Woodman, Spare that Tree!

Woodman, spare that tree!
Touch not a single bough!
In youth it sheltered me,
And I'll protect it now.
'Twas my forefather's hand
That placed it near his cot;
There, woodman, let it stand,
Thy axe shall harm it not.

That old familiar tree,
Whose glory and renown
Are spread o'er land and sea--
And wouldst thou hew it down?
Woodman, forebear thy stroke!
Cut not its earth-bound ties;
Oh, spare that aged oak,
Now towering to the skies!

When but an idle boy,
I sought its grateful shade;
In all their gushing joy
Here, too, my sisters played.
My mother kissed me here;
My father pressed my hand--
Forgive this foolish tear,
But let that old oak stand.

My heart-strings round thee cling,
Close as thy bark, old friend!
Here shall the wild-bird sing,
And still thy branches bend.
Old tree! the storm still brave!
And, woodman, leave the spot;
While I've a hand to save,
thy axe shall harm it not.

George Pope Morris

George Pope Morris was an American editor, poet, and songwriter. Born on October 10, 1802, he made significant contributions to American literature and music. Morris co-founded and edited the New York Evening Mirror, where he published works by Edgar Allan Poe and others. He is perhaps best known for his song "Woodman, Spare That Tree!" and his role in the early 19th-century literary scene. Morris died on July 6, 1864, leaving behind a legacy of editorial and creative work that influenced many American writers and musicians.

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The Woods And The Woodman.

A certain wood-chopper lost or broke
From his axe's eye a bit of oak.
The forest must needs be somewhat spared
While such a loss was being repair'd.
Came the man at last, and humbly pray'd
That the woods would kindly lend to him -
A moderate loan - a single limb,
Whereof might another helve be made,
And his axe should elsewhere drive its trade.
O, the oaks and firs that then might stand,
A pride and a joy throughout the land,
For their ancientness and glorious charms!
The innocent Forest lent him arms;
But bitter indeed was her regret;
For the wretch, his axe new-helved and whet,
Did nought but his benefactress spoil
Of the finest trees that graced her soil;
And ceaselessly was she made to groan,
Doing penance for that fatal loan.

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The Pine Tree.

The wind last night was wild and strong,
It shriek'd, it whistl'd and it roar'd,
And went with whirl and swoop along,
'Mid falling trees and crashing board.

The timbers creak'd, the rafters sway'd,
And e'en some roofs, upheav'd and torn,
Came crashing to the earth, and laid
Before the view, upon the morn.

The air seem'd like some monstrous thing,
By its uncurbed passion held;
Like dreadful dragon on the wing,
So horribly it scream'd and yell'd.

Now venting a triumphant shout,
And ever and anon a groan,
Like fiend from prison lately out,
Or like unhappy chain'd one's moan.

There was a lofty pine I knew;
Each morn and eve I passed it by;
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The Forest.

Pear-tree.

By woodman's edge I faint and fail;
By craftsman's edge I tell the tale.

Chestnut-tree.

High in the wood, high o'er the hall,
Aloft I rise when low I fall.

Oak-tree.

Unmoved I stand what wind may blow.
Swift, swift before the wind I go.

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The Girt Woak Tree That's In The Dell

The girt woak tree that's in the dell!
There's noo tree I do love so well;
Vor times an' times when I wer young,
I there've a-climbed, an' there've a-zwung,
An' picked the eacorns green, a-shed
In wrestlen storms vrom his broad head.
An' down below's the cloty brook
Where I did vish with line an' hook,
An' beat, in playsome dips and zwims,
The foamy stream, wi' white-skinned lim's.
An' there my mother nimbly shot
Her knitten-needles, as she zot
At evenen down below the wide
Woak's head, wi' father at her zide.
An' I've a-played wi' many a bwoy,
That's now a man an' gone awoy;
Zoo I do like noo tree so well
'S the girt woak tree that's in the dell.

An' there, in leater years, I roved
Wi' thik poor maid I fondly loved,
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The Talking Oak

Once more the gate behind me falls;
Once more before my face
I see the moulder'd Abbey-walls,
That stand within the chace.

Beyond the lodge the city lies,
Beneath its drift of smoke;
And ah! with what delighted eyes
I turn to yonder oak.

For when my passion first began,
Ere that, which in me burn'd,
The love, that makes me thrice a man,
Could hope itself return'd;

To yonder oak within the field
I spoke without restraint,
And with a larger faith appeal'd
Than Papist unto Saint.

For oft I talk'd with him apart
And told him of my choice,
Until he plagiarized a heart,
And answer'd with a voice.

Tho' what he whisper'd under Heaven
None else could understand;
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The Wood Giant

From Alton Bay to Sandwich Dome,
From Mad to Saco river,
For patriarchs of the primal wood
We sought with vain endeavor.

And then we said: The giants old
Are lost beyond retrieval;
This pygmy growth the axe has spared
Is not the wood primeval.

Look where we will oer vale and hill,
How idle are our searches
For broad-girthed maples, wide-limbed oaks,
Centennial pines and birches.

Their tortured limbs the axe and saw
Have changed to beams and trestles;
They rest in walls, they float on seas,
They rot in sunken vessels.

This shorn and wasted mountain land
Of underbrush and boulder,
Who thinks to see its full-grown tree
Must live a century older.

At last to us a woodland path,
To open sunset leading,

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