Belovèd, I would tell a ghostly thing
That hides beneath the simple name of Spring;
Wild beyond hope the news - the dead return,
The shapes that slept, their breath a frozen mist,
Ascend from out sarcophagus and urn,
Lips that were dust new redden to be kissed,
Fires that were quenched re-burn.

The gardens of Adonis bloom again,
Proserpina may hold the lad no more,
That in her arms the winter through hath lain;
Up flings he from the hollow-sounding door,
Where Love hath bruised her rosy breast in vain:
Ah! through their tears - the happy April rain -
They, like two stars aflame, together run,
Then lift immortal faces in the sun.

A faint far music steals from underground,
And to the spirit's ear there comes the sound,
The whisper vague, and rus...

Richard Le Gallienne

Translation From The "Medea" Of Euripides [Ll. 627-660].

[Greek: Erotes hyper men agan, K.T.L.^[1]]


1.

When fierce conflicting passions urge
The breast, where love is wont to glow,
What mind can stem the stormy surge
Which rolls the tide of human woe?
The hope of praise, the dread of shame,
Can rouse the tortur'd breast no more;
The wild desire, the guilty flame,
Absorbs each wish it felt before.


2.

But if affection gently thrills
The soul, by purer dreams possest,
The pleasing balm of mortal ills
In love can soothe the aching breast:
If thus thou comest in disguise,
Fair Venus! from thy native heaven,
What heart, unfeeling, would despise
The sweetest boon the Gods have given?


3.

But, never from thy golden bow,
May I beneath the...

George Gordon Byron

Love Lies Bleeding

You call it, "Love lies bleeding," so you may,
Though the red Flower, not prostrate, only droops,
As we have seen it here from day to day,
From month to month, life passing not away:
A flower how rich in sadness! Even thus stoops,
(Sentient by Grecian sculpture's marvelous power)
Thus leans, with hanging brow and body bent
Earthward in uncomplaining languishment
The dying Gladiator. So, sad Flower!
('Tis Fancy guides me willing to be led,
Though by a slender thread,)
So drooped Adonis bathed in sanguine dew
Of his death-wound, when he from innocent air
The gentlest breath of resignation drew;
While Venus in a passion of despair
Rent, weeping over him, her golden hair
Spangled with drops of that celestial shower.
She suffered, as Immortals sometimes do;

William Wordsworth

Book IV. Ode I. To Venus.

Again? new tumults in my breast?
Ah, spare me, Venus! let me, let me rest!
I am not now, alas! the man
As in the gentle reign of my Queen Anne.
Ah, sound no more thy soft alarms,
Nor circle sober fifty with thy charms.
Mother too fierce of dear desires!
Turn, turn to willing hearts your wanton fires,
To Number Five direct your doves,
There spread round Murray all your blooming loves
Noble and young, who strikes the heart
With every sprightly, every decent part;
Equal, the injured to defend,
To charm the mistress, or to fix the friend.
He, with a hundred arts refined,
Shall stretch thy conquests over half the kind;
To him each rival shall submit,
Make but his riches equal to his wit.
Then shall thy form the marble grace,
(Thy Grecian form) and Ch...

Alexander Pope

Cantata. Set By Mons. Galliard

Recit.
Beneath a verdant laurel's ample shade
His lyre to mournful numbers strung,
Horace, immortal bard supinely laid,
To Venus thus address'd the song;
Ten thousand little loves around,
Listening dwelt on every sound.

Ariet.
Potent Venus, bid thy son
Sound no more his dire alarms:
Youth on silent wings is flown;
Graver years come rolling on,
Spare my age unfit for arms:
Safe and humble let me rest,
From all amorous care released.
Potent Venus, bid thy son
Sound no more his dire alarms.

Recit.
Yet, Venus, why do I each morn prepare
The fragrant wreath for Cloe's hair?
Why, why do I all day lament and sigh,
Unless the beauteous maid be nigh?
And why all night pursue her in my dreams
Through flowery meads and cryst...

Matthew Prior