Thomas Hardy

Thomas Hardy (1840-1928) was an English novelist and poet. Born in Dorset, his works often featured the semi-fictional region of Wessex. Hardy was initially trained as an architect, but he later pursued writing full-time. His novels, including 'Tess of the d'Urbervilles,' 'Far from the Madding Crowd,' and 'Jude the Obscure,' are known for their critical portrayal of Victorian society and its mores. As a poet, he is recognized for his explorations of human suffering and the indifferent forces of nature. Hardy's legacy is profound, influencing both literature and criticism.

June 2, 1840

January 11, 1928

English

Thomas Hardy

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A Backward Spring

The trees are afraid to put forth buds,
And there is timidity in the grass;
The plots lie gray where gouged by spuds,
And whether next week will pass
Free of sly sour winds is the fret of each bush
Of barberry waiting to bloom.

Yet the snowdrop's face betrays no gloom,
And the primrose pants in its heedless push,
Though the myrtle asks if it's worth the fight
This year with frost and rime
To venture one more time
On delicate leaves and buttons of white
From the selfsame bough as at last year's prime,
And never to ruminate on or remember
What happened to it in mid-December.

April 1917.

Thomas Hardy

A Broken Appointment

You did not come,
And marching Time drew on, and wore me numb. -
Yet less for loss of your dear presence there
Than that I thus found lacking in your make
That high compassion which can overbear
Reluctance for pure lovingkindness' sake
Grieved I, when, as the hope-hour stroked its sum,
You did not come.

You love not me,
And love alone can lend you loyalty;
- I know and knew it. But, unto the store
Of human deeds divine in all but name,
Was it not worth a little hour or more
To add yet this: Once, you, a woman, came
To soothe a time-torn man; even though it be
You love not me?

Thomas Hardy

A Bygone Occasion (Song)

That night, that night,
That song, that song!
Will such again be evened quite
Through lifetimes long?

No mirth was shown
To outer seers,
But mood to match has not been known
In modern years.

O eyes that smiled,
O lips that lured;
That such would last was one beguiled
To think ensured!

That night, that night,
That song, that song;
O drink to its recalled delight,
Though tears may throng!

Thomas Hardy

A Call To National Service

Up and be doing, all who have a hand
To lift, a back to bend. It must not be
In times like these that vaguely linger we
To air our vaunts and hopes; and leave our land

Untended as a wild of weeds and sand.
- Say, then, "I come!" and go, O women and men
Of palace, ploughshare, easel, counter, pen;
That scareless, scathless, England still may stand.

Would years but let me stir as once I stirred
At many a dawn to take the forward track,
And with a stride plunged on to enterprize,

I now would speed like yester wind that whirred
Through yielding pines; and serve with never a slack,
So loud for promptness all around outcries!

March 1917.

Thomas Hardy

A Christmas Ghost-Story

South of the Line, inland from far Durban,
A mouldering soldier lies - your countryman.
Awry and doubled up are his gray bones,
And on the breeze his puzzled phantom moans
Nightly to clear Canopus: "I would know
By whom and when the All-Earth-gladdening Law
Of Peace, brought in by that Man Crucified,
Was ruled to be inept, and set aside?

And what of logic or of truth appears
In tacking 'Anno Domini' to the years?
Near twenty-hundred livened thus have hied,
But tarries yet the Cause for which He died."

Christmas-eve, 1899.

Thomas Hardy

A Church Romance

(MELLSTOCK circa 1835)



She turned in the high pew, until her sight
Swept the west gallery, and caught its row
Of music-men with viol, book, and bow
Against the sinking sad tower-window light.

She turned again; and in her pride's despite
One strenuous viol's inspirer seemed to throw
A message from his string to her below,
Which said: "I claim thee as my own forthright!"

Thus their hearts' bond began, in due time signed.
And long years thence, when Age had scared Romance,
At some old attitude of his or glance
That gallery-scene would break upon her mind,
With him as minstrel, ardent, young, and trim,
Bowing "New Sabbath" or "Mount Ephraim."

