Warhorse

    Taken as metaphor ...
    Ophelia's funeral oration,
    derogatory snout
    of the Morning Glory
    breathing pollened fire
    overladen steps of the church.

    II
    Limestone rock
    caulking in grey
    limpid cracks ...
    doublet and hose
    then gold doubloons
    down sunlit honey
    where a smear of red lichen
    onto brown-yellow moss
    colonizes rock.

    III
    Poor Ophelia, dicing
    for a sedentary-free Hamlet,
    duty-free of fissures + frost.

    IV
    Elusiveness,
    water rushing over stone
    torrent of words
    (Ophelia receiving these),
    red hand of the berry
    swollen shut,
    prisoner in the dock
    bird of quarry, pit
    & gunny sack.

    V
    Night plummets to quarry,
    sky to earth in brazen glory.
    Magic of the palm
    spans an upturned hand ...
    "To each his own
    nothing's known."

Paul Cameron Brown

Paul Cameron Brown is a Canadian poet known for his extensive work in both poetry and art criticism. Born in western Canada, Brown has had a prolific career in writing, often intertwining themes of human experience and nature. His works have been showcased in various literary magazines and anthologies. With a style that is both reflective and evocative, he has gained recognition not only in Canada but also internationally.

Paul Cameron Brown

The Cable Car

Paul Cameron Brown, Simple Poetry

Lost Patrol

Paul Cameron Brown, Simple Poetry

Tales Of Brave Ulysses

Paul Cameron Brown, Simple Poetry

Inside Seam

Paul Cameron Brown, Simple Poetry

English

Suggested Poems

Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.

Passageways

    Greet the days -
        greet the moon,
            gather the stars.. .
    Man is not at one with himself -
    collars the infidel ways of his
    race under pressure domes of widening silence.

    I scan the horizon barely cognizant
    of the metallic bits that pierce
    the night's crown - no
    jewelled orb stabs this queen's spectre.
    I am running and lost. . . ever slow
    to breech this reasoning.

    Honeysuckle mist with armfuls
    of orange lilies with scent stronger
    than the carriage needed in their gathering.

    Place the constellations upon their heads,
    the colour so transcends.
    And then there are the bludgeoned
    stars fallen into the eyes of
    my farmhouse scene.
    The sphin...

Paul Cameron Brown

Equinox

    The four Equinox sisters,
    the one, Fox, streaked -
    all color, a blur
    a Bloomingdale's on fire,
    a wedge between Everest
    & her fortune.

    Samantha, the other
    dun-coloured
    earth-tide (in full bloom),
    blossoms vernally & literally
    busting out of her breeches with
    eyes like barely sugar.
    Jubilee. Fête de la vie.
    Lighthouse keeper beckoning twin
    shafts of warmth. Camberwell Beauty.
    Rattan Bar, shooting star.

    Carraciou (and castanet) an evening song,
    the most buxom but with dog days & tiresome moods
    flushed with heat.
    Tidewater in full ripple, a
    murmuring of abstract intelligence
    orchestrating summer's growth.
    Emerald keeper....

Paul Cameron Brown

Wanderlust

    Who administers to my needs?

    Is it the dandelion, so ant-encrusted, that
    yellow pollen dangles from a shiny abdomen
    suggestive of some actor's
    smeared and garish make-up?

    Or the cicada's song,
    difficult to describe,
    laundering thick summer heat?

    Perhaps, then, the Red Admiral butterfly
    especially active at the close of day and drawn
    to wooden lawn-furniture or the exposed human limb?

    If none of these
    breathes vigour or tonic
    through my nostrils,
    what of tubs of fresh water?

    Take pea-pods for crude, rudimentary boats
    and children as make-shift sailors,
    then they both shall spy the secrets of seas.
    Bold harbours will be their cues,
    astrola...

Paul Cameron Brown

Swords And Roses

    Some lives have themes.
    Goldfish that stubbornly die;
    compatability only with distant lovers
    - flowers (but no sweet-breads)
    that wilt to the touch.

    Waiting. Charcoal-grey cat
    agreeably on a green linoleum table
    with light basking in....
    a tad playful,
    paws up,
    (classic boxer stance)
    but no one notices.
    Others oblique in their transparency,
    are unmindful of even the empty closet
    and greeting cards that smile hello.

    In the dark
    this room shimmers below
    life-raft status;
    chairs are buoys
    bobbing under waves
    of congealed fright.
    In the morning
    the first pigeons
    rifle over rooftops,
    mad flutterings like your eyes

Paul Cameron Brown

Offerings (A Movement In Four Parts)

The night is folly without the moon,
trees blank space against a frontal sky
where lattice work from a bled fish reveals
skeletal markings will not administer
the red jack of hearts to a mistress sea.

Most fickle, the ways of a cockroach
(I don't recommend them) to offerings
of white linen, cold squares atop
a stone diamonded floor.

Palaver shacks drone in ghostly light
communicating some message about eel runs
up the black river, the equivalent brush
of tombstones against dark nightsoil.

Tiny bars open as cubicles.
proverbial flashes of the coming evening,
haciendas to count every blessing.

The road to such places
snarls a dusty pleasure
and will heat thin blood
to boil in the daylight hours.

II

Swe...

Paul Cameron Brown

Turncoat

    Sitting in the spendthrift dark
    lilting pennies away,
    deciphering fate ... .
    The bed, a warm reach past
    the pillow
    like personal mortality in the
    incest breath of life.

    Warm stuff of dreams -
    the calender with its days mesh &
    march like soldiers
    dearly departed
    (cindered and bludgeoned)
    or the old sea-faring chest
    where all men are sailors
    past light's corner.

    Sturdy trudgeons,
    clock bursts thru the room
    mindful of time and aching,
    decaying things.

    Hallow's Eve in movements of the curtains -
    a remembered Rembrandt,
    self-portrait of the old man
    standing alone in a clammy room,
    idling the seconds, with drab

Paul Cameron Brown