Venus Mistaken

When Cloe's Picture was to Venus shown;
Surpriz'd, the Goddess took it for Her own.
And what, said She, does this bold Painter mean?
When was I Bathing thus, and Naked seen?

Pleas'd Cupid heard, and check'd His Mother's Pride:
And who's blind now, Mamma? the Urchin cry'd.
'Tis Cloe's Eye, and Cheek, and Lip, and Breast:
Friend Howard's Genius fancy'd all the rest.

Matthew Prior

Matthew Prior was an English poet and diplomat. He is known for his extensive contributions to poetry during the late 17th and early 18th centuries. Prior's works often blend sharp wit, classical allusions, and a mastery of form. Apart from poetry, he was actively involved in politics and served as a diplomat for the English government. His poetry reflects his broad knowledge and varied experiences.

Matthew Prior

The Pedant

Matthew Prior, Simple Poetry

Full Oft Doth Matt. With Topaz Dine - In Chaucer's Style

Matthew Prior, Simple Poetry

An Ode - In Imitation of Horace, Book III. Ode II.

Matthew Prior, Simple Poetry

To A Person Who Wrote Ill, And Spake Worse, Against Me

Matthew Prior, Simple Poetry

English

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Cupid Mistaken

As after noon, one summer's day,
Venus stood bathing in a river;
Cupid a-shooting went that way,
New strung his bow, new fill'd his quiver.

With skill he chose his sharpest dart:
With all his might his bow he drew:
Swift to his beauteous parent's heart
The too well-guided arrow flew.

I faint! I die! the Goddess cry'd:
O cruel, could'st thou find none other,
To wreck thy spleen on? Parricide!
Like Nero, thou hast slain thy mother.

Poor Cupid sobbing scarce could speak;
Indeed, Mamma, I did not know ye:
Alas! how easy my mistake?
I took you for your likeness, Cloe.

Matthew Prior

The Dove

In Virgil's Sacred Verse we find,
That Passion can depress or raise
The Heav'nly, as the Human Mind:
Who dare deny what Virgil says?
But if They shou'd; what our Great Master
Has thus laid down, my Tale shall prove.
Fair Venus wept the sad Disaster
Of having lost her Fav'rite Dove.
In Complaisance poor Cupid mourn'd;
His Grief reliev'd his Mother's Pain;
He vow'd he'd leave no Stone unturn'd,
But She shou'd have her Dove again.
Tho' None, said He, shall yet be nam'd,
I know the Felon well enough:
But be She not, Mamma, condemn'd
Without a fair and legal Proof.
With that, his longest Dart he took,
As Constable wou'd take his Staff:
That Gods desire like Men to look,
Wou'd make ev'n Heraclitus laugh.
Loves Subaltern, a Duteous Band,
Like...

Matthew Prior

The Judgement Of Venus

When Kneller's works, of various grace,
Were to fair Venus shown,
The Goddess spied in every face
Some features of her own.

Just so, (and pointing with her hand)
So shone, says she, my eyes,
When from two goddesses I gain'd
An apple for a prize.

When in the glass and river too
My face I lately view'd,
Such was I, if the glass be true,
If true the crystal flood.

In colours of this glorious kind
Apelles painted me;
My hair, thus flowing with the wind
Sprung from my native sea.

Like this disorder'd, wild, forlorn,
Big with ten thousand fears,
Thee, my Adonis, did I mourn
E'en beautiful in tears.

But viewing Myra placed apart,
I fear, says she, I fear,
Appelles, that Sir Godfrey's art
Has far surpass...

Matthew Prior

A Better Answer

Dear Cloe, how blubber'd is that pretty Face?
Thy Cheek all on Fire, and Thy Hair all uncurl'd:
Pr'ythee quit this Caprice; and (as old Falstaf says)
Let Us e'en talk a little like Folks of This World.

How can'st Thou presume, Thou hast leave to destroy
The Beauties, which Venus but lent to Thy keeping?
Those Looks were design'd to inspire Love and Joy:
More ord'nary Eyes may serve People for weeping.

To be vext at a Trifle or two that I writ,
Your Judgment at once, and my Passion You wrong:
You take that for Fact, which will scarce be found Wit:
Odd's Life! must One swear to the Truth of a Song?

What I speak, my fair Cloe, and what I write, shews
The Diff'rence there is betwixt Nature and Art:
I court others in Verse; but I love Thee in Prose:
An...

Matthew Prior

Cloe Jealous

Forbear to ask Me, why I weep;
Vext Cloe to her Shepherd said:
'Tis for my Two poor stragling Sheep
Perhaps, or for my Squirrel dead.
For mind I what You late have writ?
Your subtle Questions, and Replies;
Emblems, to teach a Female Wit
The Ways, where changing Cupid flies.
Your Riddle, purpos'd to rehearse
The general Pow'r that Beauty has:
But why did no peculiar Verse
Describe one Charm of Cloe's Face?
The Glass, which was at Venus' Shrine,
With such Mysterious Sorrow laid:
The Garland (and You call it Mine)
Which show'd how Youth and Beauty fade.
Ten thousand Trifles light as These
Nor can my Rage, nor Anger move:
She shou'd be humble, who wou'd please:
And She must suffer, who can love.
When in My Glass I chanc'd to look;
Of Venus...

Matthew Prior

Her Right Name

As Nancy at her toilette sat,
Admiring this, and blaming that,
Tell me, she said, but tell me true,
The nymph who could your heart subdue.
What sort of charms does she possess?
Absolve me, fair one, I'll confess
With pleasure, I replied: Her hair,
In ringlets rather dark than fair,
Does down her ivory bosom roll,
And hiding half adorns the whole,
In her high forehead's fair half round
Love sits, in open triumph crown'd;
He, in the dimple of her chin,
In private state, by friends is seen.
Her eyes are neither black nor grey,
Nor fierce nor feeble is their ray;
Their dubious lustre seems to show
Something that speaks nor yes nor no.
Her lips no living bard, I weet,
May say how red, how round, how sweet:
Old Homer only could indite
Their ...

Matthew Prior