Thomas Hardy

A Circular

As "legal representative"
I read a missive not my own,
On new designs the senders give
    For clothes, in tints as shown.

Here figure blouses, gowns for tea,
And presentation-trains of state,
Charming ball-dresses, millinery,
    Warranted up to date.

And this gay-pictured, spring-time shout
Of Fashion, hails what lady proud?
Her who before last year was out
    Was costumed in a shroud.

Thomas Hardy

A Commonplace Day

The day is turning ghost,
And scuttles from the kalendar in fits and furtively,
To join the anonymous host
Of those that throng oblivion; ceding his place, maybe,
To one of like degree.

I part the fire-gnawed logs,
Rake forth the embers, spoil the busy flames, and lay the ends
Upon the shining dogs;
Further and further from the nooks the twilight's stride extends,
And beamless black impends.

Nothing of tiniest worth
Have I wrought, pondered, planned; no one thing asking blame or praise,
Since the pale corpse-like birth
Of this diurnal unit, bearing blanks in all its rays -
Dullest of dull-hued Days!

Wanly upon the panes
The rain slides as have slid since morn my colourless thoughts; and yet
Here, while Day's presence wanes,
And over...

Thomas Hardy

A Confession To A Friend In Trouble

Your troubles shrink not, though I feel them less
Here, far away, than when I tarried near;
I even smile old smiles with listlessness -
Yet smiles they are, not ghastly mockeries mere.

A thought too strange to house within my brain
Haunting its outer precincts I discern:
- That I will not show zeal again to learn
Your griefs, and sharing them, renew my pain . . .

It goes, like murky bird or buccaneer
That shapes its lawless figure on the main,
And each new impulse tends to make outflee
The unseemly instinct that had lodgment here;
Yet, comrade old, can bitterer knowledge be
Than that, though banned, such instinct was in me!

1866.

Thomas Hardy

A Conversation At Dawn

He lay awake, with a harassed air,
And she, in her cloud of loose lank hair,
    Seemed trouble-tried
As the dawn drew in on their faces there.

The chamber looked far over the sea
From a white hotel on a white-stoned quay,
    And stepping a stride
He parted the window-drapery.

Above the level horizon spread
The sunrise, firing them foot to head
    From its smouldering lair,
And painting their pillows with dyes of red.

"What strange disquiets have stirred you, dear,
This dragging night, with starts in fear
    Of me, as it were,
Or of something evil hovering near?"

"My husband, can I have fear of you?
What should one fear from a man whom few,
    Or none, had matched
In that late long spell of delays undue!"

H...

Thomas Hardy

A Death-Day Recalled

Beeny did not quiver,
    Juliot grew not gray,
Thin Valency's river
    Held its wonted way.
Bos seemed not to utter
    Dimmest note of dirge,
Targan mouth a mutter
    To its creamy surge.

Yet though these, unheeding,
    Listless, passed the hour
Of her spirit's speeding,
    She had, in her flower,
Sought and loved the places -
    Much and often pined
For their lonely faces
    When in towns confined.

Why did not Valency
    In his purl deplore
One whose haunts were whence he
    Drew his limpid store?
Why did Bos not thunder,
    Targan apprehend
Body and breath were sunder
    Of their former friend?

Thomas Hardy

A Dream Or No

Why go to Saint-Juliot? What's Juliot to me?
    I was but made fancy
    By some necromancy
That much of my life claims the spot as its key.

Yes. I have had dreams of that place in the West,
    And a maiden abiding
    Thereat as in hiding;
Fair-eyed and white-shouldered, broad-browed and brown-tressed.

And of how, coastward bound on a night long ago,
    There lonely I found her,
    The sea-birds around her,
And other than nigh things uncaring to know.

So sweet her life there (in my thought has it seemed)
    That quickly she drew me
    To take her unto me,
And lodge her long years with me. Such have I dreamed.

