They sent him back to her. The letter came
Saying… And she could have him. And before
She could be sure there was no hidden ill
Under the formal writing, he was in her sight,
Living. They gave him back to her alive,
How else? They are not known to send the dead,
And not disfigured visibly. His face?
His hands? She had to look, and ask,
“What was it, dear?” And she had given all
And still she had all, they had they the lucky!
Wasn’t she glad now? Everything seemed won,
And all the rest for them permissible ease.
She had to ask, “What was it, dear?”

“Enough,
Yet not enough. A bullet through and through,
High in the breast. Nothing but what good care
And medicine and rest, and you a week,
Can cure me of to go again.” The same
Grim giving to do ove...

Fled are the frosts, and now the fields appear
Reclothed in fresh and verdant diaper;
Thaw'd are the snows; and now the lusty Spring
Gives to each mead a neat enamelling;
The palms put forth their gems, and every tree
Now swaggers in her leafy gallantry.
The while the Daulian minstrel sweetly sings
With warbling notes her Terean sufferings.
What gentle winds perspire! as if here
Never had been the northern plunderer
To strip the trees and fields, to their distress,
Leaving them to a pitied nakedness.
And look how when a frantic storm doth tear
A stubborn oak or holm, long growing there,
But lull'd to calmness, then succeeds a breeze
That scarcely stirs the nodding leaves of trees;
So when this war, which tempest-like doth spoil
Our salt, our corn, our hon...

Never have I been glad or sad
That there was such a thing as bad.
There had to be, I understood,
For there to have been any good.
It was by having been contrasted
That good and bad so long had lasted.
That's why discrimination reigns.
That's why we need a lot of brains
If only to discriminate
'Twixt what to love and what to hate.
To quote the oracle at Delphi,
Love thy neighbor as thyself, aye,
And hate him as thyself thou hatest.
There quandary is at its greatest.
We learned from the forbidden fruit
For brains there is no substitute.
'Unless it's sweetbreads, ' you suggest
With innuendo I detest.
You drive me to confess in ink:
Once I was fool enough to think
That brains and sweetbreads were the same,
Till I was caught and put to sham...

The rose is a rose,
And was always a rose.
But now the theory goes
That the apple's a rose,
And the pear is, and so's
The plum, I suppose.
The dear only knows
What will next prove a rose.
You, of course, are a rose,
But were always a rose.

My rhymes are rough, and often in my rhyming
I've drifted, silver-sailed, on seas of dream,
Hearing afar the bells of Elfland chiming,
Seeing the groves of Arcadie agleam.

I was the thrall of Beauty that rejoices
From peak snow-diademed to regal star;
Yet to mine aerie ever pierced the voices,
The pregnant voices of the Things That Are.

The Here, the Now, the vast Forlorn around us;
The gold-delirium, the ferine strife;
The lusts that lure us on, the hates that hound us;
Our red rags in the patch-work quilt of Life.

The nameless men who nameless rivers travel,
And in strange valleys greet strange deaths alone;
The grim, intrepid ones who would unravel
The mysteries that shroud the Polar Zone.

These will I sing, and if one of you linger<...

I let myself in at the kitchen door.
"It's you," she said. "I can't get up. Forgive me
Not answering your knock. I can no more
Let people in than I can keep them out.
I'm getting too old for my size, I tell them.
My fingers are about all I've the use of
So's to take any comfort. I can sew:
I help out with this beadwork what I can."
"That's a smart pair of pumps you're beading there.
Who are they for?"
"You mean? oh, for some miss.
I can't keep track of other people's daughters.
Lord, if I were to dream of everyone
Whose shoes I primped to dance in!"
"And where's John?"
"Haven't you seen him? Strange what set you off
To come to his house when he's gone to yours.
You can't have passed each other. I know what:
He must have changed his mind and gone to G...

He comes, he comes, the Frost Spirit comes, you may trace his footsteps now,
On the naked woods and the blasted fields and the brown hill’s withered brow.
He has smitten the leaves of the gray old trees where their pleasant green came forth,
And the winds, which follow wherever he goes, have shaken them down to earth.

He comes, he comes, the Frost Spirit comes! from the frozen Labrador,
From the icy bridge of the Northern seas, which the white bear wanders o’er,
Where the fisherman’s sail is stiff with ice, and the luckless forms below
In the sunless cold of the lingering night into marble statues grow

He comes, he comes, the Frost Spirit comes on the rushing Northern blast,
And the dark Norwegian pines have bowed as his fearful breath went past.
With an unscorched wing he has ...

She is as in a field of silken tent
At midday when the sunny summer breeze
Has dried the dew and all its ropes relent,
So that in guys it gently sways at ease,
And its supporting central cedar pole,
That is its pinnacle to heavenward
And signifies the sureness of the soul,
Seems to owe naught to any single cord,
But strictly held by none, is loosely bound
By countless silken ties of love and thought
To every thing on earth the compass round,
And only by one's going slightly taut
In the capriciousness of summer air
Is of the slightlest bondage made aware.

I see amid the fields of Ayr
A ploughman, who, in foul and fair,
        Sings at his task
So clear, we know not if it is
The laverock's song we hear, or his,
        Nor care to ask.

For him the ploughing of those fields
A more ethereal harvest yields
        Than sheaves of grain;
Songs flush with Purple bloom the rye,
The plover's call, the curlew's cry,
        Sing in his brain.

Touched by his hand, the wayside weed
Becomes a flower; the lowliest reed
        Beside the stream
Is clothed with beauty; gorse and grass
And heather, where his footsteps pass,
        The brighter seem.

He sings of love, whose flame illumes
The darkness of lone cottage rooms;
        He feels the force,
The treacherous undertow and str...

