Ylladmar

Her hair was, oh, so dense a blur
Of darkness, midnight envied her;
And stars grew dimmer in the skies
To see the glory of her eyes;
And all the summer rain of light
That showered from the moon at night
Fell o'er her features as the gloom
Of twilight o'er a lily-bloom.

The crimson fruitage of her lips
Was ripe and lush with sweeter wine
Than burgundy or muscadine
Or vintage that the burgher sips
In some old garden on the Rhine:
And I to taste of it could well
Believe my heart a crucible
Of molten love - and I could feel
The drunken soul within me reel
And rock and stagger till it fell.

And do you wonder that I bowed
Before her splendor as a cloud
Of storm the golden-sandaled sun
Had set his conquering foot upon?
And did she will it, I could lie
In writhing rapture down and die
A death so full of precious pain
I'd waken up to die again.

James Whitcomb Riley

James Whitcomb Riley was an American writer, poet, and best-selling author. He was known as the "Hoosier Poet" and the "Children's Poet" for his dialect works and children's poetry respectively. Over his career, Riley authored approximately 1,000 poems, including "Little Orphant Annie" and "The Raggedy Man". His influence extended into the 20th century, and his works continued to be celebrated for their nostalgic and rural themes.

James Whitcomb Riley

Wash Lowry's Reminiscence

James Whitcomb Riley, Simple Poetry

The Bat.

James Whitcomb Riley, Simple Poetry

The Poet's Love For The Children

James Whitcomb Riley, Simple Poetry

By Any Other Name.

James Whitcomb Riley, Simple Poetry

English

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A Fantasy

A fantasy that came to me
    As wild and wantonly designed
As ever any dream might be
    Unraveled from a madman's mind, -
A tangle-work of tissue, wrought
    By cunning of the spider-brain,
    And woven, in an hour of pain,
To trap the giddy flies of thought.

I stood beneath a summer moon
    All swollen to uncanny girth,
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    Above the center of the earth;
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    As it had sickened of the night
And fallen in a pallid swoon.
Around me I could hear the rush
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He Called Her In

I

He called her in from me and shut the door.
And she so loved the sunshine and the sky! -
She loved them even better yet than I
That ne'er knew dearth of them - my mother dead,
Nature had nursed me in her lap instead:
And I had grown a dark and eerie child
That rarely smiled,
Save when, shut all alone in grasses high,
Looking straight up in God's great lonesome sky
And coaxing Mother to smile back on me.
'Twas lying thus, this fair girl suddenly
Came to me, nestled in the fields beside
A pleasant-seeming home, with doorway wide -
The sunshine beating in upon the floor

Like golden rain. -
O sweet, sweet face above me, turn again
And leave me! I had cried, but that an ache
Within my throat so gripped it I could make
No sound but a thi...

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Dearth

I hold your trembling hand to-night - and yet
I may not know what wealth of bliss is mine,
My heart is such a curious design
Of trust and jealousy! Your eyes are wet -
So must I think they jewel some regret,
And lo, the loving arms that round me twine
Cling only as the tendrils of a vine
Whose fruit has long been gathered: I forget,
While crimson clusters of your kisses press
Their wine out on my lips, my royal fair
Of rapture, since blind fancy needs must guess
They once poured out their sweetness otherwhere,
With fuller flavoring of happiness
Than e'en your broken sobs may now declare.

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Orlie Wilde

A goddess, with a siren's grace, -
A sun-haired girl on a craggy place
Above a bay where fish-boats lay
Drifting about like birds of prey.

Wrought was she of a painter's dream, -
Wise only as are artists wise,
My artist-friend, Rolf Herschkelhiem,
With deep sad eyes of oversize,
And face of melancholy guise.

I pressed him that he tell to me
This masterpiece's history.
He turned - REturned - and thus beguiled
Me with the tale of Orlie Wilde: -

"We artists live ideally:
We breed our firmest facts of air;
We make our own reality -
We dream a thing and it is so.
The fairest scenes we ever see
Are mirages of memory;
The sweetest thoughts we ever know
We plagiarize from Long Ago:
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Moon-Drowned.

'Twas the height of the fete when we quitted the riot,
    And quietly stole to the terrace alone,
Where, pale as the lovers that ever swear by it,
    The moon it 
We stood there enchanted. - And O the delight of
    The sight of the stars and the moon and the sea,
And the infinite skies of that opulent night of
    Purple and gold and ivory!

The lisp of the lip of the ripple just under -
    The half-awake nightingale's dream in the yews -
Came up from the water, and down from the wonder
    Of shadowy foliage, drowsed with the dews, -
Unsteady the firefly's taper - unsteady
    The poise of the stars, and their light in the tide,
As it struggled and writhed in caress of the eddy,
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In The South.

There is a princess in the South
    About whose beauty rumors hum
Like honey-bees about the mouth
    Of roses dewdrops falter from;
    And O her hair is like the fine
    Clear amber of a jostled wine
    In tropic revels; and her eyes
    Are blue as rifts of Paradise.

Such beauty as may none before
    Kneel daringly, to kiss the tips
Of fingers such as knights of yore
    Had died to lift against their lips:
    Such eyes as might the eyes of gold
    Of all the stars of night behold
    With glittering envy, and so glare
    In dazzling splendor of despair.

So, were I but a minstrel, deft
    At weaving, with the trembling strings
Of my glad harp, the warp and weft
    Of rondels such as rapture sings, -
    I'd loop my l...

James Whitcomb Riley