But nought of that maid from Saint-Juliot I see;
    Can she ever have been here,
    And shed her life's sheen ...

Thomas Hardy

A Dream Question

"It shall be dark unto you, that ye shall not divine."
Micah iii. 6.

I asked the Lord: "Sire, is this true
Which hosts of theologians hold,
That when we creatures censure you
For shaping griefs and ails untold
(Deeming them punishments undue)
You rage, as Moses wrote of old?

When we exclaim: 'Beneficent
He is not, for he orders pain,
Or, if so, not omnipotent:
To a mere child the thing is plain!'
Those who profess to represent
You, cry out: 'Impious and profane!'"

He: "Save me from my friends, who deem
That I care what my creatures say!
Mouth as you list: sneer, rail, blaspheme,
O manikin, the livelong day,
Not one grief-groan or pleasure-gleam
Will you increase or take away.

"Why things are thus, whoso derides,

Thomas Hardy

A Drizzling Easter Morning

And he is risen? Well, be it so . . .
And still the pensive lands complain,
And dead men wait as long ago,
As if, much doubting, they would know
What they are ransomed from, before
They pass again their sheltering door.

I stand amid them in the rain,
While blusters vex the yew and vane;
And on the road the weary wain
Plods forward, laden heavily;
And toilers with their aches are fain
For endless rest though risen is he.

Thomas Hardy

A Duettist To Her Pianoforte Song Of Silence

(E. L. H. H. C. H.)


Since every sound moves memories,
How can I play you
Just as I might if you raised no scene,
By your ivory rows, of a form between
My vision and your time-worn sheen,
As when each day you
Answered our fingers with ecstasy?
So it's hushed, hushed, hushed, you are for me!

And as I am doomed to counterchord
Her notes no more
In those old things I used to know,
In a fashion, when we practised so,
"Good-night! Good-bye!" to your pleated show
Of silk, now hoar,
Each nodding hammer, and pedal and key,
For dead, dead, dead, you are to me!

I fain would second her, strike to her stroke,
As when she was by,
Aye, even from the ancient clamorous "Fall
Of Paris," or "Battle of Prague" withal,
To the "Rovin...

Thomas Hardy

A Gentleman's Epitaph On Himself And A Lady, Who Were Buried Together

I dwelt in the shade of a city,
She far by the sea,
With folk perhaps good, gracious, witty;
But never with me.

Her form on the ballroom's smooth flooring
I never once met,
To guide her with accents adoring
Through Weippert's "First Set." {1}

I spent my life's seasons with pale ones
In Vanity Fair,
And she enjoyed hers among hale ones
In salt-smelling air.

Maybe she had eyes of deep colour,
Maybe they were blue,
Maybe as she aged they got duller;
That never I knew.

She may have had lips like the coral,
But I never kissed them,
Saw pouting, nor curling in quarrel,
Nor sought for, nor missed them.

Not a word passed of love all our lifetime,
Between us, nor thrill;
We'd never a husband-and-wife time,

Thomas Hardy

A House With A History

There is a house in a city street
Some past ones made their own;
Its floors were criss-crossed by their feet,
And their babblings beat
From ceiling to white hearth-stone.

And who are peopling its parlours now?
Who talk across its floor?
Mere freshlings are they, blank of brow,
Who read not how
Its prime had passed before

Their raw equipments, scenes, and says
Afflicted its memoried face,
That had seen every larger phase
Of human ways
Before these filled the place.

To them that house's tale is theirs,
No former voices call
Aloud therein. Its aspect bears
Their joys and cares
Alone, from wall to wall.

Thomas Hardy

A January Night

The rain smites more and more,
The east wind snarls and sneezes;
Through the joints of the quivering door
The water wheezes.

The tip of each ivy-shoot
Writhes on its neighbour's face;
There is some hid dread afoot
That we cannot trace.

Is it the spirit astray
Of the man at the house below
Whose coffin they took in to-day?
We do not know.

Thomas Hardy

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