White artist he, who, breezeless nights,
From tingling stars jocosely whirls,
A harlequin in spangled tights,
His wand a pot of pounded pearls.

The field a hasty pallet; for,
In thin or thick, with daub and streak,
It stretches from the barn-gate's bar
To the bleached ribbon of the creek.

A great geometer is he;
For, on the creek's diaphanous silk,
Sphere, cone, and star exquisitely
He's drawn in crystal lines of milk.

Most delicate, his talent keen
On casement panes he lavishes,
In many a Lilliputian scene
Of vague white hives and milky bees,

That sparkling in still swarms delight,
Or bow the jeweled bells of flowers; -
Of dim, deep landscapes of the night,
Hanging down limpid domes quaint showers

Of feathery ...

Announced by all the trumpets of the sky,
Arrives the snow, and, driving o'er the fields,
Seems nowhere to alight: the whited air
Hides hills and woods, the river, and the heaven,
And veils the farm-house at the garden's end.
The sled and traveller stopped, the courier's feet
Delayed, all friends shut out, the housemates sit
Around the radiant fireplace, enclosed
In a tumultuous privacy of storm.

Come see the north wind's masonry.
Out of an unseen quarry
Furnished with tile, the fierce artificer
Curves his white bastions with projected roof
Round every windward stake, or tree, or door.
Speeding, the myriad-handed, his wild work
So fanciful, so savage, nought cares he
For number or proportion. Mockingly,
On coop or kennel he hangs Parian wreaths;

    Rash mortal, and slanderous Poet, thy name
    Shall no longer appear in the records of fame;
    Dost not know that old Mansfield, who writes like the Bible,
    Says the more 'tis a truth, Sir, the more 'tis a libel?

I now delight
In spite
Of the might
And the right
Of classic tradition,
In writing
And reciting
Straight ahead,
Without let or omission,
Just any little rhyme
In any little time
That runs in my head;
Because, I've said,
My rhymes no longer shall stand arrayed
Like Prussian soldiers on parade
That march,
Stiff as starch,
Foot to foot,
Boot to boot,
Blade to blade,
Button to button
Cheeks and chops and chins like mutton.
No! No!
My rhymes must go
Turn 'ee, twist 'ee,
Twinkling, frosty,
Will-o'-the-wisp-like, misty;
Rhymes I will make
Like Keats and Blake
And Christina Rossetti,
With run and ripple and shake.
How pretty
To take
A merry little rhyme
In a jolly little time

The small wind whispers through the leafless hedge
Most sharp and chill, where the light snowy flakes
Rest on each twig and spike of wither'd sedge,
Resembling scatter'd feathers;--vainly breaks
The pale split sunbeam through the frowning cloud,
On Winter's frowns below--from day to day
Unmelted still he spreads his hoary shroud,
In dithering pride on the pale traveller's way,
Who, croodling, hastens from the storm behind
Fast gathering deep and black, again to find
His cottage-fire and corner's sheltering bounds;
Where, haply, such uncomfortable days
Make musical the wood-sap's frizzling sounds,
And hoarse loud bellows puffing up the blaze.

Across the hills and down the narrow ways,
And up the valley where the free winds sweep,
The earth is folded in an ermined sleep
That mocks the melting mirth of myriad Mays.
Departed her disheartening duns and grays,
And all her crusty black is covered deep.
Dark streams are locked in Winter's donjon-keep,
And made to shine with keen, unwonted rays.
O icy mantle, and deceitful snow!
What world-old liars in your hearts ye are!
Are there not still the darkened seam and scar
Beneath the brightness that you fain would show?
Come from the cover with thy blot and blur,
O reeking Earth, thou whited sepulchre!

Bard of the Fleece, whose skilful genius made
That work a living landscape fair and bright;
Nor hallowed less with musical delight
Than those soft scenes through which thy childhood strayed,
Those southern tracts of Cambria, "deep embayed,
With green hills fenced, with ocean's murmur lulled;"
Though hasty Fame hath many a chaplet culled
For worthless brows, while in the pensive shade
Of cold neglect she leaves thy head ungraced,
Yet pure and powerful minds, hearts meek and still,
A grateful few, shall love thy modest Lay,
Long as the shepherd's bleating flock shall stray
O'er naked Snowdon's wide aerial waste;
Long as the thrush shall pipe on Grongar Hill!

Blood has been harder to dam back than water.
Just when we think we have it impounded safe
Behind new barrier walls (and let it chafe!),
It breaks away in some new kind of slaughter.
We choose to say it is let loose by the devil;
But power of blood itself releases blood.
It goes by might of being such a flood
Held high at so unnatural a level.
It will have outlet, brave and not so brave.
weapons of war and implements of peace
Are but the points at which it finds release.
And now it is once more the tidal wave
That when it has swept by leaves summits stained.
Oh, blood will out. It cannot be contained.

    Late crippl'd of an arm, and now a leg,
    About to beg a pass for leave to beg:
    Dull, listless, teas'd, dejected, and deprest,
    (Nature is adverse to a cripple's rest;)
    Will generous Graham list to his Poet's wail?
    (It soothes poor misery, hearkening to her tale,)
    And hear him curse the light he first survey'd,
    And doubly curse the luckless rhyming trade?

    Thou, Nature, partial Nature! I arraign;
    Of thy caprice maternal I complain:
    The lion and the bull thy care have found,
    One shakes the forests, and one spurns the ground:
    Thou giv'st the ass his hide, the snail his shell,
    Th' envenom'd wasp, victorious, guards his cell;
    Thy minions, kings, defend, control, devour,
    In all th' omnipotence of rule and...